Skip to content
Publetariat
  • Home
  • About
  • Book Trends
  • Business End
  • Contact
  • Design
  • Ebooks
  • Sell
  • Think
  • Write

legal

Quick Links: Pros & Cons: Referencing the Real World in Our Story

February 6, 2017 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

The wonderful Jamie Gold goes over the potential and pitfalls of using real world references in your story. A must read if you have ever considered doing this!

~ * ~

Pros & Cons: Referencing the Real World in Our Story

by Jami Gold

I’ve often mentioned that I appreciate questions from readers (even though I can’t answer them all, especially with my health issues this year). Every question gives me ideas for potential blog posts, and today I’d like to thank Lee Green for the idea for this post (and Julie Sade for encouraging me to write it). *smile*I’ve run into the issue Lee mentions within my work as well, so I’m glad her question forced me to think deeper about the pros and cons. As with many things, we might answer one way at first glance but later discover a different angle that changes our opinion.

Lee asked:

“In a WIP, is it OK to have the lead female reading and maybe referring to a book written by a real life current author and naming that author, title of book and maybe a sentence from the book?”

That is a fantastic question that got my brain spinning in multiple directions. On the surface, it’s a question about copyright (and maybe the right to publicity), but deeper down, it’s a question about the relatability of our story and character. Let’s take a closer look…

Read the full post on Jamie Gold

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Legal, Think Tags copyright, legal, Real world in story, writing tips

Quick Links: The Legal Side of Writing for Anthologies

September 7, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

I have posted before about my love for anthologies, as a great way to find new authors. It is a great way to get your work in front of more people, and for the reader you get a bunch of great stories, usually at a bargain price. Susan Span from Writer’s Unboxed discusses the legal side of anthologies, and what you need to watch out for.

~ * ~

The Legal Side of Writing for Anthologies

Be careful, cause friends don't let friends sign shitty contracts.
Be careful, cause friends don’t let friends sign shitty contracts.

June 20, 2016

By Susan Spann

Anthologies offer writers an excellent platform for shorter works and create opportunities for reader cross-pollination. When managed and published properly, anthologies have many benefits and relatively few drawbacks for authors. However, authors do need to ensure–before submitting or signing a contract–that the anthology publisher is offering industry-standard contract terms and proper legal protection for the contributing authors and their works.

Today, we’ll review a few of the legal traps and pitfalls authors should beware (and avoid) when contributing work to an anthology:

1.   Contracts Are Not Optional.

Every anthology should use a professional, written publishing contract (or release) containing industry-standard terms for anthology publication. If the publisher is taking only non-exclusive rights, and not limiting the author’s right to reprint and re-use the work in any way, a simple release will often suffice, but even this should be in writing. (Note: The author should always retain the copyright and subsidiary rights to the work, as well as the right to re-publish in other contexts. Also, the author should never have to pay the publisher any money or be required to purchase copies of the finished anthology.)

Read the full post on Writer’s Unboxed

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Legal, Marketing, Think Tags anthologies, legal

Quick Links: Business Musings: The Grant of Rights Clause (Contracts/Dealbreakers)

July 13, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

You should always give a contract a solid look over or, better yet, hire a lawyer so you know what you are getting into. According to Kristine Kathryn Rusch, publishing contracts are getting even more – shall I say politely – complicated for authors. She has some great tips for you guys, so go check it out. Don’t be in a rush to sign away your rights, or do something you will regret later in the excitement of the moment.

~ * ~

Business Musings: The Grant of Rights Clause (Contracts/Dealbreakers)

May 25, 2016

by Kristine Kathryn Rusch

Be careful, cause friends don't let friends sign shitty contracts.
Be careful, cause friends don’t let friends sign shitty contracts.

I’m sure some of you have noticed that the art for this blog isn’t my usually snarky commentary on whatever topic I’ve chosen. I decided to use the photo header for this blog to promote the Storybundle that I’m in. Why? (Aside from shameless self-promotion?)

Because the Storybundle includes a book of mine that you might need to do half the stuff I mention in the contracts and dealbreakers posts. I’ve recommended How To Negotiate Anything before. It’s my biggest seller in nonfiction. (You can also find it in audio  and free on this site in an earlier draft.)

However, if you get the book in the bundle, you also get nine other stellar writing and business books, plus you can donate to The Pearl Foundation, a charity that helps support adult education.

There. Ad over.

Now onto today’s topic.

I am revising the Dealbreakers 2013 book. I had hoped to revise it every year, but I get so discouraged looking at the contracts as they exist now. I actually started to revise in the hopes of having the new book in this Storybundle, and then discovered I had so much new material that I didn’t have time to finish the book by mid-May.

Why is there new material? Because traditional publishing contracts have gotten ugly (or should I say uglier?). And they’re not alone. Contracts for movie deals, gaming rights, comic books, and now works in translation are also getting more and more draconian.

Corporate entities have finally gotten a clue about the value of copyright and trademark. Now, those entities which own many of the companies you’ll deal with—even as an indie writer—want to own each piece of the copyright to any property they put their grubby little fingers on.

Read the full post on Kristine Kathryn Rusch

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Legal, Think Tags Contracts, legal, Rights

Quick Links: Know Your Rights

April 27, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

Today’s offering is a bit long, but well worth the time. Do yourself a favor and read the comment section too. With the changes in copyright law and the advent of self publishing, the terms offered to authors have changed, and not for the better.  Kristine Kathryn Rusch at The Passive Voice explains the new contract world. What are your thoughts on the changes to authors contracts?

~ * ~

Know Your Rights

23 April 2016

Publishing contractKristine Kathryn Rusch

I recently got an email that sent a chill through me. It was a newsletter from a traditional publishing organization. This organization is geared toward publishers and editors, not toward writers.

The newsletter was essentially an ad for an upcoming seminar that will teach publishers to understand intellectual property and expand their rights business.

Why did this send a chill through me? Because the one thing that has protected writers who signed bad contracts is the fact that their traditional publishers have no idea how to exploit the rights they licensed.

. . . .

[I]n short, most publishers ask for more than they have ever used in the past. Publishers have been very short sighted in how they published books.

. . . .

Ten years ago, it was relatively easy to get the rights reverted on a book like that. Essentially both parties agreed that the terms of the contract had been met, that the parties no longer had need of the relationship, and so they severed their business relationship.

It wasn’t easy-peasy, but it wasn’t hard either. It usually took a letter or two.

By 2005, however, most agents refused to write that letter which severed the contract. The reason was simple from the agent’s perspective. Many, many, many agents used a combination of their agency agreement and a clause in the writer’s book contract to define their relationship with the writer, and determine who controlled the marketing and finances of that book.

It wasn’t in the agent’s best interest to cancel the contract. In fact, the longer the contract existed, the better it was for the agent.

Writers with agents would have to write those letters themselves—and then, publishers would often contact the agent to find out why the agent was “letting” the writer do this.

. . . .

In the last year or so, I’ve been hearing from writers who say it’s almost impossible to get their rights reverted. The publishers want to hold onto those rights as long as possible.

Read the full post on The Passive Voice

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Business End, Legal Tags Contracts, Law, legal

Quick Link: The girl who stole my book: How Eilis O’Hanlon found out her crime novels were swiped by a stranger

March 30, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

A growing problem that has been made easier by digital media.. What would you do if you found someone had basically hijacked one of your stories and was making money off of it? Eilis O’Hanlon found out first hand, and shares her story in the Indepentdent.ie site.

~ * ~

The girl who stole my book: How Eilis O’Hanlon found out her crime novels were swiped by a stranger

March 28, 2016

Publish concept on PC tabletEilis O’Hanlon

There was something strangely familiar about the crime novel riding high on the Amazon Kindle bestseller lists last autumn. Eilis O’Hanlon ought to know. She’d co-written it almost 13 years earlier. The only problem was that someone else was now claiming to be the author.

Last October, I logged on to Twitter to find that I was now being followed by an account with the username @DonnaPatel. Something made me click on this particular link to see who it was. Call it intuition.

Donna Patel described herself as an “aspie” and “Potterhead”, and her most recent interaction had been with an Irish author calling herself “Joanne Clancy”.

Donna had been reading Clancy’s latest book, Tear Drop, a thriller about the hunt for a serial killer in Cork. At the time, it was the 111th biggest-selling e-book on Amazon’s UK division, and the number-one bestseller in Irish crime fiction, and Donna Patel had a simple question for the author: “Are you Ingrid Black?”

Next day, having received no reply to her message, Donna sent another tweet to the same account, saying: “Your book Tear Drop is The Dead by Ingrid Black.” Shortly afterwards, a third: “So you must be one of the authors behind Ingrid Black, or you are plagiarising.” Shortly afterwards, Joanne Clancy had deleted her account.

I found this exchange particularly interesting, and for a very good reason.

I am Ingrid Black.

One half of Ingrid Black, to be precise. She is a pseudonym, adopted more than 10 years ago for a joint crime-writing project between myself and my co-author and partner, Ian McConnell, and The Dead was our first book.

The novel featured Saxon, an American former FBI agent turned true-crime author, now living in Dublin and hunting a murderer of young women who has adopted the persona of another serial killer who vanished five years earlier. The Dead had been published as part of a two-book deal by Headline in London in 2003, and was subsequently sold to publishers in the US, Germany, France, the Netherlands and Italy.

The book was encouragingly reviewed. An audio-book version was recorded by actress Tara Ward. There was an advertising campaign on The Tube in London. It sold well. Tesco in the UK bought a large consignment. The film rights were optioned by the BBC. The book also won a Shamus award in the United States for Best First PI Novel.

A year later, we published a sequel – The Dark Eye, again featuring Saxon and her female lover, Detective Chief Inspector Grace Fitzgerald, this time teaming up to investigate an apparently politically motivated killer, known as The Marxman. After a change of agent and publisher, two more novels in the series followed – The Judas Heart (2007) and Circle Of The Dead (2008), both published by Penguin Books.

By this time, however, the editor at Penguin who had championed the books had left for Australia, and, sadly, our new agent died. Feeling like we were back at square one, and not knowing how to start over, Ingrid Black slipped off the radar. In time, the books fell out of print and copyright reverted to us as the original authors.

Read the full post on Indepentdent.ie

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Legal Tags book theft, legal

Google may be copying your book without your permission. Here’s why that is a good thing.

January 3, 2016November 2, 2015 by Publetariat

Similar to web searches, Google is trying to create an online searchable library through Google Books and the Google Library Project. Approximately 30 million books have been scanned. The only larger collection is the Library of Congress, which has 37 million items of various media, not all of which is accessible online and the Library of Congress doesn’t point potential buyers to Amazon, any other merchant, or even an author website.

With the Google Library Project, Google partnered with libraries who provided select materials for scanning. The materials are often out of print, or rare books and publications. However, authors are not contacted for permission to use their works, which brought the attention of the Author’s Guild.

Google uses the scanned items to provide better literary searches along with “snippets” of relevant text, while the libraries have access to scanned copies of their materials. The libraries are still restricted by copyright law on how they handle the scanned content. A win-win for both parties, but what about the authors?

According to Google’s website “The Library Project’s aim is simple: make it easier for people to find relevant books – specifically, books they wouldn’t find any other way such as those that are out of print – while carefully respecting authors’ and publishers’ copyrights. Our ultimate goal is to work with publishers and libraries to create a comprehensive, searchable, virtual card catalog of all books in all languages that helps users discover new books and publishers discover new readers. ”

The Author’s Guild filed a lawsuit on behalf of the authors, with claims that the snippets of text shown in the search results through Google Books and the Google Library Project are against “fair us” and could be used to compile a copy of the text by enterprising hackers. It should be noted that Google does not make any money off of the links or run ads against the search results. Author’s benefit because links are provided to purchase the titles when available.

“Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that may qualify as fair use.” – copyright.gov

Recently the Second Circuit Appeals Court unanimously exonerated Google from the lawsuit brought forth by the Author’s Guild.

As part of their findings the judges said “The ultimate goal of copyright is to expand public knowledge and understanding, which copyright seeks to achieve by giving potential creators exclusive control over copying of their works, thus giving them a financial incentive to create informative, intellectually enriching works for public consumption.””

The “snippets” show up as text in the search, just like the text of websites shown by Google currently, but as excerpts from the scanned books. There is an option for authors and rights holders to opt out. If there is an alternative source that will fulfill the search request, such as a dictionary, then that source is used. Parts of the scanned books are “blacklisted” and won’t show in the search results. You can see yourself, in the sample below.

Google search snippet example

In one part of the litigation process, The Author’s Guild and Google had come to terms where Google would pay a nominal fee to have exclusive rights to use the scanned texts. This was dismissed by the judge as providing an unfair advantage to Google and if approved would have stopped anyone else from providing an online book search.

From the judge’s statement “Google’s program does not, at this time and on the record before us, expose Plaintiffs to an unreasonable risk of loss of copyright value through incursions of hackers.”  With less than 16% of a book used for the snippets, it is not possible for someone to recreate the book even if they wanted to take the time and effort to do so.

The judges went on to state “Google does not sell its scans, and the scans do not replace the books. While partner libraries have the ability to download a scan of a book from their collections, they owned the books already — they provided the original book to Google to scan. Nor is it likely that someone would take the time and energy to input countless searches to try and get enough snippets to comprise an entire book.”

While the judges conceded that theoretically the snippets might mean some lost sales to authors, reality is that someone looking for factual validation has many resources, such as Wikipedia.  If more than a snippet of text is needed then the likelihood increases that the user will purchase the book and be able to use the handy links provided. While the majority of the current scanned texts are more esoteric and hard to find publications, who knows how far Google will take this project in its bid to become the comprehensive online library catalog. One thing all authors struggle with is getting their material in front of likely readers. Someone searching for specific material online is the author’s target audience and will be more likely to make a purchase.

In response to the ruling, The Author’s Guild is planning to present the case to the Supreme Court. From their website:

“We aren’t challenging the benefits of Google Books search engine, just the seizure of copyrighted material,” explained Authors Guild President Roxana Robinson.  Indeed, Authors guild members are perhaps the greatest users of Google Books search and know its benefits better than anyone. “But Google should be willing to compensate an author for copying her work for use in its database,” continued Robinson.

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com

Resources:

Click to access agvgoogle.pdf

http://copyright.gov/fair-use/more-info.html

Authors Guild

https://www.google.com/googlebooks/library/

http://www.newyorker.com/business/currency/what-ever-happened-to-google-books?mbid=rss

https://www.techdirt.com/articles/20151016/08010632559/appeals-court-explains-yet-again-to-authors-guild-that-googles-book-scanning-is-fair-use.shtml

http://consumerist.com/2015/10/16/appeals-court-says-googles-book-scanning-project-is-legal-fair-use/#more-10220932

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Book Trends, Business End, Legal Tags legal, marketing, news

Poor Man’s Copyright – Newsome v. Oldham

January 3, 2016July 14, 2014 by Publetariat

This post by Pete Morin originally appeared on his site on 6/24/14.

Hardly a week goes by without a discussion on the Internet about the legendary “poor man’s copyright.” This theory posits that an author may prove he is the creator of a work at a particular point in time by mailing himself a copy of the work, which is kept in the sealed envelope until such time as it may be needed. With the near ubiquity of email and the use of the Internet (especially by authors intent on selling their work), the old mailing tactic might just as easily be employed by one emailing himself a file.

With the advent of the Lanham Act, such quaint tactics are no substitute for registration with the United States Copyright Office, a process that takes minutes and costs only $35.

Nevertheless, the time may come when an author whose work is unregistered would discover her novel to have been stolen – perhaps by an unscrupulous beta reader – and fraudulently registered. Upon discovery, that unfortunate author might seek to register her own manuscript (as she must in order to maintain an action for infringement), which the USCO will not approve in light of the prior registration. Alternatively, the fraudulent author might (with breathtaking temerity) maintain an infringement action against the true creator.

How would the victimized author fare in her quest to prove she is the original artist?

 

Click here to read the full post on Pete Morin’s site.

 

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Business End, Think Tags copyright, intellectual property, legal, registering your work

10 Big Myths About Copyright Explained

January 3, 2016November 24, 2013 by Publetariat

This post, by Brad Templeton, originally appeared on Templetons.com.

Note that this is an essay about copyright myths. It assumes you know at least what copyright is — basically the legal exclusive right of the author of a creative work to control the copying of that work. If you didn’t know that, check out my own brief introduction to copyright for more information. Feel free to link to this document, no need to ask me. Really, NO need to ask.

1) “If it doesn’t have a copyright notice, it’s not copyrighted.” This was true in the past, but today almost all major nations follow the Berne copyright convention. For example, in the USA, almost everything created privately and originally after April 1, 1989 is copyrighted and protected whether it has a notice or not. The default you should assume for other people’s works is that they are copyrighted and may not be copied unless you know otherwise. There are some old works that lost protection without notice, but frankly you should not risk it unless you know for sure.

It is true that a notice strengthens the protection, by warning people, and by allowing one to get more and different damages, but it is not necessary. If it looks copyrighted, you should assume it is. This applies to pictures, too. You may not scan pictures from magazines and post them to the net, and if you come upon something unknown, you shouldn’t post that either.

The correct form for a notice is:

“Copyright [dates] by [author/owner]”

You can use C in a circle © instead of “Copyright” but “(C)” has never been given legal force. The phrase “All Rights Reserved” used to be required in some nations but is now not legally needed most places. In some countries it may help preserve some of the “moral rights.”

 

2) “If I don’t charge for it, it’s not a violation.” False. Whether you charge can affect the damages awarded in court, but that’s main difference under the law. It’s still a violation if you give it away — and there can still be serious damages if you hurt the commercial value of the property. There is a USA exception for personal copying of music, which is not a violation, though courts seem to have said that doesn’t include widescale anonymous personal copying as Napster. If the work has no commercial value, the violation is mostly technical and is unlikely to result in legal action. Fair use determinations (see below) do sometimes depend on the involvement of money.

 

3) “If it’s posted to Usenet it’s in the public domain.” False. Nothing modern and creative is in the public domain anymore unless the owner explicitly puts it in the public domain(*). Explicitly, as in you have a note from the author/owner saying, “I grant this to the public domain.” Those exact words or words very much like them.
 

 

Click here to read the rest of the post on Templetons.com.

 

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Business End Tags copyright, legal

Inside Scoop on ABNA '07-08 From A Judge

January 3, 2016February 3, 2009 by Publetariat

I knew it! I knew it!

Reality Publishing, a confessional from a 2007-08 Amazon Breakthrough Novel Award judge.

Share this:

  • Click to share on X (Opens in new window) X
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to share on Pinterest (Opens in new window) Pinterest
  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • More
  • Click to email a link to a friend (Opens in new window) Email
  • Click to print (Opens in new window) Print
Categories Uncategorized Tags legal
  • RSS - Posts
  • RSS - Comments

Favorite sites

skrawl.com - a brand new world of collaborative storytelling…

Writer Beware -Shining a bright light into the dark corners of the shadow-world of literary scams




© 2025 Publetariat • Built with GeneratePress
 

Loading Comments...