9 Ways to Stop Your Novel from Stalling

How are your writing resolutions coming? To be perfectly honest mine are having some difficulty. Sometimes life… happens. The important thing is to get back to priorities. Tracey Barnes Priestley on Writer’s Digest talks about ways to get your momentum back.  Dated January 5, 2016.

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I would be willing to wager that most writers have made New Year’s resolutions regarding their writing practices. I know I have.

sign direction PROBLEMS-SOLUTIONS made in 3d software

Curious about this, I canvassed a few of my writer friends. Sure enough, many of them had frequently participated in this annual tradition that dates all the way back to the Babylonians. Each writer had faced January with a deep commitment and heartfelt enthusiasm for those resolutions. One promised herself she’d “finish the first draft” of her novel. Another told me she had written on her dry-erase board, in big, bold letters, “I will clean up the dialogue mess that’s drowning this book.” The least experienced of them, an as yet unpublished young man full of enthusiasm for his craft, swore he would “silence my inner critic and keep writing, no matter what.”

I followed up by asking them how successful they had been in keeping those resolutions. Unfortunately, all had experienced the same thing: disappointment. No matter how hard they tried, they had ultimately been unable to make good on what they had resolved to do.

I knew exactly what they were talking about. I gave up creating New Year’s resolutions about my writing years ago when I found myself at the end of yet another cold January, with nothing more to show for all of my efforts than an exercise in futility. I was left feeling a range of emotions, from guilty to downright silly.

It’s actually quite comical just how few of us keep our New Year’s resolutions. It’s estimated only 45 percent of the population even tries to resolve making changes in the New Year. Of these brave souls, a mere 8 percent are successful.

Yet I’ve wondered if writers might be even more inclined than the general public to approach the New Year with a list of things we want to change, accomplish or do differently. We seem ripe for this kind of experience. As creative thinkers, we face a unique set of circumstances when it comes to producing our work. Alone in whatever space we can manage for our writing, we pound away at the keyboard, with our thoughts, our characters, our struggles and the never-ending reality that we aspire to a tough, highly competitive profession. Why wouldn’t we try to capitalize on the fresh start, the clean slate that January offers us? Magical thinking is right up our alley!

Why Our Writing Can Stall

In my work as a life coach, I’ve come to believe that our writing can be derailed because of two fundamental processes. The first, naturally, is the very nature of our craft, the writing process itself—think plotting, character development, etc. Unfortunately, this intrinsic set of challenges dwells right alongside our individual writing processes—complete with procrastination, destructive thought patterns, negative experiences, ambiguous motivation, unrealistic expectations, etc. And we wonder why we can’t keep our writing resolutions.

By now you’re probably ready to chuck your computer out the window. Don’t! Think of these two processes as valuable tools. Once you understand how they may be driving your inability to meet your writing resolutions, you will be poised to utilize effective strategies that support you and your writing every step of the way.

What’s Holding You Back?

Let’s begin by identifying the warning signs that your writing may be about to stall out. Consider current or previous writing resolutions you failed to keep. Ask yourself if you have experienced any of the following: lack of initiative; inability to prioritize writing tasks; frequent distraction; failure to establish a consistent writing pace/routine; inner dialogue that is one negative message after another; finding yourself simply “too busy” to get anything done. This is hardly an exhaustive list. Reasons writers stall can be varied and unique. Your task is to be as exact—and as honest with yourself—as you can in identifying what gets in the way of your ability to make progress on your projects. Make a list.

Next, evaluate this list from the perspective of the work-in-progress itself. As an example, let’s use my writer friend’s resolution to finish her first draft.

Every time she sat down at her computer, this writer felt lost about where the story should go next, and unclear about the relationship between her two main characters. She found herself thinking, This is useless, and, It’s not a strong enough idea for an entire book—maybe I should ditch the entire thing.

First, she tried to address the problems in the work itself. She sought craft and technique help with her plot and eventually resolved some backstory problems that had delayed the action and confused things between her characters. But the problems with her own lack of clarity persisted. Now she was fairly certain that the problem was within her writing process.

Read the full post on Writer’s Digest

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How to Find and Work with Beta Readers to Improve Your Book

Having a quality product is vitally important for successful indie authors. One way to improve the quality of your story is to get beta readers to read the manuscript and provide input.  Getting a fresh pair of eyes to view your work can’t hurt. Kristen Kieffer (@ShesNovel) guesting on janefriedman.com offers eight tips on how to find and work with beta readers. 

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How to Find and Work with Beta Readers to Improve Your Book

Note from Jane: Today’s guest post on beta readers from Kristen Kieffer (@ShesNovel) is an excerpt from her upcoming e-course on self-editing, Self-Editing Success.


Book and glassesNo creative act is a solo endeavor.

Editors, designers, marketers—it takes a team of professionals to help authors bring their novels to life. But lurking behind the contracts and cut checks is a valuable set of hands many authors fail to exploit: beta readers.

Just as film directors benefit from the insight of test audiences, authors can learn much about the state of their novel’s appeal by working with readers willing to critique their story before it hits the market. With these readers often offering their time and feedback free of charge, what’s not to love?

Working with beta readers can provide authors with invaluable insight, helping them see their work through that pesky objective lens. With the feedback digested, authors can use what they’ve learned to better tailor their novel for marketable appeal, increasing their chances of releasing a commercial and critical success.

But not all beta reader experiences are created equal. As with any interaction involving an honest critique, working with beta readers can quickly grow into a regrettable experience if it isn’t designed for the benefit of both parties.

Let’s avoid any mess the first time around. If you’re ready to screen your novel with a test audience for honest and invaluable insight, here are eight steps to follow for an ideal beta-reader experience.

1. Identify Your Ideal Reader

There’s no use in sending your manuscript to an uninterested reader. By taking time to discover your novel’s ideal reader before sending out beta copies, you’ll be able to cultivate a list of betas who most accurately represent your future readers, saving you—and those unenthusiastic partners—a wealth of time and trouble.

How can you identify your ideal reader?

Think about the type of person most interested in your novel, then create a quick profile. Here are a few questions you might answer in your sketch:

  • What is their age and gender?
  • Do they read to be entertained or emotionally engaged?
  • What are their favorite books, television shows, and movies?
  • What makes them happy, sad, or angry?
  • What do they fear or regret?
  • Why do they enjoy reading?

If you’re struggling to form a strong image of your novel’s ideal reader, run a Google search of books related to your own. Begin reading through the reviews for each listing to identify the type of person who most enjoyed the work. Use what you learn to strengthen your answers to the questions above.

2. Cultivate Relationships with Beta Readers

If you’re starting from scratch, you’ll need to identify a group of potential beta readers to whom you’d like to pitch your manuscript. Though the easy route would be to email the first interesting person you find on the internet, I highly encourage you to take a step back.

The work of beta readers should not be taken lightly. To read a novel may be a simple task, but to analyze each element with a critical eye in search of weak areas, errors, and inconsistencies is anything but.

Before contacting strangers to ask for their help, take time to cultivate strong relationships. You can do this by first identifying the group of prospective beta readers you’d like to work with.

If you haven’t yet made any connections, begin by creating an account on the social media site where your ideal readers hang out. Young and new adult crowds are often found on Twitter or Instagram, while more mature readers usually congregate on Facebook.

Once you’ve chosen a platform, it’s time to establish your presence. Begin by adding a headshot for your profile picture and a succinct profile bio. Then, like or follow the feeds of other authors and notable creative figures. This will help potential beta readers gain a quick understanding of you and your interests as you begin to interact.

Speaking of interacting, your next step is to find and follow potential beta readers. Not everyone you eventually contact will accept your proposal, so I suggest following at least thirty potential betas. If you reach out to all and only a quarter accept, you’ll still have a fantastic group of beta readers to critique your novel.

To find potential beta readers, follow popular writing tags like #amwriting and #writercommunity. Make sure to use these tags when you publish your own posts. You can also find prospective betas in online writing groups, such as Writers Helping Writers or Fiction Writers.

Once you’ve found a few potential beta readers, begin interacting with them by liking and commenting on their posts and statuses. Offer friendly conversation, sharing in their daily joys and challenges. After a few weeks of genuine interaction, it’s time to move on to step three.

Read the full post on janefriedman.com

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Fantasy World-building Questions By Patricia C. Wrede

Patricia C. Wrede created this awesome list on the Science Fiction & Fantasy Writers Of America website to help writers create a more realistic world for their characters. Who doesn’t want a world with depth and dimension in their story!  I am bookmarking this, as it is a super helpful resource. Thanks Patricia!

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Fantasy Worldbuilding Questions

By Patricia C. Wrede

Throne Fantasy Background

The following list of questions is meant to aid authors of fantasy fiction who are seeking to create believable imaginary settings for their stories. While many of these questions may be helpful or crucial to certain stories, they will not all apply to every story. It is not necessary for an author to answer all, or even any, of the questions in order to start writing, (or to finish writing, either). The idea is simply to provoke people into thinking about the ways their settings and backgrounds hang together … or don’t. If it’s useful, use it. If not, don’t.

Some questions apply to more than one topic, and have been duplicated under more than one heading. This should not be considered as an exhaustive and final list, but as a beginning point from which each individual writer can compile a personal list.

The Questions

Read the full post on Science Fiction & Fantasy Writers Of America

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1.0 Is the Loneliest Number – (Why your rough draft is lonely)

This article from Matt Mullenweg, one of the founding developers of WordPress, is more software directed. But the concept is the same for writing. I am not talking about creating an eBook in a day with no editing, but rather to those people who always wished they could write and use “one more thing” as a means of procrastinating actually doing or completing any writing. This hits home for me, and one of the reasons why I took on this blog was to challenge myself away from this type of thinking. Perhaps if we hold hands and take a breath we can both jump forward together?

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1.0 Is the Loneliest Number

Many entrepreneurs idolize Steve Jobs. He’s such a perfectionist, they say. Nothing leaves the doors of 1 Infinite Loop in Cupertino without a polish and finish that makes geeks everywhere drool. No compromise!

I like Apple for the opposite reason: they’re not afraid of getting a rudimentary 1.0 out into the world.

“No wireless. Less space than a nomad. Lame.” — cmdrtaco, Slashdot.org, 2001, reviewing the first iPod

Now Or Later Keys Shows Delay Deadlines And Urgency

I remember my first 1G iPhone. Like a meal you have to wait for, or a line outside a club, the fact that I stood in line for hours made the first time I swiped to unlock the phone that much sweeter. It felt like I was on Star Trek and this was my magical tricorder… a tricorder that constantly dropped calls on AT&T’s network, had a headphone adapter that didn’t fit any of the hundreds of dollars of headphones I owned, ran no applications, had no copy and paste, and was as slow as molasses.

Now, the crazy thing about that release is when the original iPhone went public, flaws and all, you know that in a secret room somewhere on Apple’s campus they had a working prototype of the 3GS with a faster processor, better battery life, normal headphone jack… a perfect everything. Steve Jobs was probably already carrying around one in his pocket. How painful it must have been to have everyone criticizing them for all the flaws they had already fixed but couldn’t release yet because they were waiting for component prices to come down or for some bugs to be worked out of the app store.

“$400 for an Mp3 Player! I’d call it the Cube 2.0 as it wont sell, and be killed off in a short time… and it’s not really functional. Uuhh Steve, can I have a PDA now?” — elitemacor, macrumors.com, 2001, responding to the original iPod announcement

Or, I wonder, are they really quite zen about the whole thing? There is a dark time in WordPress development history, a lost year. Version 2.0 was released on December 31st, 2005, and version 2.1 came out on January 22nd, 2007. Now just from the dates, you might imagine that perhaps we had some sort of rift in the open source community, that all the volunteers left or that perhaps WordPress just slowed down. In fact it was just the opposite, 2006 was a breakthrough year for WP in many ways: WP was downloaded 1.5 million times that year, and we were starting to get some high-profile blogs switching over. The growing prominence had attracted scores of new developers to the project and we were committing new functionality and fixes faster than we ever had before.

What killed us was “one more thing.” We could have easily done three major releases that year if we had drawn a line in the sand, said “finished,” and shipped the darn thing. The problem is that the longer it’s been since your last release the more pressure and anticipation there is, so you’re more likely to try to slip in just one more thing or a fix that will make a feature really shine. For some projects, this literally goes on forever.

“hey – heres an idea Apple – rather than enter the world of gimmicks and toys, why dont you spend a little more time sorting out your pathetically expensive and crap server line up? or are you really aiming to become a glorified consumer gimmicks firm?” — Pants, macrumors.com, 2001

I imagine prior to the launch of the iPod, or the iPhone, there were teams saying the same thing: the copy + paste guys are *so close* to being ready and we know Walt Mossberg is going to ding us for this so let’s just not ship to the manufacturers in China for just a few more weeks… The Apple teams were probably embarrassed. But if you’re not embarrassed when you ship your first version you waited too long.

A beautiful thing about Apple is how quickly they obsolete their own products. I imagine this also makes the discipline of getting things out there easier. Like I mentioned before, the longer it’s been since the last release the more pressure there is, but if you know that if your bit of code doesn’t make this version but there’s the +0.1 coming out in 6 weeks, then it’s not that bad. It’s like flights from San Francisco to LA, if you miss one you know there’s another one an hour later so it’s not a big deal. Amazon has done a fantastic job of this with the Kindle as well, with a new model every year.

Read the full post on Matt Mullenweg and maybe show a rough draft to someone?

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What Is the Most Important Thing To Do When You Finish Nanowrimo Or Any Other Writing?

It is the beginning of December and for those of us who NaNoWriMo’d that means we have made it to the end! Congratulations to those who met the goal of 50K words or beyond. To any of you who did not quite make it, this is truly one of those times when you get props for making the attempt and better luck next year.

The rush of counting down those last words or those last steps until you make your goal is addicting. Being done is wonderful! Then there is the temptation to rush to send it to an editor or god forbid trying to publish it. But the most important thing to do next is

Stop.Stop Button As Symbol For Panic Or Warning

Take a breather. Go do something else. Connect with family. Binge watch a show. Clean. Sleep! Anything but what you were doing. Don’t be stingy, give yourself enough time for a real breather. The manuscript or project will still be there, just like you left it. Except now you have fresh eyes and clear mind to look at your work again.

After you have given yourself a break, there is one more step that you should do. This is one I pull from my experience as a software engineer and the software life cycle. This is how you get more out of your hard work.

Evaluate the performance. What does that mean, especially with writing? With software you are usually evaluating the performance of the application, but you are also evaluating the whole process of development. With writing you are not evaluating the words, but your writing process.

Take time to look back at what you have accomplished. Did you meet your goal? What worked well? What do you need to improve? By taking a moment to be introspective and review your efforts you can greatly improve your work and yourself.

For example, this is my eighth year of doing NaNoWriMo and I did make the 50K goal. I have one year I did not complete the required words, so every year I do manage to make it is a pat on the back. Looking back after a breather, I find that my storytelling has grown immensely, with a depth of character that surprised me. I am now inspired to continue to work on this story due to that success.

This introspection also showed me that I need to grow in two areas. I still struggle with having dialogue that flows. Moving forward I will be looking for articles and help in that area. I also need to improve my work/life balance because to be honest I did most of my words in the last three days. It is nice to know that if my life depended on it, I can whip out 15k words in a day but I don’t want to do that again. But now I know what to spend my time focusing on to grow as a writer.

We often push ourselves or get caught up in the moment and rush to the next whatever. But by stopping and giving our brains a chance to rest, then looking at our work and ourselves we actually improve more so than by just pushing forward blindly.

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The Top Seven Arguments Against Using Profanity in Your Writing (And Why They’re Dumb as Fuck)

Today’s post is by Robert Bevan, off the site Caverns and Creatures on November 28, 2015.  Warning, cuss words ahead!

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The Top Seven Arguments Against Using Profanity in Your Writing (And Why They’re Dumb as Fuck)

Earlier this week, a writer friend of mine shared one of my blog posts on his timeline. Incidentally, this was the same post that first caught the attention of Phil Elmore. It got someone else’s attention this time. Here’s a comment someone left on that Facebook post.

That one like was from me. I knew then what this week's blog post was going to be about.

That one like was from me. I knew then what this week’s blog post was going to be about.

And so I embarked on a mission to discover what it is about “bad” language that gets people so riled up. Here’s what I found…

7. It’s lazy.

What’s lazier than parroting some bullshit your high school English teacher told you fifteen years ago, and trying to pass that off as some kind of intellectual argument?

As many times as I’ve seen or heard this argument raised, I’ve never seen anyone show a specific example of what they’re talking about, then provide a suggestion on how it might be improved.

"Fuck that. I'd rather just call you lazy."

“Fuck that. I’d rather just call you lazy.”

I’m afraid that won’t do, Mr. GoGettter. In order to drive this point home, I’m afraid a single example isn’t enough. You’re going to need to provide enough examples to establish a pattern, and demonstrate that profanity can be singled out as the sole source of laziness.

Otherwise, you’re just talking out of your fat, lazy ass.

6. It shows a lack of intelligence and/or creativity.

This is complete and utter horseshit. I don’t even know what it’s supposed to mean.

Every time you write a word or a sentence, you are rejecting an infinite number of words or sentences you could have used in its place. There are no true synonyms. Every word or combination of words carries its own connotations in a given context. As a writer, it’s your job to choose the words and combinations of words which most closely paint a picture in the reader’s mind. If some of those words happen to be the ones which society has arbitrarily deemed “bad”, so be it.

By the logic of this argument, you could say the same thing about any word in any sentence ever written.

In the recently released Critical Failures IV: The Phantom Pinas, a character says, “Randy, you already done shit in the chili.”

This wasn’t the result of me crapping out the first thing that popped into my head and saying “Fuck it. That’s good enough.” There are other ways I could have had this character express that Randy had been the catalyst of a situation which was now beyond his control. Hell, I could have said that very thing, but it wouldn’t have been true to the character. She isn’t the type to say “catalyst of a situation.”

I could have gone with, “Randy, you already done scrambled that egg.”, but I felt the phrase I chose instead more accurately reflected the character’s personality and upbringing.

Comparing those two metaphors, “shit in the chili” is objectively more creative, because “You can’t unscramble an egg” is a much more known saying. This would still be the case if the word “shit” were replaced with “poop” or “defecate”, which tells us that the vulgarity of the word “shit” is not a means with which to measure the writer’s creativity. And your inability to come up with a competent counter-argument lends credit to the writer’s intelligence.

Read the full post on Caverns and Creatures.

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ALAN MOORE – advice to unpublished authors.

Today’s post is quick video from author Alan Moore with some great advice to unpublished authors and honestly authors in general. I love his accent <3.

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[quote]If you write everyday, then you are a writer[/quote]

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com

Writers, we need to stop saying this

Today’s post by J.H. Moncrieff, off of her site J.H. Moncrieff Tales of Terror and Suspense. Since I am way behind on my NaNoWriMo numbers, I especially feel her. Writers are people who have stories in them that want to be told. Sometimes they get written into text, sometimes they don’t.

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 Writers, we need to stop saying this

Usually I limit myself to one writing-related post per month.

But something has been irritating the living hell out of me for years, and the more time that passes, the angrier I get.

So, lest I morph into some female version of The Incredible Hulk, I’ll expel that rage here, as a semi-productive rant. Because if I can stop just one person from saying this, it will be fury well spent.

Ready to hear the most destructive thing writers say to each other? Here it is…

“Writers write.”

Seems simple. How on earth could anyone feel like a sack of mucus drowned by pond scum after hearing those two words? Let me explain.

From the time we pick up our crayons and scrawl a story rather than a picture, we identify with the word writer. It’s not just what we do–for many of us, it becomes who we are. And if you’re a writer, you’re probably also by turns highly sensitive, insecure, and self-loathing.

So you’re a writer. It’s not just what you do; it’s who you are. And then you read a blog post, or some “How to Write Kewl Stuff” book, or perhaps an ill-thought Tweet.

“Writers write.”

And it makes you feel like absolute crap.

Read the full post on J.H. Moncrieff Tales of Terror and Suspense.

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Writing The Perfect Scene

Today’s post by Randy Ingermanson – “the Snowflake Guy” originally appeared on his site, Advanced Fiction Writing. Need to learn how to structure a scene or just a refresher, then this article is for you!

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Writing The Perfect Scene

Having trouble making the scenes in your novel work their magic? In this article, I’ll show you how to write the “perfect” scene.

Maybe you think it’s impossible to write the perfect scene. After all, who can choose every word perfectly, every thought, every sentence, every paragraph? What does perfection mean, anyway?

Honestly, I don’t know. Perfection is in the eye of the beholder. Style is a matter of taste.

But structure is pretty well understood. Maybe you can’t write the perfectly styled scene. But you can write the perfectly structured scene. And that’s a whale of a lot better than writing a badly structured scene.

The Two Levels of Scene Structure

A scene has two levels of structure, and only two. They are:

  • The large-scale structure of the scene
  • The small-scale structure of the scene

This may seem obvious, but by the end of this article, I hope to convince you that it’s terribly profound. If you then want to fling large quantities of cash at me in gratitude, please don’t. I’d really rather have a check. With plenty of zeroes. I am going to steal insights from Dwight Swain’s book, Techniques of the Selling Writer. This is quite simply the finest book ever written on how to write fiction. If you don’t have this book, you are robbing yourself blind. I will be giving you the high points in this article, but there is really no substitute for reading the book and digesting it.

Before we begin, we need to understand how we keep score. How do we know what perfection is? The answer is based on understanding your reader’s motivation for reading.

Your reader is reading your fiction because you provide him or her with a powerful emotional experience. If you’re writing a romance, you must create in your reader the illusion that she is falling in love herself. If you’re writing a thriller, you must create in your reader the illusion that he is in mortal danger and has only the tiniest chance of saving his life (and all of humanity). If you’re writing a fantasy, you must create in your reader the illusion that she is actually in another world where all is different and wonderful and magical. And so on for all the other genres.

If you fail to create these emotions in your reader, then you have failed. If you create these emotions in your reader, then you have succeeded. The better you create the desired emotional experience in your reader, the better your fiction. Perfection in writing comes when you have created the fullest possible emotional experience for your reader.

Read the full post on Advanced Fiction Writing.

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Quick Hacks for the Top Misused Words

I know I am guilty of some of these. Please be aware that this is not the deep cuts of grammar rules and there are always exceptions. English is such a messy language! However, these tips will help you the majority of time.

  • Adverse vs Averse

Adverse means the results are not good, while averse means unwilling.

Example: I am averse to trying nuclear weapons on the giant hypnotoad as the effects might be adverse.

  • Affect vs Effect

Affect is a verb implying action or change. Effect is usually a noun. When you affect something it produces an effect.

Example: The electricity from the power lines is affecting the giant hypnotoad! It has produced the effect of making the hypnotoad grow larger!

  • HypnotoadEnsure vs Insure

Ensure means to make sure something happens. Insure is what you do when you purchase insurance.

Example: We need to ensure that the giant hypnotoad does as little damage as possible. I hope the people whose houses it has destroyed were insured.

  • Every day Everyday

Every day is an adverb while everyday is an adjective that means common. Put the word single between the words every and day in the sentence, and if the sentence still makes sense then you should use two words.

Example: I am tired of getting up every day and finding new monsters attacking our town!

I am tired of getting up every single day and finding new monsters attacking our town! Correct.

Example: Monsters attacking our town has become an every day occurrence!

Monsters attacking our town has become an every single day occurrence! Incorrect.

Monsters attacking our town has become an everyday occurrence! Correct.

  • Fewer vs Less

If the subject is plural then you use fewer. If the subject is singular you use less.

Example: We have less chance of fighting the giant hypnotoad, now that we have fewer guns.

  • Farther vs Further

Farther* always refers to distance. Further relates to amount or time.

Example: We need to move everyone farther away from the giant hypnotoad, and then we can further discuss the plans to end this menace.

  • It’s vs Its

It’s is the contraction form of “it is” while its is the possessive pronoun. Replace the word in a sentence with “It is” and see if that makes sense.

Example: It’s a giant hypnotoad, coming to destroy Metropolis!

It is a giant hypnotoad, coming to destroy Metropolis! Correct.

Example: That giant hypnotoad has its own reality show!

That giant hypnotoad has it is own reality show! Incorrect.

That giant hypnotoad has its own reality show! Correct.

  • Lose vs Loose

Lose is a verb and means to misplace or to suffer a loss. Loose means something that is not tight.

Example: We have too much to lose if we don’t beat the giant hypnotoad. So get that bolt loose so we can fix the laser cannon.

  • Me vs Myself vs I

To decide between me and I, change the sentence to having one person and try the words out.

Example: Pat yelled for Chris and I to watch out!

Pat yelled for I to watch out! Incorrect.

Pat yelled for me to watch out! Correct.

Pat yelled for Chris and me to watch out! Correct.

Example: Chris and I dived to the side to avoid the fireball!

Me dived to the side to avoid the fireball! Incorrect.

I dived to the side to avoid the fireball! Correct.

Myself is a reflective pronoun and always the object of a sentence. So if you are talking about yourself (another reflective pronoun) then myself can be used. The other way to test when to use myself is to swap myself out with me and see if works.

Example: If someone knows how to deal with the giant hypnotoad, please contact Pat, Chris, or myself.

Simplified the sentence would read:

Please contact myself. Incorrect.

Please contact I. Incorrect.

Please contact me. Correct.

If someone knows how to deal with the giant purple hypnotoad, please contact Pat, Chris, or me. Correct.

  • Than vs Then

Than is used to compare two different items. Then has a variety of uses. Use than to compare and then any other time.

Example: We are better off using flamethrowers than guns on the giant hypnotoad, as bullets bounce off its skin. Then we better get a move on, before it does any more damage.

  • Their vs There vs They’re

Their is when you are talking about more than one person or something they have. There is a location, and they’re is the contraction form of they are.

Example: Pat and Chris are over there, with their nets. They’re going to try and catch the giant hypnotoad.

Pat and Chris are over there, with their nets. They are going to try and catch the giant hypnotoad.

  • You’re vs Your

You’re is the contraction form of you are while your is a possessive pronoun. Replace the word with you are and see if the sentence still makes sense.

Example: Your car is rolling down that hill right into the giant purple hypnotoad!

You are car is rolling down that hill into the giant purple hypnotoad! Incorrect.

Your car is rolling down that hill into the giant purple hypnotoad! Correct.

Example: Your going to get a reward for saving the city!

You are going to get a reward for saving the city! Correct.

You’re are going to get a reward for saving the city! Correct.

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com

*unless you are from Massachusetts, in which case farther is the person who married your mother and raised you.

The 37 Basic Plots, According to a Screenwriter of the Silent-Film Era

Today’s post by Rebecca Onion originally appeared on Slate on October 27, 2015. What do you think, are we all repeating the same plots over and over again?

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In his 1919 manual for screenwriters, Ten Million Photoplay Plots, Wycliff Aber Hill provided this taxonomy of possible types of dramatic “situations,” first running them down in outline form, then describing each more completely and offering possible variations. Hill, who published more than one aid to struggling “scenarists,” positioned himself as an authority on the types of stories that would work well onscreen.

Advertising Hill’s book in a 1922 issue of the Scenario Bulletin Digest (“A Magazine of Information and Instruction for the Photoplaywright”), the manual’s publisher, the Feature Photodrama Company, offered hope to screenwriters feeling stuck for inspiration who might be willing to send away for the volume:

A few hours’ study of this remarkable treatise ought to make it an easy matter to find a cure for your “sick script”; to inject new “pep” and suspense into your story or safely carry it past a “blind alley”; it gives you all the possible information an inspiring [sic] scenarist may require.
Read the full post on Slate including screenshots of the 37 basic plots!

Book Design Basics: Quotation Marks and Primes

Today’s post by  originally appeared on his blog on October 25, 2015.

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Book Design Basics: Quotation Marks and Primes

smart-quotes-preferredWrit­ers often ask about the dif­fer­ence be­tween “straight” or “dumb” quo­ta­tion marks and tra­di­tional print­ers’ quotes, com­monly re­ferred to as “smart quotes” or “curly quotes.” Add in the need to dis­tin­guish be­tween left sin­gle quotes and apos­tro­phes, and the primes used to spec­ify feet and inches or min­utes and sec­onds and you end up with a ty­po­graphic co­nun­drum that con­founds many a ca­pa­ble au­thor. This ar­ti­cle ex­am­ines the var­i­ous types of quotes and primes and ex­plains how to use them.

Book De­sign Ba­sics: Straight or Dumb Quotes

Straight quotes evolved to fa­cil­i­tate in­for­mal writ­ing sit­u­a­tions. When typ­ing into a dis­cus­sion forum, twit­ter feed, or com­ment box, use your apos­tro­phe and dou­ble-quote keys for all the spe­cial char­ac­ters (ex­cept the “de­grees” sym­bol.) “Dumb” text ed­i­tors don’t try to fig­ure out which di­rec­tion to slant your punc­tu­a­tion. “Dumb” writ­ers don’t have to go to the “in­sert spe­cial char­ac­ters” di­a­log box or re­mem­ber spe­cial key se­quences for each type of mark.

Con­sider the var­i­ous punc­tu­a­tion styles needed to ren­der the fol­low­ing ex­am­ple:

straight quotation marks example

Straight quotes make it quick and easy to ex­press a thought. You don’t have to be a ty­pog­ra­pher to make your­self un­der­stood. In the right sit­u­a­tions, “dumb quotes” are a smart idea.

Read the full post on The Worlds Greatest Book.

Advice to First Time Authors – From Michael Hyatt

This post by Michael Hyatt originally appeared on his blog on July 12, 2012. His good advice is timeless, especially don’t lose heart. I see so many people who believe if they write it, people will flock to read it. Writing well is hard work.

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As the former Chairman and CEO of Thomas Nelson, I receive a lot of email from would-be authors who are trying to get published. Because I make my email address public, it’s pretty easy to get to me.

However, by the time I hear from people, they are usually frustrated. They can’t get anyone in the book publishing world to respond, and they are convinced that they have a killer-idea. “If only someone would just read my manuscript,” they plead.The problem is that most publishers will not review unsolicited proposals or manuscripts. When I worked at Thomas Nelson, I personally received hundreds of proposals each year; my staff received thousands. Publishers simply don’t have the resources to review these. It’s like looking for a needle in a haystack.

So as an author, what do you do? Here’s what I recommend:

  1. Educate yourself. If you want to publish with a general market publisher, read 2012 Writer’s Market by Robert Lee Brewer. If you want to write for the Christian Market, read The Christian Writers’ Market Guide 2012 by Jerry Jenkins. Both books include writer’s guidelines and submission procedures for publishing houses. These books will give you a good overview of the literary marketplace.

Read the full post on Michael Hyatt’s Blog.