self-promotion

Quick Links – Should You Pay for a Publicist?

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Quick links, bringing you great articles on writing from all over the web.

posting at Jane Friedman, shares her experiences and costs of hiring a publicist.  As an indie author, you should be willing to spend a little money on a great cover and a great editor, but is it worth it to spend more money on a publicist? What have your experiences been?

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Should You Pay for a Publicist?

by Jane Friedman
You’ve written a great book and—if you’ve self-published—probably shelled out for the services of a good editor and cover designer. The last thing you want is to pay for a publicist. But in a sea of authors, how will potential readers know about your book?As a traditional-turned-hybrid author publishing with She Writes Press, I foot the bill for all the publishing costs but reap a much higher percentage of royalties for both print and ebook sales for my debut memoir, Accidental Soldier: A Memoir of Service and Sacrifice in the Israel Defense Forces. My book is distributed like a traditional one, in all the retail channels; distribution is a major challenge facing self-pubbed authors, and traditional distribution is an advantage of my particular press.

I invested in a publicist to break into mainstream media, which led me to identify a number of online and print women’s media sites that would be perfect for my coming-of-age memoir and mother-daughter story. Of course I could have tried approaching these editors on my own, but that would have been time-consuming, and I didn’t have the established and nurtured contacts. Accidental Soldier has been featured with The Reading Room, Brit + Co, Writer’s Digest, Reader’s Digest, SheKnows.com, Working Mother magazine, Teen Vogue, and Seventeen—and that’s just a few. I would have never gotten that far on my own.

However, good publicists are not cheap. They command higher payment than a quality editor because they spend more hours over a longer time period working for you and your book.

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

The 10 Commandments Of Authorial Self-Promotion

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This post by Chuck Wendig originally appeared on his terribleminds site on 4/15/15. Note that it contains strong language.

*wheezes while stumbling down a mountain carrying ten stone tablets*

*dumps stone tablets on the ground and most of them break*

*coughs for like, 40 minutes*

OH FOR FUCK’S SAKE. WHY DO PEOPLE WRITE COMMANDMENTS ON STONE TABLETS. IF GOD’S SUPPOSED TO BE ALL POWERFUL WHY DIDN’T HE JUST HAND ME AN IPAD. DOES HE HAVE A THING AGAINST APPLE? GOD’S ONE OF THOSE STRIDENT ANTI-MAC PEOPLE ISN’T HE. SO HEAVY. IT HURTS. IT HURTS SO BAD.

Ahem. Okay. Yeah. Yes. Hi!

It is time to speak about the sticky subject of self-promotion. You’re a writer. You’ve written a book and somebody — you, a big publisher, a small publisher, some spider-eating alley hobo — has published it. And now you want to know how you promote the book so that the world can fling money at your face in order to greedily consume your unrefined genius. But it’s not easy. You don’t know what works. What makes sense. You don’t want to just stand on a street corner barking at passersby and hitting children with your book. But you also recognize that you’re just one little person, not some massive beast of marketing and advertising, hissing gouts of pixelated steam and vacuuming up potential buyers into the hypno-chamber that is your belly.

What do you do? How far can you go? What should you say?

Thus, I bring you these ten tablets.

Ten commandments about self-promotion for authors. In a later post I’ll get into the larger practicalities of self-promotion — what seems to work for me, what seems to do poop-squat for me — but for now, we’re going to cover the overall basics.

Let us begin.

 

Thou Shalt Throw Pebbles

The self-promotional reach of a single author is not very far.

Big publishers and companies have giant cannons.

You, however, have a satchel of pebbles.

A publisher will ideally dp outreach that puts your book in front of various folks within the distribution process — book buyers, librarians, the secret tastemaker cabal that operates out of a warehouse in Brooklyn’s Park Slope neighborhood. You, as lone author, do not have that effect.

The best you can do is pick up one of your pebbles and throw it.

 

Read the full post on terribleminds.

 

Writers You Want to Punch in the Face(book)

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This post by Rebecca Makkai originally appeared on Ploughshares on 3/7/14.

This is the story of Todd Manly-Krauss, the world’s most irritating writer. He’s a good enough guy in real life (holds his liquor, fun at parties, writes a hell of a short story)—but give the guy a social media account, and the most mild-mannered of his writer friends will turn to blood lust.

Okay, so he’s not a real writer. Except that he is. At times I fear he’s me.

Because I do struggle for balance with social media. I’m supposed to use it to promote my work (it’s not just a Twitter account, it’s a platform, dammit), and if many of the highlights of my life are writing-related, I naturally want to share those. But then I think of how I might come off to someone who’s struggled for years to publish that first story. Or how I must seem when I’m the only writer (the only self-promoter, even) on someone’s feed. And I wonder if I’m someone’s own personal Todd Manly-Krauss.

 

Click here to read the full post on Ploughshares.