Quick Link: Six Smart Ways Indie Authors Can Collaborate When Marketing

Quick links, bringing you great articles on writing from all over the web.

We are all in this together as author and writers, so this post from Angela Ackerman at Writer’s Helping Writers hits the spot with how we can help each other with the hardest task of all. Marketing.

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Six Smart Ways Indie Authors Can Collaborate When Marketing

by Angela Ackerman

The control and freedom indie authors have can be a big asset when it comes to marketing. The problem is time. Shouldering the weight of writing, editing, researching, publishing, marketing, and promoting alone can be exhausting, especially knowing our industry is growing more crowded and competitive by the day.

There’s a silver lining here, though: Indies are business people (let’s face it, you have to be to make it in our world) who know the value of collaboration. After all, working together means spreading out the marketing load, sharing audiences, and leveraging everyone’s platform and connections.

Finding other authors to collaborate with might take some time, but it’s worth it. Look for authors who 1) write books very similar to your own 2) have a good work ethic 3) believe in give and take, and 4) have a platform and the trust of their readers (influence).

Built your crew? Awesome! Here’s six ways to collaborate.

Swap Valuable Links

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Quick Link: 10 Tips for Self-Published Authors

Quick links, bringing you great articles on writing from all over the web.

Here are some good pointers from author for writers who are thinking of becoming self-published. Head on over to Fantasy Faction for the full post.

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10 Tips for Self-Published Authors

by Duncan M. Hamilton

In publishing there are outliers who release a book straight to the top of the charts, but they are few and far between. Happily, you don’t need this to happen to be able to make a full time living from writing—the slow build to a solid platform is equally viable, albeit longer in the making. With that in mind, I’ve put together ten pointers that I hope will help anyone considering going down the self-pub route avoid some of the pitfalls and hard lessons waiting along the way.

1. Writers’ Cafe on the KBoards Forum

Every day for me starts with a few minutes there. It has a vast amount of information relating to pretty much everything you could encounter as a writer. It’s up to date, with discussions on new developments in the industry usually starting up within minutes of the announcement being made. There’s also ongoing discussion on what marketing methods are working, and those that aren’t. As always, you’ll need to exercise personal judgement in separating the wheat from the chaff, but this will become easier with a little time spent reading up. There are some very experienced and successful writers hanging out there, and more often than not they are very generous with their advice and in sharing their knowledge.

Read the full post on Fantasy Faction

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Quick Link: Storyboarding with Scrivener (or, A Love Affair with Virtual Index Cards)

Quick links, bringing you great articles on writing from all over the web.

Do you use Scrivener? I have it and I use it sporadically but sporadic is my middle name. It is a great tool for organizing but it can be a bit overwhelming.  from Writers UnBoxed has some great tips with lots of pictures on how to use the index card feature of Scrivener better.

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Storyboarding with Scrivener (or, A Love Affair with Virtual Index Cards)

By

Whether you’re a plotter or a pantser—or neither—at some point in your writing process, you can probably benefit from a visual overview of your story. Scrivener’s Corkboard feature is here to help.

Pack up your paper index cards and colored sticky notes, and let’s go virtual.

Understanding Index Cards in Scrivener

Every file in Scrivener has an associated index card. That index card shows up in the Synopsis section of the Inspector (visible in all but the Snapshots and Comments panes), and on the Corkboard. You can use the index card to make note of anything you want—for example, the timeline, setting, characters—but for storyboarding purposes, it makes sense to include a brief synopsis of the scene.

Read the full post on Writers UnBoxed

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Quick Link: How To Get Book Reviews As An Unknown Author

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The hardest thing is for a new author to get recognized. There are so many titles out there and other authors trying to get recognized as as well.  With a limited number of resources, how do you get started in gathering publicity and reviews? At The Creative Penn, Joanna Penn helps you out with steps you can take.

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How To Get Book Reviews As An Unknown Author

A few months ago, I started a new pen-name and have kept it secret in order to avoid ‘pollution’ of the also-boughts. But it has been SO hard because I have basically started from scratch – with no email list, no street team, no reviews, no platform, no social media. 

The pen-name is slowly gathering steam, but it reminds me how hard it is starting out and getting those first reviews can be one of the hardest things. 

In today’s article, Jason B. Ladd, author of Book Review Banzai gives some tips on getting reviews as an unknown author. 

As an unknown author, getting Amazon reviews for your book is crucial to unlocking its full potential. But it’s not as easy as it sounds.

False Assumptions

You might think that downloads lead to Amazon reviews.

They don’t.

You might not know if Amazon has restrictions on reviews.

They do.

You might think reviews will eventually start rolling in with enough time and word of mouth.

They won’t.

It’s easy to get discouraged. You might think it’s impossible for an unknown author publishing their first book to get any traction with Amazon reviews.

It isn’t.

 

Read the full post on The Creative Penn

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Quick Link: KINDLE SCOUT –STEP INSIDE FOR A TOUR

Quick links, bringing you great articles on writing from all over the web.

Have you tried using Kindle Scout for one of your titles? What did you think? I love it as a reader. (Because we all know I haven’t finished anything yet.) If you haven’t heard of Kindle Scout, or you wanted to learn more Debbie Burke from Kill Zone has an excellent article on the process. Check it out!

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KINDLE SCOUT –STEP INSIDE FOR A TOUR

By Debbie Burke

Kindle Scout is Amazon’s innovative program where readers “scout” for new books and vote for ones they believe should be published. Back in April, I covered the basics of Scout for TKZ. Since then, I submitted my thriller Instrument of the Devil and went through my own 30-day campaign. Today, let’s open the Scout door and take a tour inside.

SUBMISSION PROCESS:
To submit to Scout, Amazon requires a cover (at author’s expense), a complete, never-before-published, edited manuscript of 50+K words, a 45-character one-liner (logline), a 500-character book description, author bio, and a thank-you note to readers who nominated the book (more on this later).

After Scout accepts the submission, they select the dates for the 30-day campaign, and provide a link that shows the preview exactly as it will appear on the Scout site. The first 25 or so pages of the book are excerpted as a sample for readers to vote on.

Read the full post on Kill Zone

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Quick Link: A New You—In Name Alone? When to Adopt a Pen Name

Quick links, bringing you great articles on writing from all over the web.

I never really liked my name until I found out I was named after Paul Revere. My mother, weird but cool in her own special way. As a writer you can make your name anything you want, but does it make sense to do so? Author Sophie Littlefield, aka Sofia Grant guest posting on Pub Crawl shares her thoughts on pen names.

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A New You—In Name Alone? When to Adopt a Pen Name

by Sophie Littlefield, aka Sofia Grant

For the first ten years and twenty-plus novels of my career, I wrote exclusively under my real name. But this summer, The Dress in the Window will come out under the pseudonym Sofia Grant.

The decision to use a pen name was not undertaken lightly, but after extensive discussion with my agent and editor, who ultimately felt that my new novel might reach the greatest number of readers if it was launched as a ‘debut.’ While it is not a secret to anyone who does a simple Google search that Sophie Littlefield and Sofia Grant are one and the same (the media kit and marketing materials even make this clear), the switch is an effective signal to both booksellers and readers that this book is a departure from those that I’ve written in the past.

WHEN IS A PEN NAME A GOOD IDEA?

 

Read the full post on Pub Crawl

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Quick Link: Why Layering Your Novel Is the Method for Success

Quick links, bringing you great articles on writing from all over the web.

C.S. Latkin’s always provides a great post, and this one is no exception. I love her use of building a house as an analogy for writing. I actually use the same analogy for building websites, so great mind, right? But if you want to able to write with more depth, something that separates you from the newbs, check this post out.

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Why Layering Your Novel Is the Method for Success

by C.S. Latkin

Last year I spent some months talking about layering scenes. As time goes on, I see how few writers—especially aspiring novelists—have any clue how to organize their scenes. They brainstorm their scene ideas once they’ve settled on a premise of sorts, and then they just start writing from scene one.

The result is usually disastrous.

While we read books from page 1 to the end, that is not the best way to lay out a novel. In fact, it’s probably the worst way.

Novels need to be built like houses. You don’t build a house by framing up a door, sticking the door in the doorway, then entering into . . . nothing. You don’t build in a linear direction, from front to back. And even though you do build vertically, from the ground up, there’s the issue of framework.

You have to build off your concrete slab or perimeter foundation first with a framework. If you’re building a house, that framework will consist of wood studs and posts hammered together according to your blueprint. Walls are built with studs at specific spacing, and the spaces for doors and windows are framed in with headers and supporting studs on the sides and where the sills will go.

All this to say: every structure relies on key supporting elements. Some supporting elements have to hold tremendous weights. You’ve probably seen open-beam ceilings, with maybe one giant wood beam traversing a huge room, seemingly holding up the whole roof.

Read the full post on Live Write Thrive

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Quick Link: Writer’s Block and Depression: Why Writers Need to “Fill the Well”

Quick links, bringing you great articles on writing from all over the web.

I often write about the need to take care of yourself and I am a firm believer in opening up and normalizing dealing with mental health issues so I am pleased to share this post from Anne R. Allen.

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Writer’s Block and Depression: Why Writers Need to “Fill the Well”

by Anne R. Allen

Writer’s block is probably the most popular topic in the writing posts on Medium, the popular new (ish) blogging platform. Lots of Millennials use Medium, and their posts offer an insight into our culture’s future.

I’ve been amazed to see how many young writers consider themselves “blocked.”

I fear it comes from that old adage “write every day”– which is silly. Even the most successful, prolific writers I know don’t work seven days a week, fifty-two weeks a year. It’s good to remember that even God rested on the seventh day.

I believe that if you have nothing to say, it’s best not to say it.

There is so much pressure right now to turn out endless verbiage that writers aren’t taking time to read, contemplate, and have real experiences to write about.

Read the full post on Anne R. Allen’s Blog

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Quick Link: Book Marketing: How to Get Your Self-published Books into Bookstores

Quick links, bringing you great articles on writing from all over the web.

Indie publishers in brick and mortar stores? Yep, the post from the Self-Publishing Advice Center is more a cautionary tale of what not to do BUT if you join the Alliance of Independent Authors you also get a free (!) download of their book on how to get your title into stores!

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Book Marketing: How to Get Your Self-published Books into Bookstores

The latest guidebook for indie authors in ALLi’s Successful Self-publishing Series has been written to answer one of the most frequent questions posed by self-published writers: “How do I get my book stocked in a bookstore?” – and the frequent supplementary query: “Is it even worth trying?”

Although most indie authors make most of their sales online, many writers would love to see their books stocked in bricks-and-mortar stores – the kind where we bought books when we were kids, before Amazon was even a glint in Jeff Bezos’s eye. But many of them fear it can’t be done.

At ALLi, we believe it is possible for indies to work effectively with bookstores, and many of our author members are doing so. We also believe it is the indie’s prerogative to choose whether or not to take that route, and no author should feel a failure if they don’t.

But to make the decision that’s right for you, you owe it to yourself to acquaint yourself with the facts, rather than be deterred by rumours or misinformation.

Read the full post on Self-Publishing Advice Center

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Quick Link: Stupid Advice I Have Taken about Writing

Quick links, bringing you great articles on writing from all over the web.

That’s the danger of reading advice on the web, you have to be careful about the quality. Even really good writers can give conflicting suggestions. But there are some words of wisdom that you would have been better off never reading. At Writer UnBoxed, author Louie Cronin shares some of rules he wishes he never followed.

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Stupid Advice I Have Taken about Writing

by Louie Cronin

When I was 31, I retired from a “good” job as an audio engineer at ABC in San Francisco to write a novel. (“Good” for an engineer, hell for a writer.) I was the first engineer across the US to take ABC’s seemingly generous offer: one year’s salary to get lost. How could any writer turn that down? How could it take longer than a year to write a novel?

Right after I retired, I got on a plane to Boston. (The novel could wait; first I had to visit my parents.) The shaggy-haired, famous-looking, cigarillo-smoking man seated next to me asked what I did for a living. (Funny how men were so interested in my career back then.)

“I just quit my job to write a novel,” I said, beaming.

He raised an eyebrow. “Really?” Turns out he had connections in the writing world. Lucky me! I was so excited I forgot to press him for details.

“Have you written anything before?” he asked.

“In high school,” I said. “And a little in college.”

“Ever published?”

“Uh, no.”

“Do you write every day?”

Read the full post on Writer UnBoxed

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Quick Link: The Broken Query System

Quick links, bringing you great articles on writing from all over the web.

Wendy Lawton from Books & Such discusses the broken query system and what you can do to work with it.

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The Broken Query System

by Wendy Lawton

Broken things drive me crazy. Just call me the Fix-it Fairy. If something is broken–be it an object, a person, or a system–I have trouble accepting the state of brokenness. I want it fixed.

Last week I talked about the correct way to submit queries. Today I want to vent about the query system agents currently use to screen potential clients. Here’s a news flash: the system is broken.

Let me tell you why.

Queries are not necessarily representative. Some of the finest writers are some of the worst query writers and vice versa. We’re making seat-of-the-pants decisions on a bit of promotional-type writing.

Scarcity of Slots. Truth be told, most established agents carry a very full client list. That’s not to say that we don’t take on a new client if we fall in love with the book or the writer, but I struggle to find new clients through the query system. I often wonder if it is counter-productive. So how do we find clients? Each agent is different and I know, even in our agency, some agents have found a good number of their clients through the query system. But I tend to find clients two different ways: through referrals from editors, clients or published authors; and through meeting writers in person at a conference. As I write this I’m in Minneapolis for a the Northwest Christian Writer’s Conference. I always look forward to meeting writers in the flesh. Some writers I’ll be meeting for the second or third time.

 

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Quick Link: Publishing Industry Cults, Weaponized Amazon Reviews, and Organized Cyberbullying

Quick links, bringing you great articles on writing from all over the web.

has a great post on the darker side of writing. It is worth checking out.

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Publishing Industry Cults, Weaponized Amazon Reviews, and Organized Cyberbullying

By

Over the years I’ve written  quite a bit about the dangers of author-on-author cyberbullying.

A few years ago, a group I called  “Mean Girls-meets-Lord of the Flies” terrorized authors on Goodreads and Amazon. A lot of us left Goodreads and never went back.

The ringleaders were mostly unsuccessfully self-published authors who harassed established stars as well as newbie writers. They criticized successful authors for their “greed” in charging money for their work and gamed Goodreads for free hard-copy books, which they’d give bogus one-star “reviews,” then sell unread on ebay.

Newbie authors who didn’t know the group’s unwritten “rules” were punished with sadistic glee.

They attacked victims with swarms of one-star “reviews” on Goodreads and Amazon that contained character assassination lies, personal attacks, rape threats, and even death threats — what I call “weaponized” reviews.

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Quick Link: 4 Ways To Develop The Unique Voice Of Your Character

Quick links, bringing you great articles on writing from all over the web.

Once you get your own voice as a writer down, you need to then work on the voices of your characters. Their voice helps to define their personality in the reader’s mind. at The Creative Penn has some great tips on how to do this.

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4 Ways To Develop The Unique Voice Of Your Character

Think about some of your favorite series – either books or TV shows. Why do you keep going back for more? 

It’s most likely to be about the characters because people are interested in people. We experience life vicariously through the experiences of others, real or fictional, and that’s why we love character-driven story. 

In today’s article, science fiction author Don Foxe outlines some ways to develop your character voice. 

For a character to become believable, they must present a unique voice.

When a reader believes this person could be real, you then have the opportunity to entertain with what they actually say. Their voice is not what they say, but how they talk. A lyricist may produce a beautiful message, but if the singer is off-key, we never hang around to hear the essence of the song.

Read the full post on The Creative Penn

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Quick Link: The Best Writing Practice: Why You Need to Practice Differently

Quick links, bringing you great articles on writing from all over the web.

A great article by at The Write Practice! Learn how to focus on areas that you really need to improve on in order to get the most from your writing.

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Read the full post on The Write Practice

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Quick Link: Now a Word from the Copy Editor . . . Nan Reinhardt – Anachronism

Quick links, bringing you great articles on writing from all over the web.

An anachronism is anything in a time period where it doesn’t belong, and it can bring your reader’s experience to a jolting halt. Copyeditor Nan Reinhardt from Romance University, discusses anachronisms at length and why they are so bad for your story. I am pretty sure I never want to play against her in Trivial Pursuit. Read the article and you will see why. ; )

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Now a Word from the Copy Editor . . . Nan Reinhardt

Copyeditor Nan Reinhardt gives us a new word of the day – and a reason to hope we never get to use it when writing our books!

TimeAnachronism—it’s a great word, isn’t it? I love words and this is one of my favorites because if you don’t already know it, you can’t even begin to guess the meaning. Am I right? And when someone uses it in a sentence, like “Kind of anachronistic, don’t you think?” you have to be right in the moment to get the meaning and even then, it might not be obvious. No, most of us don’t get this word from context and I confess, as a newbie copy editor, the first time I heard a project editor use the word, I had to look it up. I wasn’t going to be able to “watch for anachronisms” in the manuscript I was editing if I didn’t know what the devil an anachronism was.

So, Webster tells us an anachronism is “an error in chronology; a chronological misplacing of persons, events, objects, or customs in regard to each other; a person or a thing that is chronologically out of place; especially one from a former age that is incongruous in the present; the state or condition of being chronologically out of place.”

Make sense? Try this, in a historical romance I once read, the setting was pre-Civil War Georgia and the heroine was having a ball to celebrate her engagement. A friend came to the plantation and admired the flowers—dozens and dozens of orchids—that the heroine had used to decorate the ballroom. The heroine said, “Aren’t they lovely? I had them flown in from Bermuda.” Okay . . . hmmmm. Interesting. First of all, who flew them in? In 1856, the only things flying were birds and hot air balloons, neither of which could have brought hundreds of orchids from Bermuda to Georgia. Anachronism! Maybe in 1956, she could’ve had orchids flown in to Georgia, although if she’d done some fact-checking she’d have discovered that orchids aren’t indigenous to Bermuda—they don’t grow well in the ground there, so even Bermudans have to import orchids if they want them or grow them in pots.

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.