motivation

Writing—So Easy a Caveman Can Do It

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This post by Kristen Lamb originally appeared on her site on 3/7/14.

Recently a Facebook friend shared a post with me regarding Indie Musicians versus Indie Authors. It appears our culture has a fascination and reverence for the Indie Musician whereas Indie Authors face an immediate stigma. We authors have to continually prove ourselves, whereas musicians don’t (at least not in the same way). My friend seemed perplexed, but to me it’s very simple.

We’re not even going to address the flood of “bad” books. Many writers rush to publish before they’re ready, don’t secure proper editing, etc. But I feel the issue is deeper and it reflects one of the many challenges authors face and always will.

People give automatic respect to a musician because not everyone can play an instrument or sing. Simple. It’s clear that artist can do something many cannot.

As writers, we have an insidious enemy. People believe what we do is easy. If we are good writers, we make it look effortless. I recall being a kid watching the Olympics. The gymnasts made those handsprings look like nothing. Being four years old, I dove in…and broke my arm…twice (because I’m an overachiever that way).

The blunt truth is everyone has a story to tell. They do. Every life can be fascinating in the hands of a skilled author. Every idea can be masterful in the hands of a wordsmith. Ah, but the general public assumption is that the only thing standing between them and being J.K. Rowling is merely sitting down and finishing the story. Many believe that, because they’re literate and have command of their native language that they can do what we do.

 

Click here to read the full post on Kristen Lamb’s site.

 

3 Reasons Most Writers GIVE UP & 3 Reasons Why YOU Shouldn't

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This post by Angela Scott originally appeared on her site on 12/20/11.

Between getting our words down on paper and then trying to get someone (agents, publishers, READERS, anyone) to care about those words, we may come to a cross point in which we say, “Is this even worth it? Why in the world am I doing this to myself? I think I’ll take some medicine to numb the voices and just go back to bed. Forget it. I’m done.” *sticks out tongue and blows a raspberry at the world*

I’ve been there myself, many a time. But each day, I put myself back in front of the laptop and write. Even on days when I don’t want to.(I don’t wanna, I don’t wanna, I don’t wanna). Why? Why do I put myself though this craziness? Well, I’m still trying to understand it myself. And though I don’t have a clear reason why I keep plugging along (I’m a masochist. I’m schizophrenic. Like Lady Ga-Ga, I was born this way), I do know several reasons why some writers give up:

Reason #1: Writing is hard. It is. The writing process, at times, can be incredibly fun and rewarding. When the words flow and nearly write themselves, it’s amazing. It’s almost a high type of feeling. A rush. But there are other times, many times, in which writing just plain sucks–the words do not come; or the words DO come, but they are crap; editing (it’s a pain in the butt, but SO necessary. Do not skip this step. Just saying); promoting and marketing (UUUGGGHHH); and then coming up with another great idea. Oh the pressure! No wonder I feast on lots of migraine pills, chocolate, and caffeine.

 

Click here to read the full post on Angela Scott’s site.

 

Why Writers Are the Worst Procrastinators

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This article by Megan McArdle originally appeared on The Atlantic on 2/12/14.

The psychological origins of waiting (… and waiting, and waiting) to work

Like most writers, I am an inveterate procrastinator. In the course of writing this one article, I have checked my e-mail approximately 3,000 times, made and discarded multiple grocery lists, conducted a lengthy Twitter battle over whether the gold standard is actually the worst economic policy ever proposed, written Facebook messages to schoolmates I haven’t seen in at least a decade, invented a delicious new recipe for chocolate berry protein smoothies, and googled my own name several times to make sure that I have at least once written something that someone would actually want to read.

Lots of people procrastinate, of course, but for writers it is a peculiarly common occupational hazard. One book editor I talked to fondly reminisced about the first book she was assigned to work on, back in the late 1990s. It had gone under contract in 1972.

I once asked a talented and fairly famous colleague how he managed to regularly produce such highly regarded 8,000 word features. “Well,” he said, “first, I put it off for two or three weeks. Then I sit down to write. That’s when I get up and go clean the garage. After that, I go upstairs, and then I come back downstairs and complain to my wife for a couple of hours. Finally, but only after a couple more days have passed and I’m really freaking out about missing my deadline, I ultimately sit down and write.”

Over the years, I developed a theory about why writers are such procrastinators: We were too good in English class. This sounds crazy, but hear me out.

 

Click here to read the full article on The Atlantic.

 

3 Book Marketing Projects to Tackle in 2014

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This post by Toni Tesori originally appeared on Duolit on 1/8/14.

This is my year.

No more excuses.

2014, I will OWN you!

Sound familiar?

The ringing in of a new year forces us to think about what we’ve achieved in the past twelve months — and how we can do things a bit better this time around.

After the fireworks die down and the champagne stops bubbling, we sit down and make those dreaded…you guessed it: New Year’s Resolutions.

The funny thing about resolutions, though? Their success could be determined by a simple coin flip!

That’s right, less than half of us will actually stick to our resolutions — and that means half of our author friends will end the year no better where they started, which makes us mega-sad. But why does this happen?

You start out with good intentions, right? January 1st brings with it plenty of motivation, but it is darn near impossible to keep up that drive for twelve months. To actually accomplish our goals, we need to add something else to our awesome motivation:

Motivation + [Focus] = WIN!

That’s right, Focus. Motivation without focus is like deciding to go on a road trip, but accidentally leaving the map and smartphone at home. You might eventually reach something really cool, like the Jimmy Carter Peanut Statue…but, without a plan, you’re likely to turn around after an hour or so when your trip starts feeling like a waste of time and gas.

Let’s be real: choosing where to focus your marketing attention is hard. Wouldn’t it be nice if someone just told you what you should do to promote your work?

Ta-da!

3 Book Marketing Projects to Tackle in 2014

 

Click here to read the full post on Duolit.

 

Authors' Sleep Patterns and Productivity

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This post originally appeared on ShortList.com on 1/28/14.

Early to bed and early to rise makes a man healthy, wealthy and a better author. Wait, that’s not right.

The influence of daily routines on creative output has always been a mild obsession of Maria Popova, a New York-based Bulgarian writer and blogger.

Such was her interest in successful writers’ sleep habits that she commissioned illustrator Wendy MacNaughton and information design team Accurat to create this rather superb infographic, charting authors’ sleeping patterns and their literary productivity.

Having researched each author’s wake-up time from journals, biographies and interviews, the chart illustrates their preferred hour of rising with a clock-like marker. The author’s productivity is indicated with a small count for each of their books, poems or works, adjacent to the time. Literary awards are indicated with a coloured smudge around the author’s portrait. The writers are ordered according to their hour of rising.

It makes for an interesting read, demolishing any notion that there’s a ‘perfect hour’ to rise. We’re all for adopting Charles Bukowski’s approach to mornings…
 

Click here to view the infographic, along with instructions for how to read it.

 

How to Write 2000 Words a Day

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This post originally appeared on the WriteAnon blog on 3/14/11.

The last few weeks, I’ve been trying to write 2000 words or more each day. I’ve found there are a few things that have helped me be successful.

 

1. Don’t sit down to write 2000 words at once.

I’ve found a lot more success when I focus on writing a scene or much smaller goal, like 100 words. I can write 100 words in 3-5 minutes. At that pace, it will take 1-2 hours to write 2000 words. However, blocking aside 1-2 hours seems hard, while blocking a few 30-minute chunks makes it a lot easier. With 30 minutes at lunch, 30 minutes before dinner, and 30 minutes before bed, there are one-and-a-half hours right there. I can usually find the extra time somewhere else (generally a little longer at night).

 

2. Focus on scenes, not word counts

Each of my scenes tends to run from 1000-3000 words. By focusing on completing a scene, I take the pressure off just filling out my word counts, and can focus on completing scenes. The word counts tend to flow after that.

That being said, if I’m stuck, I’ll fall back to just trying to write 100 words. Small goals are easy to achieve.

 

Click here to read the full post, which includes four more specific strategies, on WriteAnon.

 

Start Writing Your Novel Now

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This post by Lovelyn Bettison originally appeared on her blog on 12/6/13.

It’s come to my attention that a lot of people want to write a novel. It seems like most people think they’ve got a book in them, but for some reason they just haven’t gotten around to writing it.

There are a lot of excuses for not sitting down and actually getting to that novel you’ve always dreamed of writing, but this post isn’t about excuses. I don’t want to hear any of those. Many writers have gotten up a few hours earlier than usual to write in the morning before heading out for work. Many have burned the midnight oil after work to write the book they always dreamed of writing.

Walter Mosely wrote his novel, Devil in a Blue Dress, whilst working full time. I heard an interview with Toni Morrison in which she described handwriting The Bluest Eyes on a legal pad with her baby in her arms. If you really want to write a book you will find a way to make it happen. If it is important to you you’ll make time for it.

Here are some tips to get you started.

Make a commitment to write everyday. Writers write. You can’t call yourself a writer if you don’t. Give yourself an allotted amount of time, whatever you feel like you can set aside: an hour, thirty minutes. Whatever you feel like you can do is fine. Sit in front of your computer, with the internet off preferably, and write something. Write anything at first. This is just to get you used to writing.

Even if you only come up with a couple of sentences that’s fine.

 

Click here to read the full post on Lovelyn Bettison’s blog.

 

Be Afraid

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This post by Andrew E. Kaufman originally appeared on The Crime Fiction Collective blog on 1/22/14.

Being a writer is like climbing the tallest peak in the world. We barely get to enjoy the victory, when someone straps us down, tears our shirts open, and tells the vultures to bring it on. Let’s face it: to be an artist is to be vulnerable. And perhaps a little unstable. We pour our souls onto the pages. We sweat. We cry. We scream a lot. We drink ridiculous quantities of coffee, but never enough to combat our emotional and physical exhaustion.

Not to mention, the brutal criticism, and really, there is no way to combat that. We read it, we cringe, and we may (possibly) throw some things (at least, I hear). After that, we pick ourselves up and dust ourselves off, taking what we can use, and throwing away the rest…that is, between the hysterical sobs, and guttural groans (also, of course, not a first hand experience). Other sides of our artistry are a bit less brutal and far more enjoyable. If we do it right, we get to create worlds and characters from nothing other than our hungry imaginations, then watch them flourish into amazing stories. Also if we do it right, we relish in the knowledge that our readers are enjoying them, and more importantly, feeling them. Of course, getting to that point is easier said than done.

In reaching that goal, my approach can be at times… a bit unconventional. Possibly insane. For me, writing a novel means feeling my way through the darkness and through my pages, essentially with no idea what the outcome will be. I don’t plan before I launch into my work. I write on instinct. As I do this, one persistent and nagging question pokes at me: Will this work?

 

Click here to read the full post on The Crime Fiction Collective blog.

 

How Writers Can Stay Productive Even During Sick Days

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This post by Jennifer Mattern originally appeared on the All Indie Writers site on 1/13/14.

So far this year, I’ve had one normal work day. One. Just a day after returning to work from my holiday break, I needed a sick day. That turned into a “sick week.” And it’s now going on week two.

Surprisingly though, those sick days have still been productive days. I launched several new features here on this site. I published several blog posts on various sites I own. I installed and customized a new theme on my business site. And I completed plenty of other smaller projects in a fairly long to-do list.

The key? I stayed away from business emails, and I was officially off in terms of working with clients.

Why was this key? It meant my schedule in no way revolved around anyone else. If I wanted to work for ten minutes, I could. If I wanted to work on something for hours and I felt up to it, I did. And if I wanted to say “to Hell with it” and climb back in bed for the day, I could do that too. It also meant I wasn’t putting out client work when I was far from 100%. That wouldn’t have been good for anyone involved.

By all means, if you feel too sick to do anything, take off completely. Your health should be your top priority. But if you have even a little bit of energy, there are many things you can do to make sure you stay productive, or at least don’t fall too far behind, when you take sick time as a writer.

Here are some specific ideas for work you can do, even when you’re not feeling well.

 

Catch up on some reading.

Read blogs. Read books. Read magazines you plan to query. As a writer, you can never read too much. And this is something you can do even if you’re confined to bed while you recover.

 

Click here to read the full post on All Indie Writers.

 

Inside The Box: People Don't Actually Like Creativity

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This article, by Jessica Olien, originally appeared on Slate on 12/6/13.

In the United States we are raised to appreciate the accomplishments of inventors and thinkers—creative people whose ideas have transformed our world. We celebrate the famously imaginative, the greatest artists and innovators from Van Gogh to Steve Jobs. Viewing the world creatively is supposed to be an asset, even a virtue. Online job boards burst with ads recruiting “idea people” and “out of the box” thinkers. We are taught that our own creativity will be celebrated as well, and that if we have good ideas, we will succeed.

It’s all a lie. This is the thing about creativity that is rarely acknowledged: Most people don’t actually like it. Studies confirm what many creative people have suspected all along: People are biased against creative thinking, despite all of their insistence otherwise.

“We think of creative people in a heroic manner, and we celebrate them, but the thing we celebrate is the after-effect,” says Barry Staw, a researcher at the University of California–Berkeley business school who specializes in creativity.

Staw says most people are risk-averse. He refers to them as satisfiers. “As much as we celebrate independence in Western cultures, there is an awful lot of pressure to conform,” he says. Satisfiers avoid stirring things up, even if it means forsaking the truth or rejecting a good idea.

Even people who say they are looking for creativity react negatively to creative ideas, as demonstrated in a 2011 study from the University of Pennsylvania. Uncertainty is an inherent part of new ideas, and it’s also something that most people would do almost anything to avoid. People’s partiality toward certainty biases them against creative ideas and can interfere with their ability to even recognize creative ideas.

 

Click here to read the full article on Slate.

 

Never Let Anyone Or Anything Steal Your Dream

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This post, by Avril Sabine, originally appeared as a guest post on J.A. Konrath’s A Newbie’s Guide To Publishing blog on 12/21/13.

When I was a little kid, people loved to ask, “So what are you going to be when you grow up?” Some kids answered fireman, astronaut, ballerina or superman. I said writer. Now maybe they were trying to be helpful, but around 90% of people told me, “You’ll never make money from that.” “It’s not a real job.” “Don’t you know most writers are starving?”

This confused me. It’s not like I wanted to be superman. Why did the kids who said they wanted to be superman get a fond smile, a pat on the head, and “How nice.” It didn’t make sense. I knew he wasn’t real.

But writers obviously were. I’d read their books, visited their worlds, had my imagination filled with wondrous events and magical happenings. So how could that be impossible when no one ever said becoming superman was?

But I learned to play their game and say ‘teacher’ whenever anyone asked. And they’d nod and smile and the conversation would be over without the lecture. To me being a teacher was second choice. Nothing like being a writer. A writer’s who I am, not what I do. And I kept writing. And reading. And telling stories.

When my sister couldn’t sleep at night, she’d crawl into my bed and I’d make up stories for her until she fell sleep. In every spare moment I read and discovered how writers formed sentences, created worlds and drew the reader in so they couldn’t put the book down. I also read in the not so spare moments, learning to walk and read at the same time, to do my chores while I read.

And I wrote. During class. When I was supposed to being doing homework, and when I was supposed to be asleep. Mum wouldn’t let me keep my light on really late at night when everyone else was in bed, so I saved my pocket money and bought a torch. And under the blankets, late at night, I read and wrote rather than lay awake half the night creating worlds and characters in my mind.

 

Click here to read the rest of the post on A Newbie’s Guide To Publishing.

 

Top Seven Reasons To Self-Publish

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This post, by Mari Selby of Selby Ink, was originally published on The San Francisco Book Review site on 12/5/13.

When Selby ink was founded 15 years ago publishing a book followed a routine process: You started by calling agents and editors who most likely told you to send them a query letter. Next step was usually a book proposal (if they were interested), plus a few sample chapters. Then the waiting game started, usually ending with disappointment. On the other hand, the option to self-publish was there, but it had a certain stigma…like your book wasn’t good enough for a “real publisher”. And eBooks were unknown!

When we see the sales figures for a self-published book like The Shack we realize that times have changed. Today self-publishing is not only popular, but often it’s the preferred publishing path of many respected authors. As long as your book is professionally produced, with an eye-catching cover and compelling content, you can directly compete with any bestselling author.

Thinking about publishing your book in the New Year? Here are my seven best reasons to self-publish your book:

1. Timing: Traditional publishers work on a long production cycle, they often plan a year to a year and a half—or even longer—to get a book out. As a self-publisher you can do it in a fraction of that time. It’s your material, your career move – you can take control of when you want to publish.

2. You Just Might Strike It Rich: Self-publishing offers the potential for huge profits. No longer do you have to be satisfied with the meager 5 to 15 percent royalty that commercial publishers dole out. When you use creativity, persistence, and sound business sense, money is there to be made. Most publishers require their authors to do their own promotion, why not self-publish and earn a 40 – 400% margin? If your book becomes a hit, publishers will come calling and give you the upper hand in negotiations.

 

Click here to read the rest of the post on The San Francisco Book Review site.

Put Yourself into Your Writing

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This post, by Steven Ramirez, originally appeared on his Glass Highway site on 10/10/13.

There’s nothing to writing. All you do is sit down at a typewriter and open a vein.

That quote—or variations of it—has been attributed to the sportswriter Red Smith, among others. I’ve thought a lot about it over the years, trying to determine whether the writer was (a) being funny, (b) over-dramatizing or (c) attempting to impart real wisdom. Recently, I’ve come to believe that C is the correct answer.

Good writing is about the mechanics. Great writing is about putting yourself into the words. Actors talk a lot about this—putting themselves into their character. I once asked a friend of mine who had studied method acting at the Actors Studio, “Do you actually become the character?” “No,” he said. That would mean I’m insane. Good point.

So, must writers become the characters we are writing about? No, but there are three things I believe to be essential if you want the reader to believe they exist.

You Must Understand
Without understanding, you’re doomed to writing thin, unbelievable characters. I should know—I’ve written enough of them. We all have. In screenplays, people always talk about a character’s backstory. Screenwriters spend a lot of time writing detailed histories of their characters, things like where they went to school, whether they have siblings, the kind of music they enjoy, etc.

Me, I don’t do that. I always start with someone I know or someone I’ve met. Sometimes, I create a composite. The point is, by honing in on a specific person, I’ve already got my backstory. To me, it’s a waste of time to create a fake history when there are so many real, interesting people in the world. And this is not say that I don’t embellish.

 

Click here to read the rest of the post on Glass Highway.

 

Can Perseverance Be Taught?

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This post, by Angela Duckworth, originally appeared on Big Questions Online on 8/5/13. Since perseverance is definitely a requirement for success as an author, whether indie or mainstream, the post raises a question that’s pertinent to most of us.

Can perseverance be taught? As a psychologist who studies achievement, I am asked this question more frequently than any other.

This question is motivated by two everyday intuitions, both of which have been confirmed in empirical research: First, some people are, in general, more persistent and passionate about long-term goals. Compared to their less gritty peers, these individuals are more resilient in the face of adversity, bouncing back after failure and disappointment and otherwise staying the course even when progress is not obvious. Second, grit predicts success. Grit is not the only determinant of success – opportunity and talent matter, too. But on average, grittier individuals are more successful than others, particularly in very challenging situations.

So, can we intentionally cultivate grit in our children, in our employees, in ourselves? Relative to many other scholarly traditions, the science of behavior change is in its infancy. Still, we know enough, I think, to answer that question in the affirmative. Can perseverance be taught? Yes. Do we know how? More and more – though, of course, there is much to be discovered.

As a starting point, we should acknowledge the empirical fact that perseverance, like extraversion, intelligence, and every other trait psychologists measure and study, is a function of both genes (nature) and experience (nurture). So, while science is a very long way from identifying the specific genes that contribute to individual differences in perseverance, we know that each of us comes into the world with proclivities, already different from one another based on the DNA we inherited from our mothers and fathers. Of course, the very same research also tells us that whatever our genetic endowments, our particular life experiences – what we see and hear, how we are treated by others, which of our actions is rewarded or punished – nudge us closer to one end of the perseverance spectrum or the other.

 

Click here to read the rest of the post on Big Questions Online.

 

Are Your Family and Friends Sabotaging your Writing Dreams?

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This post, by Anne R. Allen, originally appeared on her blog on 11/17/13.

Writers participating in NaNoWriMo (National Novel Writing Month) may discover that friends and family aren’t entirely enthused by your decision to disappear into your computer for a month. (I have a secret suspicion that Chris Baty invented NaNo in order to escape those painful family Thanksgiving dinners.)

But at any time of year, some people in your life will find it difficult to relate to your passion to write. A few will even sabotage your progress, often subconsciously, but sometimes with the deliberate intent of steering you onto another path “for your own good.”

Kristen Lamb wrote on her blog this week about a minister of her church who told her she “had a better chance of being hit with lightning than becoming a published author.” And that she “needed to be an adult and pursue a ‘real’ career.”

Squelch.

What’s a new writer to do?

One thing that can help a lot is networking with other writers. That’s where blogging and social media can be helpful. Kristen’s “WANA tribe” (We Are Not Alone) is a community where writers can find mutual support. Another is Alex J. Cavanaugh’s Insecure Writers Group, which he wrote about on this blog a couple of months ago.

Online or in-person, writers’ groups can be a godsend. I’m lucky enough to live in a town with a fantastic writing community called the SLO Nightwriters. It has members at all writing levels, from fledgling first-timers to New York Times bestsellers. National organizations with local chapters like RWA, SCBWI, and Sisters in Crime can also provide welcome support.

A good writing group will also save you from the mistake so many new writers make: asking friends or family members to read a work in progress.

 

Click here to read the rest of the post on Anne R. Allen’s blog.