Raising Questions in Our Stories

This post by Elizabeth Spann Craig originally appeared on her site on 8/24/15.

One thing that can trip up even experienced writers is giving everything away in the story too quickly.

It’s always a temptation for me. I tend to want to reveal things too quickly in my story. I want to explain everything as it happens so that readers won’t be confused.

But when I reveal too much, I end up halfway through the story without enough material to make a full-length novel.

Areas where it may help to raise questions:

Questions about character behavior. Sometimes character motivation isn’t clear. But as long as that character is behaving consistently, readers will want to learn why the character is acting that way.

 

Read the full post on Elizabeth Spann Craig’s site.

 

Shocking WSJ Discovery: Higher Prices=Lower Volume!

This piece by Barry Eisler originally appeared as a guest post on A Newbie’s Guide to Publishing on 8/4/15.

Barry Eisler here. Joe, thanks as always for the guest slot. I was going to mock this Wall Street Journal article somewhere, and there’s no better place than A Newbie’s Guide for that…

So okay, today the Wall Street Journal ran a piece headlined, “E-Book Sales Fall After New Amazon Contracts: Prices Rise, but Revenue Takes a Hit.” The article is behind a paywall, but you can access it by cutting and pasting the headline into your browser and clicking on the result of the search.

I just want to make sure I’m the first to congratulate the Wall Street Journal on its shocking discovery of a correlation between higher prices and lower demand. And, while I’m no economist, I’d like to humbly propose that the WSJ call its discovery something like, “The Demand Curve.” If this doesn’t win the newspaper a Pulitzer, I have one more suggestion: an even more radically new article on how a round object fastened to an axle can work as something called…a wheel.

Apologies for the snark, but where else but in publishing could a notion like “higher prices lead to lower revenues” even be controversial, let alone newsworthy? But the publishing industry is notoriously special, and Joe has been beating this drum for years. Five years ago, he wrote:

Naturally, people would rather pay less for something than more. And in a digital world, like we’re rapidly becoming, consumers have shown consistently in other forms of media that they place less value on downloads than on physical products.

When companies price digital content too high, consumers respond by pirating that content. That’s the ultimate in “devaluing.”

 

Read the full post on A Newbie’s Guide to Publishing.

 

Writing For Children

This post by Diana Hurwitz originally appeared on The Blood-Red Pencil on 8/12/15.

“I have an idea for a children’s book. Who should I pitch it to?”

I see this question often on writing forums and it takes willpower to refrain from posting, “Whoa, back it up, Nelly.”

Writing for children is hard, hard work. I do not advise attempting it without a thorough understanding of children’s literature. The best place to start is the Society of Children’s Writers and Illustrators.

Children’s literature has multiple categories based on age. There are board books, early picture books, standard picture books, easy readers, transition books, chapter books, etc. Picture books in particular have specific page and layout restrictions. There are language expectations based on target audience. You can find a list of categories at Write For Kids.

At the very least, you should peruse Writing Children’s Books for Dummies and the current version of the Children’s Writers and Illustrators Market book.

Go into a bookstore and head to the children’s section. The first thing you will notice is it is full of “classic” children’s books, the books parents of baby boomers read to them. Then there are successful series by writers such as Mercer Mayer’s Little Critter series and Stan and Jan Berenstain’s Berenstain Bear series.

 

Read the full post on The Blood-Red Pencil.

 

Fueling the Muse—How to Mentally Prepare for “The Novel”

This post by Kristen Lamb originally appeared on her blog on 8/27/15.

NaNoWriMo is kind of like Christmas for writers—suffering, drama, no sleep, heavy drinking and really bad eating habits. Also, we start talking about NaNoWriMo months before it actually happens.

If you are a new writer and don’t know what NaNoWriMo is? It stands for National Novel Writing Month and it is held for the duration of November. The goal is to write 50,000 words in a month.

In a nutshell, it gives a taste of what it is like to do this writing thing as a job, because for the professional writer? Every month is NaNoWriMo, so there is NO BETTER indoctrination into this business.

NaNo shapes us from hobbyists to pros, but we need to do some preparation if we want to be successful—finish 50,000 words and actually have something that can be revised into a real novel that others might part with money to read. Genre obviously will dictate the fuel required, but today we’ll explore my favorites.

Movies

I like watching movies to strengthen my plotting muscles. Unlike novels, screenplays have very strict structure rules. Also, it takes far less time to watch a movie than read a novel, so movies can be fantastic for practice (and also our goofing off can have a practical application 😀 ) .

Study plot points. Sit with a notebook and see if you can write out each of these major points in one to three sentences.

 

Read the full, lengthy post, which goes into full detail on plotting / story arc in the novel, on Kristen Lamb’s blog.