Writing A Book For Self Publication

This post, from Morris Rosenthal, originally appeared on his Self Publishing 2.0 blog on 7/26/09.

There’s a big difference between self publishing a book because you can’t land a contract from a trade publisher and writing a book for self publication. A book that no acquisitions editor is willing to pay you an advance for is probably a bad gamble from a commercial standpoint, no matter how well written and polished it may be. But the business of writing for self publication doesn’t stop with choosing a subject for which there’s an audience, be it weight loss or teenage vampire romance. It’s just as important to match your writing and production capabilities to the business model you choose.

A simple example would be my collection of computer titles. Since I use Lightning Source to do my printing on demand, and since color POD is still too expensive for producing books with reasonable cover prices, I chose from the inception to write books that didn’t require photographic illustrations. That may sound simple, but I can assure you that books related to computer hardware have always been published with heavy photo illustration. In some instances, like a step-by-step book for building PCs, those photographs are very useful, but more often than not they are filler to bulk up the page count for a higher cover price. So back in 2003, I developed an approach for troubleshooting computer hardware based on black and white flowcharts, and I even turned the lack of photographs into a selling point in the promotional book video I wrote about a few months ago.

A more general example is simply writing lean books. Trade publishers love bulking up books to achieve wider spines for shelf visibility (thicker paper stock is also common for low page count books) and the perception of higher value which allows higher cover prices. More subtle reasons include the perception of higher value for competitive purposes, and the belief that bulk equates with quality, especially in nonfiction and reference type titles. After all, if the reader is simply overwhelmed by the amount of material in the book, they are more likely to blame themselves for failing to understand the subject than to blame to author for failing to explain it. For trade publishers ordering large offset runs, the incremental page count has limited impact on the final cost of the book, the more important cost is performing the editorial and production process on the larger number of pages. When you’re writing for self publication, especially if you are using print on demand, the printing cost rises far more rapidly than your ability to raise the cover price while keeping the book competitive with similar titles.

As a self publisher, you have 100% control over what you write, and that includes the ability to make changes during the editorial process. I can’t tell you how many self publishers I’ve corresponded with who were planning to follow my print on demand model, but who changed to short run offset at the last minute because they couldn’t leave out a beautiful color photograph that they referred to in the text or an accompanying DVD of photographs, audio or video. My advice to make a minor edit in the text and leave out the spoiler falls on deaf ears. Authors who have never written or published a book become married to the notion that the "something extra", the color, the DVD, the odd shaped book, adds value that will make their book sell. In my experience, the "something extra" wouldn’t help sales even at the same price point, much less when it doubles the cost to the customer.
 

Read the rest of the post on Morris Rosenthal’s Self Publishing 2.0 blog.

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