Antagonists

Quick links, bringing you great articles on writing from all over the web.

Want to really ramp up your story? Make your antagonists multidimensional.  Want to take it to the next level? Have more than one antagonist – check out Robert Wood‘s post at Stand Out Books for all the details! 

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How To Make Multiple Antagonists Shine In Your Story

JULY 11, 2016 by ROBERT WOOD

Can multiple antagonists work in a story? The answer depends on the author, but that shouldn’t be surprising when the term is so loosely defined. There are people who’ll tell you that a truly great story shouldn’t have any antagonists at all, and some who’ll tell you that you need at least three to create a narrative worth reading.

What you’ll hear less often is how difficult it can be to write a story with multiple compellingantagonists. That’s a shame, because while it’s a difficult endeavor, it’s one worth pursuing for authors who want to create engaging, realistic conflict in their stories.

Happily, that’s exactly what this article is about – I’ll be touching on how appreciating the antagonist’s role in a story can help you incorporate more than one, how to ensure minor antagonists pack a punch, and how to use differences in ‘kind’ and ‘scale’ to craft multiple antagonists who pose unique threats to the protagonist. Before any of that, though, we have to start by defining a term.

What is an ‘antagonist’?

An antagonist is a character who opposes the protagonist. At first glance, it seems like a synonym for ‘villain’, but the differences between these terms are important. To start with, a villain is wrong or immoral, whereas an antagonist just opposes the protagonist. They’re someone who stands in the way of the protagonist achieving their goals, and that means that if the protagonist of your story is a villain, the antagonist might even be a hero.

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Quick links, bringing you great articles on writing from all over the web.

At Helping Writers Become Authors, K.M. Weiland shares her tips on how to avoid making one of the biggest mistakes on plotting a story. Spoiler alert, you need to start with the antagonist, not the protagonist, because the whole story revolves around them. Sure the hero is important, but without a worthy foe how can the hero shine and be the best things since sliced bread?

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How to Plot a Book: Start With the Antagonist

by K.M. Weiland

I hate antagonists. Not so much because they’re, you know, the bad guys. No, I hate them because 90% of the time, they bore me into catatonia. Evil plan to take over the world? Yawn. Just please do whatever you gotta do to make the hero look good.

That’s how many authors approach their antagonists–as an external force who is present in the book solely for the purpose of giving the hero a reason to do all his cool hero-y stuff.

You may have planned almost all of your story–in your head, in an outline, or in a first draft–before giving even an afterthought to the antagonistic force. This is a mistake. Why? Because the antagonist is the catalyst for everything your hero does in his story.

TL;DR: Your antagonist is the catalyst for the entire plot.

In short, if you’re struggling with how to plot a book, the answer is easy: start with your antagonist.

The Plotting Mistake Almost All Authors Make

I’ll admit it if you will: my creative inspiration for my stories is always the protagonist. I can see him so clearly in my mind. There he is: going all Jason Bourne on some faceless thug, maybe weeping touchingly over a fallen comrade, then striking a melancholy heroic pose against the sunset. Let’s start writing!

But the plot? Hrm. You mean the reason why nameless thugs are coming after him, felling his comrades, and leaving him in such a melancholic mood? You mean the antagonistic force that’s opposing him for presumably watertight reasons?

Um, yeah, that’s a little blurry.