Month: December 2014

Year-End Tax Help for Authors

by

This post by attorney and tax expert Julian Block originally appeared on Indies Unlimited on 12/7/14.

The only time most of us think of doing something about our federal income taxes is once a year — the hours we spend actually grappling with Form 1040 or when gathering records to deliver them to a paid preparer. What we should do is make tax planning a year-round concern and position ourselves to take full advantage of the many opportunities that are available to lessen the amount that is siphoned off each year by the IRS. The savings can amount to many thousands of dollars. What follows are some tactics that not only can save taxes for 2014, but even provide a head start on 2015 as well.

Timing receipt of income pays off for freelance writers. The IRS requires most freelance writers and other self-employed individuals to use the cash method of accounting, under which income isn’t counted until cash, a check, or an e-payment is received and expenses aren’t counted until they’re paid.

How does the IRS apply that requirement to a hypothetical freelancer we’ll call Phyllis Neff? Like most other writers, Phyllis has a good deal of flexibility on whether to report income or deduct expenses in 2014 or 2015. As part of her end-of-year financial planning, therefore, she should review perfectly legal tax-trimming tactics that must be taken by Dec. 31 if they aren’t to be lost forever.

 

Read the full post on Indies Unlimited.

 

Is “Likeability” Only an Issue if the Character is Female?

by

This post by Kirsten Reach originally appeared on the Melville House site on 11/18/14.

Asked whether she’d want to be friends with the protagonist in her latest novel, Claire Messud famously quipped in an interview with Publishers Weekly last year, “Would you want to be friends with Humbert Humbert?” Nora, the main character in The Woman Upstairs, might be described as an “art monster,” a term Jenny Offill coined in Dept. of Speculation.

Nora devotes herself to her work with fervor, but she also behaves in a way the reviewer disliked, which changed her experience with the book. How much should that be discussed in a formal or informal review? Moreover, how deep does likeability go? Are readers at fault for not taking time to get further in the characters’ heads, or are authors supposed to be held responsible for the questionable behavior of their characters?

Messud’s interview seemed to kick off more than a year of authors reflecting on the way the women in their novels were received, especially if the reviewer assumed some traits in their characters were drawn from the authors’ own lives. Edan Lepucki wrote a piece for The Millions this week on the reception of her characters, especially the female protagonist, in her novel California:

 

Read the full post on the Melville House site.

 

Should I Be Writing This Genre?

by

This post by Tamela Hancock Murray originally appeared on the Steve Laube Agency blog on 12/4/14.

Often I talk with new authors writing in lots of genres. This is fine if it’s part of your personal writing journey and learning process. I want my authors to enjoy what they’re writing. But when you get serious about publication, know when to choose and what to choose.

One mistake is to write strictly to market when you don’t like the genre. I love to tell the story of a friend who said she knew someone who decided that vampires were popular. This story is timeless, isn’t it, since vampires seem to occupy some place in literature at any time. Anyhow, supposedly he went home to work on a book about vampires. simply because he thought vampires could make him money. I haven’t seen his name on any book, and he started writing about vampires two decades ago. I speculate that he never saw success because he was writing about a topic he saw only as dollar signs. I believe readers will feel this from you whether you know it or not. So choose a topic or genre you have a genuine interest in and love for.

Here are a few questions to think about when choosing your genre.

 

Read the full post on the Steve Laube Agency blog.

 

Ebooks Can Tell Which Novels You Didn't Finish

by

This article by Alison Flood originally appeared on The Guardian on 12/10/14.

Donna Tartt’s The Goldfinch put down prematurely by 55% of ebook readers, with self-published star Casey Kelleher holding most attention

The Goldfinch may have won Donna Tartt the Pulitzer, praised by judges as a novel which “stimulates the mind and touches the heart”, but the acclaimed title’s 800-odd pages appear to have intimidated British readers, with less than half of those who downloaded it from e-bookseller Kobo making it to the end.

New data from Kobo shows that, although The Goldfinch was the 37th bestselling ebook of the year for the retailer, it was completed by just 44.4% of Kobo’s British readers. Kobo speculated that it “likely proved daunting for some due to the length of the novel”.

Twelve Years a Slave, Solomon Northup’s account from 1853 of how he was kidnapped and sold into slavery – “I sighed for liberty; but the bondsman’s chain was round me, and could not be shaken off” – was, according to Kobo, similarly overwhelming. Ninth on their British bestseller list, following the hugely successful film adaptation, the book was completed by just 28.2% of British readers.

 

Read the full post on The Guardian.

 

Tips on Creating Reader-Friendly Books for Today’s Busy Readers

by

This post by Jodie Renner originally appeared on the Independent Book Publishers Association site in October 2014.

Today’s readers are much busier and more distractible than ever before. Their time is precious and fragmented, and they’re constantly bombarded with other demands on their attention. To grab nonfiction readers and keep them turning the pages of books you write and/or publish, it’s critical to make sure the writing is clear, concise, and vivid.

Here are some quick tips for you to relay to your authors or use yourself in revising the style and presentation of nonfiction to entice and engage readers. (Similar tips work for fiction, as you may be glad to know.)

 

STYLE
Use a clear, chatty, reader-friendly writing style

Use casual language and everyday words for immediate comprehension and inclusion. Don’t be pedantic or preachy, and avoid pretentious, show-offy words and flowery phrases. You’re writing to inform and engage, not to impress. Your goal should be clear communication of your ideas and immediate comprehension of your points. And of course, never talk down to your readers.

 

Read the full post on the Independent Book Publishers Association site.

 

Build Relationships With Reviewers Well Before Your Book Launch

by

This post by Jennifer Mattern originally appeared on AllIndieWriters on 10/21/14.

When you try to land reviews for your new book, the last thing you want is to be just another random new author reviewers have never heard of. Yet it’s not uncommon for authors, and especially indie authors, to wait until the last minute to think about book reviews.

So for this week’s quick tip, let’s make sure you don’t fall into that group. Rather than waiting until your book is about to launch (or already has), build relationships with key book reviewers early. Put yourself in a position where, when you do contact them to request a book review, they already know your name and are already at least somewhat familiar with you.

Here are three ways you can start building relationships with potential reviewers even before your book is released.

1. Comment on their existing reviews.

 

Read the full post on AllIndieWriters.

 

Facebook's Like Affair With Brands Is Over

by

This post by Will Oremus originally appeared on Slate on 3/24/14.

Facebook is ending the free ride, wrote Valleywag’s Sam Biddle in a post that has been greeted with widespread alarm. No, it’s not forcing ordinary users to pay for its service or to share pictures of their babies. Rather, the claim is that it’s deliberately bringing an end to the era of free advertising for businesses via their Facebook pages.

Citing an anonymous source, Biddle reports that Facebook is in the process of slashing brands’ “organic page reach” to just 1 or 2 percent. That means only a tiny fraction of the people who have liked a business on Facebook will see each of its posts in their news feed, unless that company pays Facebook for wider promotion. The organic-reach squeeze would affect “all brands,” Biddle writes, from corporate behemoths like Nike to local merchants like New York’s Pies ‘n’ Thighs restaurant. He casts this as a cruel bait-and-switch on Facebook’s part:

Facebook pulled the best practical joke of the Internet age: the company convinced countless celebrities, bands, and “brands” that its service was the best way to reach people with eyeballs and money. Maybe it is! But now that companies have taken the bait, Facebook is holding the whole operation hostage.

That’s one way of looking at it.

Here’s another one: People don’t really like seeing a bunch of ads in their news feed.

 

Read the full post on Slate.

 

YouTube Megastar Zoella’s Record-Breaking Debut Novel Was Ghostwritten, But Fans Don’t Care

by

This post by Jonathon Sturgeon originally appeared on Flavorwire on 12/9/14.

In the beginning, there was YouTube. Then, a little later, there was Zoë Sugg, a young woman with a dream. When those two things merged, they formed Zoella, vlogger extraordinaire, lover of all things “Beauty, Fashion, & Life.” Next came fame and fortune and millions of YouTube subscribers and Twitter followers. Finally, last month, Zoella’s new novel arrived. It is titled Girl Online, and now it’s the fastest-selling debut novel of all time.

But!

Last weekend, Sugg’s publisher, Penguin Random House, admitted that the novel was “factually” not written by Sugg. “To be factually accurate you would need to say Zoe Sugg did not write the book Girl Online on her own,” they said. Then, on Twitter, Sugg, admitted that the novel was ghostwritten by committee. And not just a little bit ghostwritten. The entire thing, as it turns out, was ghostwritten, except for the ideas for the characters and the story. Here is Sugg’s “confession”:

 

Read the full post on Flavorwire.

 

Never Say Never: Taking a Closer Look at Writing “Rules”

by

This post by Amy Knupp originally appeared on The How To Write Shop on 10/2/13.

Don’t kill a puppy. Never use an –ly adverb. Exclamation points are the mark of an amateur.

I’ve heard these writing “rules” and dozens of others from the time I started pursuing publication. And I’m ashamed to say, when I was new, I even believed some of them.

The fact is, writing is an art, and in art forms, there are no absolutes. But when we’re new and hungry for success and validation, it’s amazing the things we take to heart.

Mention the mere word “rules” in any group of writers, and you’re bound to start an animated, opinionated conversation. And the thing is, there are reasons most of these “rules” have been circulated for so long. Usually pretty valid reasons.

As the cliché goes, you need to know what the “rules” are and understand why they’ve been perpetuated. Then…then you can break them.

 

Read the full post on The How To Write Shop.

 

How To Revive A Stale Book For More Sales

by

This post by Penny Sansevieri originally appeared on The Future of Ink on 11/28/14.

What if I told you that you could simply and easily revive an old or older book and start making sales on it again? Would you be game?

Most of us who have been writing for a while are sitting on a lot of content and a lot of older books that are taking up virtual shelf space on Amazon.

I was at an event a few weeks ago and an author there said that he had a science-fiction/fantasy book that had been out for a few years and it hadn’t done well. “I sure wish I knew then what I know now,” he said. And I realized that for him, it’s really not too late.

This is an issue a lot of authors face: a stale book that’s been out for a while and you feel like you’ve really exhausted your options. Book sales are sagging and you figure it’s over.

Well, it’s not. You have a ton of options now to revive, renew, and even re-release a book with minimal effort.

 

Read the full post on The Future of Ink.

 

Science Shows Something Surprising About People Who Still Read Fiction

by

This post by Gabe Bergado originally appeared on Mic on 11/21/14.

They tend to be more empathetic toward others.

It’s not news that reading has countless benefits: Poetry stimulates parts of the brain linked to memory and sparks self-reflection; kids who read the Harry Potter books tend to be better people. But what about people who only read newspapers? Or people who scan Twitter all day? Are those readers’ brains different from literary junkies who peruse the pages of 19th century fictional classics?

Short answer: Yes — reading enhances connectivity in the brain. But readers of fiction? They’re a special breed.

The study: A 2013 Emory University study looked at the brains of fiction readers. Researchers compared the brains of people after they read to the brains of people who didn’t read. The brains of the readers — they read Robert Harris’ Pompeii over a nine-day period at night — showed more activity in certain areas than those who didn’t read.

 

Read the full post on Mic.

 

Can Science Fiction Writers Predict Technology’s Future?

by

This post by Peter F. Hamilton originally appeared on New Republic on 10/17/14.

The October 1945 edition of Wireless World magazine carried an article from a young Arthur C. Clarke called “Extra Terrestrial Relays.” It was the concept of using satellites in geostationary orbit, 35,786km high, around the Earth, to beam radio signals from one continent to another. Remember Sputnik didn’t go into orbit until October 1957, and that only reached a height of 577km. So in 1945 the article was received as a grand idea, theoretically possible, but by the standards of post WWII rocketry, severely impractical.

Nonetheless, the first communication satellite to use this orbit (now named the Clarke Orbit) was Syncom 3, launched in August 1964—19 years after Clarke’s article. An article which was detailed enough to receive a patent had he sent it to the patent office instead of the magazine. Today, communication satellites are a multi-billion pound industry. Clarke drew together a number of sciences: orbital mechanics, radio design, rocketry, and extrapolated the combination perfectly. It’s one of the best examples of what people see as a science fiction writer’s job: predict the future.

If only it were that easy.

 

Read the full post on New Republic.

 

The Missed Opportunities in Weakness

by

This post by Elisabeth Lane originally appeared on Cooking Up Romance on 12/4/14.

Anyone who’s been following this blog for awhile probably knows that I’ll take a “beta” hero over an “alpha” hero any day, but that mostly I wish the distinction didn’t exist. Actually, I don’t think sociology upholds the dichotomy at all so outside of romance novels, the distinction really doesn’t exist. It’s arbitrary, unrealistic and damaging to everyone, regardless of gender. “Alpha” is shorthand for a certain kind of strength in heroes, an unambiguous, worldly, most often physical, but sometimes also economic power. And even when we talk about “beta” heroes, we talk about different kinds of strength: competence and kindness, for example.

But outside of sociological and feminist arguments against subscribing to socially-constructed and ultimately restrictive portrayals of masculinity, I think there are missed opportunities when we focus so intently upon strength. And it’s not just in heroes. I noticed the other day while perusing Amazon’s romance novel newsletter that whether in the blurb or the extent reviews, everyone is obsessed with “strong” heroines. I’m guessing this is code for all sorts of things: independence, smarts, competence.

But lately I’m also seeing ruthlessness, willingness toward violence, and selfishness. This isn’t necessarily a bad thing in itself. In nearly every other genre, women are most often cast in the caring, nurturing, selfless role so having access to another narrative is bound to be empowering for romance readers and writers.

 

Read the full post on Cooking Up Romance.

 

Eradicate MS Nits In Minutes

by

This post by Stef Mcdaid originally appeared on WriteIntoPrint in October 2012.

The hardest nits to find are the invisible ones, and for that purpose ‘Find and Replace’ is a potent tool in some respects. The simple premise is that, to remove double spaces, for example, we ‘find’ them all and ‘replace’ them all with one space in a single action.

Of course, we have to run this process more than once to eradicate multiple spaces.

But Find and Replace is also great for removing hanging spaces between periods and paragraph returns, and, more importantly, hanging spaces at the beginning of paragraphs because they will not line up with other paragraphs, should any spaces exist.

Here is a paragraph with all of these nits, but they are tough to spot:

 

Read the full post, which includes many screen shots and detailed how-tos, on WriteIntoPrint.

 

The Weird World of Fan Fiction

by

This article by Alexandra Alter originally appeared on The Wall Street Journal on 6/14/12.

What if Edward Cullen, the moody vampire heartthrob in Stephenie Meyer’s best-selling “Twilight” series, was an undercover cop? Or a baker who specializes in bachelor-party cakes? Or a kidnapper who takes Bella hostage?

It may sound like heresy to some “Twilight” fans. But those stories, published online, have thousands of dedicated readers. They were written by Randi Flanagan, a 35-year-old sales manager for a trade publishing company in Toronto.

Ms. Flanagan writes fan fiction—amateur works based on the characters and settings from novels, movies, television shows, plays, videogames or pop songs. Such stories, which take place in fictional worlds created by professional writers, are flourishing online and attracting millions of readers.

Ms. Flanagan started writing her own takes on “Twilight” three years ago, after devouring Ms. Meyer’s vampire books. She has since written 15 stories, including some that are as long as novels. In the process, she has gained groupies of her own. Some 1,500 readers subscribe to her account on fanfiction.net.

“A lot of people don’t understand why I would devote time to this,” says Ms. Flanagan, who writes at night after her young son goes to bed. “It’s just fun.”

Fan fiction has long existed under the radar in a sort of shadowy digital parallel universe. But the form has been bubbling up to the surface lately, as a growing number of fan writers break into the mainstream.

 

Read the full article on The Wall Street Journal.