Quick Link: Orchestrating the End of Your Novel

Quick links, bringing you great articles on writing from all over the web.

The end of your story is just as important as the beginning. Especially if you want readers to give good reviews and buy more of your work! , posting at Writer unBoxed, gives some great insight on how to make your novel’s ending one that will leave readers asking for more!

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Orchestrating the End of Your Novel

By

I’ve spent the last eight months writing a novel, and I’m now closing in on the finish.  What makes a good ending? How do you know if you’ve landed it?

One of my favorite TV shows of all time is heading into the final season, and I am not happy about it ending at all, so the actual end had better really hit all the right notes, or it will be ruined for me.

Ruined for all time.

A couple of years ago, I wrote a new adult series of five books about a love triangle. As I came closer and closer to the end, I started to realize that the ending I though I’d be writing was not the ending the books needed. To write it the way that was right, deep down right, I would have to break a sort of rule about triangles, which is that the girl will end up with the first guy the reader met. It’s not a hard and fast rule, not like the happily-ever-after of a romance novel.  My protagonist had her happily-ever-after, and a happy romance.

 

Read the full post on Writer unBoxed.

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Quick Link: How To Generate Fresh Story Ideas And Approaches

Quick links, bringing you great articles on writing from all over the web.

My problem is I usually have more ideas than I can deal with but if you find yourself struggling to come up with a plot to write Liz Massey at Write to Done has got you covered.

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How To Generate Fresh Story Ideas And Approaches

by Liz Massey

If you’ve written nonfiction for any length of time, particularly if you write in a specialized “niche,”it’s possible to reach a point when you feel as if you’ve run out of fresh ideas. You’ve done all the seasonal stories, covered all the breaking developments in your field—and the ideas for your next feature just aren’t coming. You’ve reached what we in the industry politely refer to as a “dry spell,” although when you’re in one, it more often feels like you’ve crash-landed in the desert.

However, it’s possible to transform this sandy expanse into an oasis. Reframing what you consider good story sources and how you approach topics you cover frequently can add zest and vigor to your writing and increase editor, and reader, interest.

Fresh sources of story ideas

Part of the reason many writers get stuck is that they tend to look in the same old places to drum up new story ideas. Looking in unexpected, even counter-intuitive, places for inspiration can break free new insights that can lead to intriguing story concepts.

Places to look for new ideas can include…

 

Read the full post on Write to Done.

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How a Writer Weighs an Idea. Six Questions.

This post by Alton Gansky originally appeared on Novel Rocket on 2/24/15.

Benjamin Franklin used a simple technique to judge the value of an idea. When considering a decision, the founding father would draw a single line down the middle of a piece of paper. On the left side he’d mark a +; on the right side he put a – (minus sign). He would then make a list of the good points, and one for the negatives.

If the pluses outweighed the negatives, then he felt the idea was a good one. Too many negatives and he moved on to another idea.

I’ve always thought it was a great technique but it failed to weigh the pluses and minuses. For example a minus might be minor taking three or four to have more value than a single plus. Of course the same can be said in reverse. So my Ben Franklin lists included a value with each plus or minus. Maybe I really love the idea. I’m enthusiastic and have been for some time. That plus will out weigh several minuses.

Over the years I developed a different approach to evaluate an idea: a series of 6 questions. Not every idea that comes to mind is worthy of our time, efforts, and money. Some concepts arrive dressed in fancy clothes and blowing party whistles. We court them, chat them up, and then, over time, notice that the idea is hollow and only pretended to have value. I needed a way to apply a little logic to what is often an emotional process.

 

Read the full post on Novel Rocket.