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Quick Links: What is the Kindle “Delivery Cost” and How Does it Affect Me?

October 12, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

If you upload your eBook to Amazon you will be faced with a “delivery cost” which is based on the digital size of your manuscript. Thanks to RJ Crayton at Indies Unlimited for going into detail about this cost. Just so you know, there are ways to shrink the file size, so if you end up with a big enough delivery cost you might want to talk to someone about reducing the file size.

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What is the Kindle “Delivery Cost” and How Does it Affect Me?

Author RJ CraytonPosted on June 27, 2016

CostsFor those new to Kindle publishing, questions often arise about the Kindle delivery cost. Some people aren’t sure what it is, who it affects, and if there’s a way to make it go away. Today, I’m going to give a quick overview of the fee and what it means to authors.

What is the fee? It’s the amount of money Amazon charges you to deliver a book to customers. The amount is determined by the size of your book and is based on a dollar per megabyte rate. You can find the exact rates here. However, I’ll offer up the rates for the four largest English-speaking markets. The US, Australia, and Canada are $0.15/MB in their countries’ respective currency; and the UK is £0.10/MB.

Will the fee be expensive? That depends on the kind of book you’ve got. Most books that are primarily text will come in under a megabyte. However, once you start adding images to your books, you will really increase the file size and start incurring a large delivery fee. So, if you’re selling a photo book, a cookbook, a comic, a children’s picture book, or anything that’s image heavy, you could end up with a large delivery fee.

Read the full post on Indies Unlimited

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Categories Business End, Publishing, Tools Tags Amazon, Costs, Delivery Cost, ebooks

Quick Link: What Authors Should Know About OCR

October 11, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

OCR or optical character recognition is when someone scans text and uses a computer program to recognize and pull the text from the scan. This is very important to know if you have created an eBook from an older manuscript because OCR is notorious for having issues. At Digital Book World, Ben Denckla explains.

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What Authors Should Know About OCR

By: Ben Denckla | June 27, 2016

Typewritten manuscripts are especially difficult for OCR
Typewritten manuscripts are especially difficult for OCR

Expert publishing blog opinions are solely those of the blogger and not necessarily endorsed by DBW.

If you published a book before 2008, its ebook edition was probably created using optical character recognition (OCR). And if your ebook was created using OCR, it probably has typos in it. That’s the bad news.

The good news: you don’t have to accept this situation.

What’s special about the year 2008? Nothing, really. I just chose 2008 because the first Kindle came out in late 2007. So 2008 is the earliest year I can imagine a significant number of publishers adopting a single-source workflow: a workflow in which the ebook is created from the same files used to create the paper book. For example, nowadays Adobe InDesign can create an ebook and a paper book (well, a PDF) from the same file. A single-source workflow avoids OCR and OCR-caused typos. It doesn’t avoid all problems, but it goes a long way toward making higher-quality ebooks.

Many publishers continued to use OCR for books published more recently than 2008. On the other hand, commendably, some publishers used single-source workflows for books published before 2008. Since files may be available for books published as long ago as the 1970s, single-source workflows are possible (though unlikely) for books published while Jeff Bezos was still a child.

The bottom line for authors is this: regardless of its year of paper publication, ask your publisher whether OCR was used to create the ebook edition of your book.

If OCR was used, your ebook probably has typos in it. It was probably spellchecked, but not carefully. The whole conversion, including spellchecking, was probably outsourced to inexpensive workers who, even if their English skills were good, were probably working under severe time constraints. And even the most careful spellchecking, as you know, is no substitute for good old proofreading. Your ebook was almost certainly not proofread.

So what can you do?

Read the full post on Digital Book World

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Categories Business End, Publishing Tags ebooks, OCR, optical character recognition

Quick Links: How to Prepare for Self-Publishing: Ebook Formatting

August 9, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

This is the next in a series of posts about self-publishing from Digital Publishing News. Catherine Dunn talks about some basic formatting hints and things to look out for. If you have a question or problem with preparing your manuscript for eBook publishing, let me know in the comments below and perhaps I can help.

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How to Prepare for Self-Publishing: Ebook Formatting

By: Catherine Dunn
June 8, 2016

This is part three of a six-part series.

Not an acceptable Amazon file format.
Not an acceptable Amazon file format.

You’ve got your finished manuscript in Microsoft Word and you’re ready to turn it into an ebook. You need to convert it into MOBI format (for Amazon Kindle) and EPUB (for everywhere else). There are various companies, tools and programs that can convert your file for you, but how can you make sure it ends up looking right? You already know that ebooks behave quite differently from Word documents, so how can you be confident that your carefully crafted file will work as an ebook?

Keep it simple

Don’t forget that most ebooks—unless you’re specifically opting for a fixed format to handle lots of illustrations, charts, tables, etc.—are reflowable, which means that the reader can choose the size of the text and some other elements like font, line spacing and margins. So your careful choice of 12 point Palatino won’t always render exactly as you envisaged. By keeping the formatting as simple as possible, you reduce the risk of introducing anything that will be too distracting to the reader. After all, you want her to focus on what you’ve written, not on what it looks like.

Before you submit your book for conversion, there are a few really basic things you can do within Word to make it look more professional.

Switch on the “Show nonprinting characters” option—click the button that looks like this: Show nonprinting characters

This displays the formatting marks, showing all the formatting you’ve used: spaces, line breaks, paragraph breaks, tabs, page breaks—the works. This makes it easier to see what you’ve done and will help you to strip out extraneous formatting.

Remove rogue spaces from the beginnings and ends of paragraphs. This can be a tedious job, but it’s worth it, because extra spaces often stand out on an e-reader.

Read the full post on Digital Publishing News

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

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Categories Design, Ebooks, Publishing Tags ebooks, Formatting, self-publishing

In The News – Indie Authors Are Responsible for the US eBook Decline

August 1, 2016 by Publetariat

In The News – Articles Of Interest For Authors

According to Michael Kozlowski, indie eBook authors are responsible for the decline of readership. There are a good share of spammy books and just plain bad books and the bar to become an eBook author is very low, however I happen to disagree. To me there are so many distractions out there, that it is difficult to find time. Which is why my to view list and my to read pile are both huge. Read the article at GoodEReader and let me know what you think in the comments below.

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Indie Authors Are Responsible for the US eBook Decline

May 29, 2016

By Michael Kozlowski

How I feel every time I look at my to read stack.
How I feel when I see how big my to read stack is.

Over the course of the last two years the modern bookstore has been undergoing a resurgence in sales. The publishing industry have all reported that e-book revenue is down between 2-6% year on year and 12% across the board. The funny thing is, publishers  for the most part are making more money, primarily due to higher e-book prices, but most are seeing a modest increase in print sales.

Why are bookstore chains like Barnes and Noble enjoying a robust increase in book sales? I think the main reason is because they only stock physical books by new authors that the publisher is really hyping and perennial bestsellers by recognizable authors. Simply put, it is far easier to discover a great book in a bookstore, than try and find one online. So why are digital sales truly down? The answer is too many e-books being self-published by indie authors.

Independent and self-published authors release more books on a monthly basis than the trade houses do. This creates an influx of new titles that fall by the wayside and pollute the search engine results,  so it is almost impossible to casually browse and find something good.  E-Books are immortal, so they never go out of print. Like cobwebs constructed of stainless steel, they will forever occupy the virtual shelves of e-book retailers. Every month there are more and more books for readers to choose from and there are now fewer eyeballs split across more books, this is the real reason why e-book sales are down across the board.

Not only do self-published authors write legitimate books that nobody reads, but some are doing some very shady things. One enterprising software engineer posted 800,000 Kindle titles that were written by an algorithm and there is a growing trend of authors taking advantage of Kindle Unlimited to redirect people from the first page of the e-book to the end, so they instantly make the full amount of the monthly pool of funds.

Read the full post on GoodEReader

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Categories Book Trends, News, Think Tags ebooks, Indie Authors

In The News: Cory Doctorow: Peace In Our Time

May 23, 2016 by Publetariat

In The News – Articles Of Interest For Authors

Are writer’s groups and libraries at crossroads with publishers over eBooks? Cory Doctorow, author and man about the web, believes so. He also believes he has some answers to help us all just get along in this article from Locus Online.

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Cory Doctorow: Peace In Our Time

Closeup portrait of a male hand with two fingers up in the peace or victory symbol 4 May 2016

E-books are game-changers, but not in the way we all thought they would be. Far from taking over print, e-book sales have stagnated at less than a quarter of print sales and show every sign of staying there or declining for the foreseeable future.

But e-books continue to be a source of bitter controversy that divides publishers from two of their most potentially useful allies: writers’ groups and libraries.

Below, I’ll present two thought experiments for how libraries and writers’ groups could find common cause with the Big Five publishers, using tech projects that would make a better world for writers, readers, literature, and culture.

First up, libraries. Libraries are understandably exercised about the high prices they’re expected to pay for their e-books – as much as 500% more than you and I pay on the major online services. To add insult to injury, HarperCollins makes libraries delete any e-book that has circulated 26 times, on the bizarre grounds that:

a) Its print books are allegedly so badly bound that they disintegrate after 26 readings (this is not actually true); and

b) This defect in the robustness of physical books is a feature, not a bug, and should be im­ported into the digital realm.

Libraries have tried to shame the publishers into offering better deals, through the Fair Pric­ing for Libraries campaign, fairpricingforlibraries.org. It’s had some limited success there, with Random Penguin, the largest of the Big Five, offering ‘‘flexible’’ prices that are a substantial improvement, but still far from perfect.

The libraries’ fight is hamstrung by their lack of leverage. Library patrons want e-books, publishers are the only source of the e-books patrons want, and libraries have to give their patrons what they want.

Read the full post on Locus Online

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

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Categories News, Think Tags ebooks, libraries, news, publishing

In The News: E-books, why so old-fashioned? Here’s a Web wakeup call

May 16, 2016 by Publetariat

 In The News – Articles Of Interest For Authors

Over at CNET, Stephen Shankland asks why we can’t make eBooks more like webpages, with all the glories functionality that technology provides.  I actually love creating customized eBooks for people. Because of my background as a software engineer, I can often do little extra’s such as drop caps and still make the eBook work in all the different readers. I don’t take on eBook work anymore because I can’t compete with overseas pricing.

That is why we can’t use all the technology of the web in our ebooks. Cost. You would need to have two very different versions of the eBook created. One with all the bells and whistles that a webpage can provide and that would work in your Fires, and Ipads. The other version would be the simplified “traditional” one for people who just want to read a book and for eReaders that don’t support such technology. Most people aren’t willing to pay for both version. What are your thoughts on why we haven’t moved farther?

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E-books, why so old-fashioned? Here’s a Web wakeup call

Stack Of Books Flying From Computer Shows Online Learning
Get into my computer!

Groups that advance Web and e-book technology want to join forces. That could make e-books livelier, richer and easier to read online.

May 10, 2016

by Stephen Shankland

For all the supposed disruption that e-books brought to the publishing industry, the digital versions look still look an awful lot like the paper ones you could have bought a century ago.

Nighttime orange text to avoid sleep disturbance is nice, but digital text on a tablet is basically the same as ink text on paper. Comic books and graphic novels go a bit farther. Still, most e-books fall far short of the creativity shown in paper with the “Little Lamb” finger puppet book or Maurice Sendak’s “Mommy?” pop-up book.

E-books could become much more dynamic and interactive, though. That’s because two groups — the World Wide Web Consortium (W3C) and the International Digital Publishing Forum (IDPF) — are trying to join forces. The first advances and standardizes the technology underpinning the Web; the second the Epub format used to package e-books. In a statement Tuesday, Web creator and W3C leader Tim Berners-Lee said the planned merger would “create a rich media environment for digital publishing.”

The current Epub 3.0 standard already uses Web technologies, but e-books remain a separate domain from the Web. The new Portable Web Publications effort would erase the distinction. That would make it easier to publish a single Web document that’s conveniently separated into multiple chapters, lets you flip from page to page, and better handles math formulas in textbooks.

But the more exciting opportunities would be encouraging authors to draw on the Web’s power: enlivening books with video, audio and photos; enriching them with links to outside sources like footnotes on steroids; and even adding running software like the dynamic illustrations in Mike Bostock’s guide to visualizing various computer algorithms.

Read the full post on CNET

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

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Categories News Tags ebooks, Enhanced content, news

Quick Links: Making Changes to a Published Book

May 8, 2016May 8, 2016 by Publetariat

Quick links, bringing you great articles on writing from all over the web.

One of the nice things about eBooks is that it is very easy to make changes, especially if you are self published.  On Elizabeth S. Craig‘s site, she discusses the different times you would want to update your eBook.

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Making Changes to a Published Book

April 4, 2016
Work In Progress Sign Held By Construction Workerby Elizabeth S. Craig

One of the things that delights me about self-publishing is the ability to go into a published book’s files and make changes.For my traditionally-published books, I can’t do a darn thing with the files.  I’ve alerted both Penguin Random House and Midnight Ink to reader-reported problems with both digital and print files that have resulted in missing pages, duplicate pages, and–in one particularly horrifying example–a completely different book from a  completely different author that Penguin Random House implanted in the last half of one of my mysteries. Problem at the printer? I’ve no idea, but I knew that the chance that I could get it fixed was iffy.  I ended up sending these readers signed copies of the book from my personal stash at home.

For my self-published books, I’ve made changes to the finished files quite a few times and for different reasons.

Changing a cover.  I’ve learned that the most important thing we can do to brand a series is to have covers that clearly show a connection between the books. I had one book in my Myrtle Clover mysteries that definitely didn’t look like the others.  There was nothing wrong with the cover, it just didn’t fit in.  I was in-between designers and couldn’t really articulate to the new designer what I was looking for.

Finally I decided to make a change.  I contacted my current cover designer, Karri Klawiter and asked her to recover the book for me (which she did…new cover is above). Once I’d changed it, I wished I’d taken care of it earlier because I had no issues at all involving customer confusion.  That’s mainly due to the fact that Amazon will not allow us to purchase the same book twice without alerting us that we already own the title in question.

But there were several things I did to try to avoid reader confusion. For one, I  didn’t announce it on my newsletter,  or call attention to it in any way.  And on Amazon and my website, I noted that the book had a new cover.

Read the full post on Elizabeth S. Craig

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

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Categories Business End, Marketing, Think Tags ebooks, marketing, self-publishing, Updating

How Indie Authors Can Use Preorders to Crack the Bestseller Lists

January 3, 2016December 3, 2015 by Publetariat

Today’s post is by Mark Coker, off of the Publishers Weekly website, on November 20, 2015.  He discuses how self publishing authors can use preorders to boost their rankings and be a part of a good marketing plan.

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Imagine you could press a magic button that would make your next book launch more successful. The magic button is the e-book preorder, which gives indie authors a sales and marketing advantage.

Over the last 12 months, nearly two-thirds of the top 200 bestsellers distributed by Smashwords originated as preorders. This statistic is all the more impressive when you consider that only one in eight books published at Smashwords during this period was listed as a preorder.

A preorder is an advance listing of your e-book at major retailers that allows your reader to reserve a copy of your book up to 12 months before the release date. When the book is officially released, the customer’s credit card is charged and the book appears in her device’s library.

Although preorders are standard practice for traditional publishers, most self-published authors don’t yet know how to take advantage of them. Let’s fix that problem right now.

Five Big Benefits of E-book Preorders

1. More effective advance marketing of your book: Most authors use Facebook and other social media to communicate with readers about works in progress. By providing a preorder link every time you share news about your upcoming releases, you can capture readers’ orders when you have their greatest interest and attention.

Read the full post on Publishers Weekly

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com

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Categories Ebooks, Sell Tags book selling, ebooks, marketing

Revisiting the Long Tail Theory as Applied to Ebooks

January 3, 2016January 28, 2015 by Publetariat

This post by Marcello Vena originally appeared on Publishing Perspectives on 1/8/15.

The myth of the Long Tail for ebooks may be fading away as the digital book market grows, and it is operated by few mega e-retailers.

In a limitless world of digital goods, powerful search and recommendation engines, near-zero marginal cost of digital production, storage and distribution, niche products shall get much more market relevance. “Selling less of more” is part of what the “Long Tail” theory has been preaching.

Does it apply to the creative industries too? And how? Should digital book publishers reduce attention on blockbusters and increase focus on the Long Tail as the source of the most profitable growth? Is there a space for unlimited growth of niche ebooks? Who is going to consume a potentially unlimited supply of creative goods?

 

Long Tale Theory is a Decade Old

It is interesting to note that the Long Tail theory was first published — by Wired magazine editor Chris Anderson — 10 years ago (October 2004), a few years after the dot-com bubble, when Internet was still in its infancy (it was 11 years old then). Amazon had not yet launched the Kindle (that came at the end of 2007) and the ebook market was still waiting to ignite. The digital music scene was nascent, as Apple launched its iTunes Store only in April 2003, and that was the single most important booster to the digital music market in the years following. When the Long Tail theory was first popularized by Anderson, detailed sales data regarding the digital music in USA was not available yet. It was not until 2005 that Nielsen Soundscan made first sales data available and only at end of that year did Billboard start to take into account paid downloads in the music charts in US. In fact, the first edition of the book (published in 2006) does present some examples of digital music sale, but it doesn’t address the digital market as a whole. No data from iTunes or the entire market (Nielsen Soundscan) was incorporated.

 

Read the full post on Publishing Perspectives.

 

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Categories Book Trends, Business End, Sell, Think Tags Amazon, ebooks, long tail theory, royalties, what authors earn

How “Sacred” Is A Print Book?

January 3, 2016December 31, 2014 by Publetariat

This post by Alexander M. Zoltai originally appeared on his Notes From An Alien site on 12/30/14.

The raging argument over print vs e-books—carried out, still, in some of the media—perhaps igniting physical confrontations on a few campuses—a false argument, in my experience…

I read both—both have value to me…

But, there are differences—I can underline a print book but only highlight an e-book—different actions, in my experience.

The New York Review of Books has an article by Tim Parks about underlining and writing in the margins—A Weapon for Readers.

As is my usual reportorial practice, I’ll give you a few excerpts, hoping you’ll read the full article:

“This extravagant regard…is reflected in the treatment of the book itself. The spine must not be bent back and broken, the pages must not be marked with dog ears, there must be no underlining, no writing in the margins.”

 

Read the full post on Notes From An Alien.

 

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Categories Book Trends, Ebooks, Think Tags bibliophilia, ebooks, hard copy books

Smashwords Year in Review 2014 and Plans for 2015

January 3, 2016December 31, 2014 by Publetariat

This post by Mark Coker originally appeared on the Smashwords blog on 12/31/14.

Each year I provide Smashwords authors and publishers a review of our progress in the year as well as hints of our plans for the coming year. So here goes.

2014 marked another exciting year for Smashwords as we create new ebook distribution tools and capabilities that give our authors and publishers a competitive advantage in the marketplace.

If you’re new to Smashwords, a brief introduction to Smashwords is in order.

I founded Smashwords in 2008 to empower writers to become professional self-publishers. I wanted to transfer the power of publishing from publishers to authors. Back in 2008, large publishers controlled the printing press, the knowledge of professional publishing, and the all-important access to retail distribution. Publishers had the power to determine your fate as an author. No more. I wanted to make authors the captains of their own destiny.

Over the last six going on seven years, Smashwords introduced our free ebook printing press, Meatgrinder, which made it possible for any writer anywhere to publish an ebook in minutes; we opened distribution for the first time to major retailers and library partners that were previously inaccessible to self-published authors; we developed sophisticated yet easy-to-use publishing tools that help writers and small indie presses publish with pride and professionalism; we worked to actively educate our authors and publishers how to leverage best practices to publish with greater success; and we’ve been fierce (but friendly!) advocates for the rights and long term interests of the indie author community.

We exist to serve our authors and publishers, and we serve you by developing tools and relationships that help you publish faster, smarter and more effectively. Our time-saving tools help you spend more time writing and producing and less time managing multiple upload platforms.

In the years since we launched, Smashwords has grown to become the world’s largest distributor of self-published books. To the extent we’ve been successful is entirely thanks to the continued support of the authors, publishers and retailers we serve. You’re running a business, and we realize you work with Smashwords by choice, not by necessity. Through continuous improvement of everything we do, we will always work to earn and deserve your continued business, trust and partnership.

So let’s take a look at our progress for the year.

 

Read the full post on the Smashwords blog.

 

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Categories Book Trends, Business End, Ebooks, Sell, Think Tags 2014 Year In Review, ebooks, indie author, why go indie

They Might Be Giants

January 3, 2016June 24, 2014 by Publetariat

This post by Philip Jones originally appeared on FUTUReBOOK on 6/24/14.

Are we at the beginnings of a backlash against big tech? Last week the New Yorker published a disruption takedown from Jill Lepore in which she castigated the tech community for its “reckless and ruthless” philosophy of disruption. Over the weekend the Observer criticised tech companies for sometimes thinking “they are above good rules”. A few weeks ago the New Statesman ran a series of articles puncturing the Silicon Valley dream, and warning about the “political and social damage that may be done by the future land-grab being pursued by the big internet companies”.

For publishers the context for this are the ongoing negotiations between Amazon and its suppliers over supremacy in the book business. As The Bookseller exclusively reported yesterday, Amazon’s latest terms indicate a direction of travel that would see the online retailer take a sizeable control over both a publisher’s inventory and its marketing. Can’t deliver fast enough to meet Amazon’s super-efficient distribution machine? Amazon would now POD the book. Not sure how best to market a book, or a list? Amazon could do it for you, albeit for a cut of the turnover.

 

Click here to read the full post on FUTUReBOOK.

 

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Categories Book Trends, Business End, Ebooks, Sell, Think Tags Amazon, crisis in publishing, disruption, ebooks, POD

Reading to Have Read

January 3, 2016March 16, 2014 by Publetariat

This post by Ian Bogost originally appeared on The Atlantic on 3/14/13.

Spritz doesn’t strive to fix speed reading’s flaws, but to transcend reading entirely.

If you’re a person who reads, you may have read about Spritz, a startup that hopes to “reimagine” reading. Like most tech startups, reimagining entails making more efficient. Spritz promises to speed up reading by flashing individual words in a fixed position on a digital display. Readers can alter the speed of presentation, ratcheting it up to 600 words per minute (about three times the speed the average reader scans traditional text).

This method, called rapid serial visual presentation (RSVP), isn’t new, but Spritz has added an “Optimal Recognition Point” or ORP to this display technique. They claim it helps readers recognize each word most effectively by focusing their attention on a red letter representing its optimal point of recognition. Public response to the technology has been tremendous. According to Spritz, over 10,000 developers have already signed up to develop “Spritzified” products.

Does Spritz work? Well, it depends on what you mean by “work.” As Olga Khazan wrote here at The Atlantic, speed reading has long been accused of sacrificing comprehension for convenience. University of South Carolina cognitive psychologist John M. Henderson further explains that Spritz’s ORP doesn’t improve matters:

 

Click here to read the full article on The Atlantic.

 

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Categories Book Trends, Ebooks, Think Tags book apps, ebooks, readers, reading apps

Books, Just Like You Wanted

January 3, 2016March 5, 2014 by Publetariat

This post by David Streitfeld originally appeared on The New York Times Bits blog on 1/3/14.

Anyone can publish a book these days, and just about everyone does. But if the supply of writers is increasing at a velocity unknown in literary history, the supply of readers is not. That is making competition for attention rather fierce. One result: ceaseless self-promotion by eager beginners.

Another consequence is writers’ thirst for more data on how they are being read, so they can shape their books to please their readers more. This is something novelists have always done, using sources like fan mail, personal appearances, reviews and sales. Technology is starting to give them data that is much more precise, and thus potentially more helpful.

“If you write as a business, you have to sell books,” said Quinn Loftis, a very successful self-published writer for teenagers. “To do that, you have to cater to the market. I don’t want to write a novel because I want to write it. I want to write it because people will enjoy it.”

But my article last week outlining how the digital book subscription services Oyster and Scribd plan to collect and share data with writers like Ms. Loftis resulted in little enthusiasm, at least among potential readers. Nearly all the comments on the article expressed dismay about where the trend could go.

 

Click here to read the full article on The New York Times Bits blog.

 

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Categories Book Trends, Business End, Sell, Think Tags bias against self-publishing, book sales statistics, crisis in publishing, ebooks, what authors earn

Author Earnings: The Report

January 3, 2016February 11, 2014 by Publetariat

This post by Hugh Howey originally appeared on Author Earnings with a publication date of 2/12/14. It contains some pretty shocking and encouraging book sales data, at least where indie authors and small publishers are concerned.

It’s no great secret that the world of publishing is changing. What is a secret is how much. Is it changing a lot? Has most of the change already happened? What does the future look like?

The problem with these questions is that we don’t have the data that might give us reliable answers. Distributors like Amazon and Barnes & Noble don’t share their e-book sales figures. At most, they comment on the extreme outliers, which is about as useful as sharing yesterday’s lottery numbers [link]. A few individual authors have made their sales data public, but not enough to paint an accurate picture. We’re left with a game of connect-the-dots where only the prime numbers are revealed. What data we do have often comes in the form of surveys, many of which rely on extremely limited sampling methodologies and also questionable analyses [link].

This lack of data has been frustrating. If writing your first novel is the hardest part of becoming an author, figuring out what to do next runs a close second. Manuscripts in hand, some writers today are deciding to forgo six-figure advances in order to self-publish [link]. Are they crazy? Or is signing away lifetime rights to a work in the digital age crazy? It’s hard to know.

Anecdotal evidence and an ever more open community of self-published authors have caused some to suggest that owning one’s rights is more lucrative in the long run than doing a deal with a major publisher. What used to be an easy decision (please, anyone, take my book!) is now one that keeps many aspiring authors awake at night. As someone who has walked away from incredible offers (after agonizing mightily about doing so), I have longed for greater transparency so that up-and-coming authors can make better-informed decisions. I imagine established writers who are considering their next projects share some of these same concerns.

Other entertainment industries tout the earnings of their practitioners. Sports stars, musicians, actors—their salaries are often discussed as a matter of course. This is less true for authors, and it creates unrealistic expectations for those who pursue writing as a career. Now with every writer needing to choose between self-publishing and submitting to traditional publishers, the decision gets even more difficult. We don’t want to screw up before we even get started.

When I faced these decisions, I had to rely on my own sales data and nothing more. Luckily, I had charted my daily sales reports as my works marched from outside the top one million right up to #1 on Amazon. Using these snapshots, I could plot the correlation between rankings and sales. It wasn’t long before dozens of self-published authors were sharing their sales rates at various positions along the lists in order to make author earnings more transparent to others [link] [link]. Gradually, it became possible to closely estimate how much an author was earning simply by looking at where their works ranked on public lists [link].

This data provided one piece of a complex puzzle. The rest of the puzzle hit my inbox with a mighty thud last week. I received an email from an author with advanced coding skills who had created a software program that can crawl online bestseller lists and grab mountains of data. All of this data is public—it’s online for anyone to see—but until now it’s been extremely difficult to gather, aggregate, and organize. This program, however, is able to do in a day what would take hundreds of volunteers with web browsers and pencils a week to accomplish. The first run grabbed data on nearly 7,000 e-books from several bestselling genre categories on Amazon. Subsequent runs have looked at data for 50,000 titles across all genres. You can ask this data some pretty amazing questions, questions I’ve been asking for well over a year [link]. And now we finally have some answers.

 

Click here to read the full, lengthy report (including many informative graphs) on Author Earnings. This report should be required reading for anyone who is, or hopes to become, a published author.

 

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Categories Book Trends, Business End, Sell, Think Tags author royalties, book sales statistics, ebooks, indie author, what authors earn, why go indie
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