Self-Publishing vs Sushi

This post, by Emily Casey, originally appeared on her blog on 12/27/11 and is reprinted here in its entirety with her permission.

Picture a small town in Pennsylvania where the Amish ride horses through the streets and sell quilts at the market. A place where the locals have names for things most people in the country have never heard of. I went to a writer’s conference in this town and met aspiring writers, top agents, and best-selling authors.

On the first day of the conference, a New York agent asked the locals of this small Pennsylvania town where to get some good sushi.

The response from everyone was pretty much the same: Sushi?!
 
We all had a good laugh about it and the agent handled the faux pas with grace, but it got me thinking. This agent is wonderful at her job. I’d have loved to have her represent me (only she didn’t work in my genre). I don’t think she’s out of touch with readers. But I don’t think she’s in touch with every reader.
 
Agents represent books that they like and think they can sell to publishers. Publishers buy books they like and think they can sell to booksellers. Booksellers buy books they like and think they can sell to consumers.

But shouldn’t that mean that there are books out there that would appeal to readers, but didn’t make the cut because they didn’t appeal to everyone else in the chain?

 

Readers like books from every part of this Venn Diagram.
Except that little grey circle. Nobody likes those.

 

You may or may not like sushi. But if you were stranded and hungry in New York City, I’ll bet you could find plenty of delicious food. Still, you probably won’t find a gumbo that compares to the real thing from Louisiana, or real, honest-to-goodness Georgia peaches. 

If you’re reading this, odds are you love to read. Odds are, you’ve read hundreds of great books and are searching for your next. Imagine all those books, the great ones that didn’t make the cut because a publisher didn’t think it had "mass appeal". 

That’s why I want to self-publish. Because just like Georgia’s peaches, I have a story to tell that you can only get from me. 

I’m not doing this because I think agents are bad people, or that publishers don’t know what they’re doing, or that chain bookstores are soulless. On the contrary. I think as readers, we’re indebted to them. They’ve made so many good books available to us. They don’t just shape the world of literature; they BUILT it. 

But the publishing world is changing. 

I’m not trying to find readers that hate all the books ever published so far. That’s crazy. It’s like saying you couldn’t find a single decent thing to eat in New York. I’m looking for hungry readers, the readers that might also like a book from a different source.  

Think of my book as a new food or recipe. Are you willing to try it? 

Secrets of Ebook Marketing, Excerpt Trades & the Future of Enhanced Ebooks

This post, by Cheri Lasota, originally appeared on her site on 12/12/11 and is reprinted here in its entirety with her permission.

I’d been search­ing for months for the right book to do an excerpt trade with. I’d heard about this sim­ple idea from my won­der­ful friend Nancy Kelley who heard about it from her friend, Jennifer Becton. Sometimes ideas spread like wild­fire, and this one ought to because it’s bril­liant. The con­cept is a no-​​brainer: get together with another indie author writ­ing in a sim­i­lar vein and trade chap­ter 1 book excerpts in the back of each other’s books. Voila! Now you have access to a brand new audi­ence you wouldn’t have had oth­er­wise. Cool, huh?

 

When I joined the Pacific Northwest YA Authors group, group mem­ber Lisa Nowak rec­om­mended I approach Laura Elliott with the idea. It turned out to be the per­fect fit. I asked Laura some ques­tions about how she viewed the excerpt trade process and wanted to share her answers with you. Without fur­ther ado…


Did you have any hes­i­ta­tions about excerpt trad­ing when I first approached you with the idea? What put those hes­i­ta­tions to rest?

Not at all. I love to try every­thing. I guess if I had one doubt about the process it was my own skills at pro­gram­ming your beau­ti­fully for­mat­ted excerpt of Artemis Rising into my ebook, Winnemucca. I enjoyed read­ing such a beau­ti­fully for­mat­ted ebook and learned from you in the process of adding your excerpt to Winnemucca. Because you are so knowl­edge­able about the process of for­mat­ting ebooks and enhanced books our col­lab­o­ra­tion was like tak­ing a lit­tle class—my favorite class. Thanks for putting up with my learn­ing curve, Cheri! This how my ebook world broad­ened as a result of our collaboration:

I made epub files out of my books, Winnemucca and 13 on Halloween, (book 1 in the Teen Halloween series) and uploaded them to the Barnes & Noble site so that they are now avail­able for the Nook. I didn’t want to go the Smashwords route for a num­ber of rea­sons, so I pre­vi­ously only had my books avail­able for the Kindle and as paper­backs. But because I wanted to help spread the word widely for Cheri and her book, as her books were more widely avail­able on dif­fer­ent ebook plat­forms, I used Calibre to make the nec­es­sary con­ver­sions. As a result my books are avail­able to a much wider market.

I found that xhtml is easy for me to under­stand since I was an html pro­gram­mer. But I’m all thumbs com­pared to Cheri, not that any­thing I had to do to add her excerpt was very advanced, but I began to see what I could do. Anyway, I got inspired by Cheri’s for­mat­ting and inter­ested in mak­ing more beau­ti­fully for­mat­ted books. Cheri sug­gested that I read Elizabeth Castro’s book, and I look for­ward to read­ing it when I have some time to play around with this stuff. I mean, we are indies because one of the ben­e­fits we have over tra­di­tion­ally pub­lished authors is that we can con­trol every aspect of our books, includ­ing their for­mat­ting. Okay, it’s not as sexy as a cover for some, but there is going to be a great deal that can be done from what used to be termed “cover to cover.”

Granted we do need to find a bal­ance with our writ­ing, pro­mot­ing, and mar­ket­ing lives, so leav­ing this up to pro­gram­mers might be an option too. But even so, know­ing what’s pos­si­ble is very impor­tant in work­ing with ebook professionals.

Will you con­tinue to use excerpt trad­ing as part of your mar­ket­ing plan in the future? Why or why not? 

Yes, I will. I’m sure that excerpt trad­ing, as you have indi­cated, will morph into dif­fer­ent things in the months and years to come. But I think it’s a solid way to mar­ket great sto­ries to readers.

 

What do you think of what Author Carolyn McCray calls “sales nodes”? Do you think of this as a nat­ural expan­sion of excerpt trading? 

Yes, actu­ally I think this is the future of excerpt trad­ing. I think it makes sense to pro­mote in this way and it could be viewed as our own “lists,” if you will, like the lists that tra­di­tional pub­lish­ing houses have. We would offer our read­ers a col­lec­tion of writ­ers and not only excerpt their work but col­lab­o­ra­tively take turns at offer­ing books at steep dis­counts. A com­bi­na­tion of a candy store and old school pub­lish­ing cat­a­logues. And I think it’s a win-​​win for read­ers, because the mar­ket is huge. Finding qual­ity titles can be time-​​consuming. The odds of find­ing a great story among authors affil­i­ated in this way ups the reader’s chances of find­ing sto­ries they’ll love because authors would want to be sure the qual­ity is high in the group before lend­ing their name to it.

 

You are already doing a lot of cross-​​promotion with the authors of your Pacific Northwest YA Authors group and the YA Indie Carnival. What has been your most suc­cess­ful cross-​​promotion thus far?

Both groups have had huge suc­cesses! And I’m actu­ally also in a third group. =)

I think the YA Indie Carnival #yaindiecar­ni­val has been a huge suc­cess for cross-​​promotion. It is a group of 25 authors & review­ers who post on all things YA Indy every Friday. It’s been a great way to show­case our books and review sites to new read­ers. It’s also been a tremen­dous source of writ­ing and pro­mo­tion tips, and most of all we’ve helped to sup­port each other. We’ve not only learned about what’s new in our ever-​​changing indus­try but also about each other. Our most suc­cess­ful events have been our give­aways. Our most pop­u­lar posts have been about social media and exclu­sive excerpts of new releases as well as per­sonal posts about high school and a wide vari­ety of other top­ics. We like to keep it inti­mate at the car­ni­val so that read­ers get to know us well and want to run away with us to the car­ni­val every Friday.

The best cross-​​promotion for the Pacific Northwest YA Authors has been the tra­di­tional face-​​to-​​face tour­ing with our read­ers, be it at shows like Wordstock or libraries or inde­pen­dent book­stores. What an amaz­ing group of writ­ers! I can hon­estly say I’d never have been able to talk about my books as well as I can now, if it wasn’t for the sup­port of Stacey, Angela, Lisa, Rebecca, Cidney, and you. If it wasn’t for the group, I never would have met you, Cheri. And not only would I miss your sup­port, I would have taken much longer to find Artemis Rising, a story I loved. So, when you emailed propos­ing the excerpt trade I was thrilled. And I’m glad every­one was open to includ­ing me as I live part-​​time in Portland and part-​​time on the cen­tral coast of California.

I’m also involved in a group called The Paranormal Plumes Society and we have started cross-​​promoting each other in our books by list­ing each other’s names and web­sites at the end of our books. Beyond the cross-​​promotion we do, we just have a LOT of fun together and even had A Haunted Book Tour in Savannah, GA just before Halloween last October where we got to hang out with our read­ers and do things like eat at haunted restau­rants and get spooked at one of the scari­est haunted houses in the nation! We are on tour in Florida at the end of July, going to a high school and a few mid­dle schools in the Deltona, FL area.

 

What do you think about the direc­tion book mar­ket­ing has headed in the past decade? How do you think the ebook explo­sion will play into book mar­ket­ing in the next decade?

Well, I pub­lished my debut novel Winnemucca, a small-​​town fairy tale, last July so I wasn’t out there try­ing to swing for the fences before this year. I’m not really cer­tain of what it was/​is like for tra­di­tion­ally pub­lished authors, hav­ing not been one. But I have heard quite a few sto­ries about authors not feel­ing in con­trol. I pre­dict that in the next decade the for­mat­ting, pro­mo­tion and mar­ket­ing of books will be more and more in the hands of authors.

I also pre­dict that’s where the next big idea will come from. From authors. Tech-​​savvy authors. Someone among us is the Mark Zuckerberg of ebooks and ebook mar­ket­ing. One of us will be able to take ebook mar­ket­ing and aug­ment tra­di­tional book tours with a place where read­ers can learn about ebooks in all the ways peo­ple like to, with trail­ers and music and excerpts, reviews and author inter­views. We have entered the age of the reader.

Not since the Gutenberg Press has there been such a devel­op­ment in the abil­ity to read lit­er­a­ture. Now we need to har­ness it. Aggregate the con­tent, much like the Googles and Yahoos of the world do with what’s hot and trend­ing in news and enter­tain­ment. That’s my pre­dic­tion. There will be a Google or Yahoo of books, a site that aggre­gates things from Goodreads, Kirkus, Booklist, Amazon, Independent book stores, Barnes & Noble, and the other play­ers to give read­ers what they want, and easy ways to find sto­ries that they love.

Cheri, thanks so much for hav­ing me on your blog today! It’s been a won­der­ful expe­ri­ence to col­lab­o­rate with you on my first excerpt exchange.

 


** Want to read Laura’s cross-​​post on the same topic? Laura asks me about excerpt trad­ing as well as the future of enhanced ebooks. Just click here for more.

 

Amazon's KDP Select Results

This post, by L.J. Sellers, originally appeared on the Crime Fiction Collective blog on 12/16/11 and is reprinted here in its entirety with that site’s permission.

When Amazon asked me to enroll a few books its KDP Select program, I went along. Like many other authors, because of Kindle Direct Publishing, I now have readers and I’m able to make a small living. So I’m deeply grateful, and even loyal, to Amazon. I don’t necessarily like the 90-exclusivity requirement of the new program, but I don’t sell enough of certain titles in other venues for it to be a financial consideration.

So I enrolled three books out of ten, and promptly listed two for back-to-back, five-day giveaways, the main perk of the program.

The results were better than expected. First, I gave away The Suicide Effect, my lowest-selling book. Between the US and UK, in five days, I had 34,888 downloads. A stunning number for a book with suicide in the title. The book is now #61 in the entire Kindle store and actually selling for the first time. I know this effect is temporary, but still awesome. The bonus is that I have an excerpt of The Baby Thief in the back, and I sold several hundred of that title during the giveaway, and it’s selling better than ever too.

I also gave away The Sex Club, a book that’s already had a lot of exposure. In addition to the 23,868 ebooks downloaded so far, I’ve also seen a bump in the sales of my other Detective Jackson novels…even though The Sex Club is no longer listed as part of my series. (I recently blogged about that decision.)

So it’s been a good move for me. Ironically, two weeks ago I announced to my husband that I was giving up writing novels and looking for an office job…because I was working too hard and making too little money in this crazy industry. The power of Amazon!

Those three titles won’t be available on Nook, Kobo, or any other e-reader for at least 90 days, but I can live with that. I haven’t enrolled my Detective Jackson books in the program, and I don’t plan to. I want readers everywhere to have access to them.

I may never really know the full effect of this promotion. Many of those people will never read either story. Many may not read them for six months or more. But with so much exposure to my writing, it’s inevitable that I’ll pick up thousands of new readers. I’ve already had several people contact me and say something like, “I just started your book, but the writing is so good, I bought everything you have.” When you’re selling ebooks for $.99 and $2.99, it’s not a big commitment for a reader.

I’m sharing this information because many of my writer friends have contacted me to ask about my participation. How can I not recommend it?

But I’m leery of putting all my books in the program. Amazon would have to sweeten the deal considerably, such as by offering me a contract and/or promotional support. But I’m not holding my breath. I’ve worked myself into this position without any help from agents or publishers so far, and I suspect I’ll be indie for the long haul.

What do you think about this program? Have you participated?

Top Posts of 2011: E-Book Cards Will Change The Way You Sell E-Books: Transform A Digital Book Into A Physical Product

This post originally appeared on Publetariat on 10/23/11 and has received 1163 unique pageviews since then, making it one of the most popular posts on Publetariat in 2011.

Publetariat welcomes author Cheri Lasota. In this guest post, Cheri introduces the idea of using physical gift cards as a means of ebook distribution through brick-and-mortar and other offline outlets.

Have you heard of e-book cards? If you haven’t already, I think you will soon. They are a new book marketing technique making headway and headlines around the country now. 

I heard about them from author Dean Wesley Smith. The idea stems from this simple question: how do authors and publishers sell a digital product in a physical store? 

So many of us are releasing e-book only versions of our fiction. In such cases, how do we sign our books at events? How can we hand-sell our books at conferences, speaking tours, or to the neighbor next door? How do we start to educate the paperback public that e-books are both the wave of the future and the here and now? E-book cards can accomplish all this.

These plastic cards are the same size as your credit card or the gift cards you might buy at the store. Why that size and shape? 

·      You can fit them into your wallet or purse.

·      You can slip them into larger sleeves or envelopes that can display even more content about the book.

·      You can put them in a display holder that has a slot for business cards.

·      You can sign them at events because the plastic makes them durable.

·      You can mail them in a standard envelope for promotional packages because they are so small and compact. 

And just think about how little space they would take up on the bookstore shelf, as opposed to a 600- to 800-page paperback?

SpireHouse Books released my novel on Sept. 13, 2011 and we have wholeheartedly embraced e-book cards in our marketing campaigns since then. 

Thus far, we sold many of the cards at my book launch, I’ve sold some by hand, several stores are displaying and selling them, many have bought them as gifts for their friends, and I have used them as giveaways at events and elsewhere.

In the future, we plan to mail them out to book reviewers,continue to use them for giveaways and to sell at events, give them as gifts for holidays and birthdays…the possibilities are endless.

You can tailor your e-book cards for your own needs. For my cards, my publisher put the book cover on side 1 and included two important notes on it:  “E-book Card Edition” and “Read On Any Device.” On the accompanying display, we mention that the e-book card edition is cheaper than anywhere else the book is sold, which gives bookstore owners a clear incentive to stock them and gives readers a great reason to buy in-store as opposed to buying online. Our e-book card edition also contains exclusive content.

On side 2, we included a “tagline” as well as a short synopsis of the storyline; clear, concise instructions on how and where to download the book; an ISBN/barcode; and a unique scratch off promotional code,which the buyer plugs into my publisher’s website.  

We see this as an incredible opportunity for bookstores as well as authors and small publishers. Spread the word to other authors. Talk about this with your local bookstore managers. Think outside the box and you may find that these cards give you access to readers you never thought you could reach. 

Have questions? Just comment on this post.

 

[Publetariat Editor’s note: more of the how-to nuts and bolts, and costs, of getting ebook cards produced are covered in this linked post from Dean Wesley Smith, which was referenced by Cheri near the beginning of this post.]

_______________

SpireHouse Books just launched Cheri Lasota’s first novel, Artemis Rising, this fall. The book is a YA historical fantasy based on mythology and set in the exotic Azores Islands. Currently, Cheri is writing and researching her second novel, a YA set on the Oregon Coast. Over the course of her sixteen-year career, she has edited fiction, nonfiction,screenplays, and short stories for publication. Cheri also has twenty-four years of experience writing poetry and fiction. Learn more about Artemis Rising at http://www.cherilasota.com or buy it at http://bit.ly/ArtemisRisingNovel.

 

Top Posts of 2011: As Kindle Authors Make Their Own Bestsellers, Are Traditional Publishers the Vanity Presses of 2011?

This post originally appeared on Publetariat on 4/20/11 and has received 1381 unique pageviews since then, making it one of the most popular posts on Publetariat in 2011.

Some interesting developments lately with Kindle Store bestsellers and bestselling authors….

First, congratulations to several Kindle Nation sponsors who have recently soared into the top 100 in the Kindle Store, and in some cases onto the USA Today bestseller list as well! Here’s where some of our past or current sponsors stand as I write this:

 

  • David Lender‘s Trojan Horse is #47 in the Kindle Store, up from #11,941 prior to its first sponsorship on February 19
  • Debbie Mack‘s Least Wanted is #55 and her Identity Crisis is #65 and #139 on the USA Today list (up from #3,374 and #1,048 before their first sponsorship January 18)
     
  • Victorine E. Lieske‘s Not What She Seems is #86 in the Kindle Store, up from #8,000+ before her first sponsorship in September, and was on the USA Today list ealier this month
     
  • And last but most definitely not least, colleague Abhi Sing of Kindle Review and his Seven Dragons team hold the #1 spot on the Kindle Store bestseller list with their magical and revolutionary Notepad app for the Kindle, which is currently featured as the Kindle App of the day here at Kindle Nation!

Meanwhile, we covered former CIA covert ops agent Barry Eisler‘s announcement the other day on Joe Konrath‘s blog that he has walked away from a half-million dollar St. Martin’s Press deal for his next two books in order to publish them directly via the Kindle and other platforms. “Direct publishing” is the new “self-publishing,” in case you hadn’t noticed, and it may be a more apt phrase since it is the platforms offered by new digital technologies such as the Kindle, rather than anything that we as authors have invented, that allow us to public and connect directly with readers.

Ruth Harris’ novel Decades, a future bestseller at 99 cents?

Eisler’s move has been widely hailed as a major development requiring — I’m sorry, there’s just not a pretty way to put this — very large cojones. And I agree, but courageous moves are seldom significant unless they blaze a trail for others. What may be most important about what Eisler has done is that there will soon be plenty more authors of distinction who follow a similar path to bring their previously published and newly published books directly to Kindle readers and other digital platforms, and it will be interesting to see how they go about the process of building fresh connections with readers, absent the usual intermediaries and gatekeepers.

One of these authors of distinction who comes naturally to mind is New York Times bestselling novelist Ruth Harris, whose Husbands and Lovers is today’s Kindle Nation Daily sponsor. Harris has sold millions of print copies of smart, stylish novels that have been translated into 19 languages and selected by the Literary Guild and Book-of-the-Month Club, and she recently brought back Husbands and Lovers, Decades and Love and Money as direct-to-Kindle offerings. Husbands and Lovers jumped from #55,528 to #5,275o on the Kindle Store bestseller list during the past few hours, and the author is priming the pump by offering Decades at a promotional price of just 99 cents. It will be interesting to see how the New York Times plays it when Harris sells enough directly published ebooks to qualify for bestseller lists, as I believe she will. The Times has taken an utterly indefensible, know-nothing stance to keep its bestseller list free of self-published authors, but if the self-published author is a former New York Times bestselling author, will she still be barred entry?

But not everyone is moving away from traditional publishers toward direct publishing. Along comes the amazing Amanda Hocking today — according to this New York Times scoop — to sign a … are you sitting down? … deal for over $2 million with MacMillan’s St. Martin’s Press for her next series, whose working series title is “Watersong.” Hocking, 26, blogged very eloquently on Tuesday about some of the reasons — in addition to the two million obvious ones — she might be interested in a traditional publishing contract. And who can blame her?

But I have to wonder how her ebooks will do if MacMillan and St. Martin’s price them in the $11.99 to $14.99 range which publishers stupidly claim is the right price for newly released ebooks. Currently Hocking has 6 titles among the Kindle Store’s Top 100 bestsellers, but they are all priced between 99 cents and $2.99. Could agency model pricing ruin the Amanda Hocking franchise?

While this is the first ebook-to-traditional publishing contract narrative to ascend to the rarified air of  the $2 million advance, there have been a few other cases where authors signed nice contracts after doing very well previously with direct-to-Kindle ebooks. A couple of years ago Boyd Morrison made a big splash when he sold enough copies of his self-published novel The Ark to crack the Kindle Store bestseller list’s Top 100 and he parlayed it into a multiple-title contract with agency model publisher Simon and Schuster. The Ark was reissued for about three times its original Kindle Store price, although Morrison’s royalty rate is less than it would be if he had published it directly at the more reader-friendly $2.99 price. Not surprisingly, The Ark has created far less buzz the second time around.

Lately it keeps occurring to me that the big traditional corporate publishers are the vanity presses of 2011. Obviously, when an author is offered a deal such as Hocking’s, nobody will blame her for signing on the line. But Morrison’s example suggests there may be plenty of others who sign away their rights for far less than they are worth because of some romantic and outmoded sense of what it means, or used to mean, to land a book deal.

 

This is a reprint from Stephen Windwalker’s Kindle Nation Daily.

Top Posts of 2011: Promote Your Book by Commenting on Blog Posts

This post originally appeared on Publetariat on 5/27/10 and has received 2101 unique pageviews since then. It’s been one of the most popular posts on Publetariat in 2011.

Commenting on other people’s blogs is a great way to get visibility, build relationships with bloggers, subtly promote your book, and get links back to your site (if the site gives "do-follow" links). But you can hurt your credibility if you go about it the wrong way. Here are some tips for successful blog commenting:

Actively look for relevant blogs to comment on. Subscribe to the feed of the most important blogs in your area of interest, and use tools like Google Alerts to keep an eye out for relevant posts on other blogs. You can also use Google Blog Search or blog directories like My Blog Log to find blogs that are a good fit.

Contribute to the conversation. Don’t just drop by and say "great post."  Instead, make a thoughtful comment that contributes something. You might offer an additional tip or real-life example, or expand on a point the blogger made. If you’re commenting on a book review, explain why you enjoyed reading the book. Your comment doesn’t have to be long, but you do need to say something useful and relevant. Do not give the impression that you are just there to promote your book or leave a link to your site.

Don’t make inappropriate comments. There’s nothing wrong with disagreeing with a point that someone has made (and many bloggers encourage disparate views), but do so in a polite, respectful way. I’m amazed at some of the rude and tacky things people say on blogs and in online forums.

Don’t be overtly promotional. Commenting on someone else’s blog is not the place to blatantly promote your book or services.  However, there are subtle ways to convey that you are an expert on the topic being discussed and encourage people to click on your name to visit your website.

You might work in a reference to your book related to the comment you are making. Here are some examples:

"Twitter is such an important tool for authors that I devoted an entire chapter in my book to promoting through Twitter."

"In researching my book, Selling Your Book to Libraries, I discovered that . . ."

"Because I write mystery novels myself, I really appreciated the way that the author . . ."

Depending on the topic under discussion, I sometimes sign my name with a tag line such as "Dana Lynn Smith, The Savvy Book Marketer" or "Dana Lynn Smith, author of Facebook Guide for Authors."  Some people include their website address in their signature, but many bloggers frown on this. Creating a signature that’s several lines long and blatantly promotional is not appropriate. Some people think that including any type of signature or reference to your book is too promotional.

You will have to use your judgment to determine what is appropriate, but you might look at what other commenters on the blog are doing as a guideline. Just remember that you are a guest on someone else’s site and mind your manners. Comments, anyone?

Excerpted from The Savvy Book Marketer’s Guide to Blogging for Authors by book marketing coach Dana Lynn Smith. For more book marketing tips, follow @BookMarketer on Twitter, visit Dana’s Savvy Book Marketer blog, and get a copy of the Top Book Marketing Tips ebook when you sign up for her free newsletter.

 

Top Posts of 2011: New YUDU Research Report Finds That Tablets Are Usurping e-Readers as Reading Device of Choice for Consumers

This press release originally appeared on Publetariat on 6/16/11 and has received 1141 unique pageviews since then, making it one of the most popular posts on Publetariat in 2011.

[press release] Research Provides Detailed Insight and Statistics on the Rise of the e-Book Industry; 2011 Is Likely "The Beginning of the End" for Dedicated e-Reader Devices

 

CAMBRIDGE, MA–(Marketwire – Jun 15, 2011) – Digital publishing company YUDU Media (www.yudupro.com) today published a new report summarizing key research, facts and figures on the e-book market, which continues to grow at a blistering pace. The report, titled, "Rise of the e-book: e-book stats and trends," discusses some of the key components of the industry in its current form, aiming to provide analysis and insight into some of its most recent developments.

A sampling of the research included in this report:

  • E-book sales now outpace print book sales, as sales of e-books nearly tripled in the US from 2009 to 2010.
     
  • Tablets such as the iPad appear to be overtaking e-reader devices such as the Kindle as the platform of choice for reading e-books; Forrester predicts that by 2015, there will be twice as many owners of tablet PCs than there are of dedicated e-readers.
     
  • Apple’s iBookstore is gaining rapidly on Amazon.com as the highest volume sales platform for e-Books.
     
  • E-books have helped fuel success for self-published authors, who are no longer beholden to large, traditional publishing houses to get their works into the hands of readers.

"The e-book market shake-up is likely to become more pronounced over the course of the year, with a growing number of publishers and consumers alike choosing a tablet as their hardware of choice," said Richard Stephenson, CEO of YUDU Media. "While 2010 may be remembered as the birth year of consumer e-books, 2011 may well be considered as the beginning of the end for the dedicated e-book reader."

The e-book market in 2011 will experience exponential growth which will impact the book publishing industry as a whole. YUDU’s report offers a deeper analysis of the e-book industry with evidence that transitions in the market go beyond a simple upward sales trend. Ongoing technology innovations and shifts in consumer behavior are driving the continued growth of the e-book market, which publishers are embracing to meet consumer demand and factoring in as part of their overall growth strategy in order to compete in this rapidly changing environment.

Those interested in more detail can access the white paper online at www.yudupro.com/e-book_whitepaper or on the iPad/iPhone by downloading the YUDU Media App and selecting ‘e-book Report.’

About YUDU Media
YUDU Media is a web, mobile and tablet ePublishing specialist that’s been serving digital publishing solutions to book and magazine publishers since 2003. YUDU has customers in over 70 countries, produces up to 1,200 digital publications a day and has developed almost 100 iPad and iPhone Apps. YUDU Book customers include Wiley, AA Publishing, McGraw-Hill Ryerson and HarperCollins.

 

Top Posts of 2011: 8 Simple Steps To Self-Publishing

This post originally appeared on Publetariat on 5/4/11 and has received 1444 unique pageviews since then, making it one of the most popular posts on Publetariat in 2011.

Thanks go to Self-Publishing Coach Shelley Hitz for contributing this guest post

Are you interested in self-publishing a book?

It might not be as much work as you think. In fact, if you already own a website or blog, you can seamlessly transform your most popular content into a book. Think about it: you can take the same great content you’ve already written for your site and reformulate it into a printed book, PDF eBook or audio book to make the most of all your hard work. Follow these steps and you’ll be well on your way to becoming a self published author, like me!

8 Simple Steps to Self Publishing Your Book:

  1. Create an outline and chapter layout using the best articles from your website or blog.
     
  2. Enter your content into a template formatted for your desired book size (i.e. Microsoft Word).
     
  3. Save your book as a PDF file.
     
  4. Select a designer for your book cover or design it yourself.
     
  5. Select a self publishing [services] company.
     
  6. Sign up for an account with your publisher and upload your documents.
     
  7. Begin promoting and selling copies of your book online, via your website or blog and in person.
     
  8. Finally, convert your book into various formats to get the most out of your work (i.e. PDF eBook, audio book and Kindle eBook).

That’s it!

I stumbled upon the concept of self publishing books in the fall of 2008 when one of our colleagues, a fellow speaker, showed me a copy of his self published book. Not only were his books affordable-they only cost him $2-$3 each-but their quality was excellent. And he also gained the instant credibility of being a "published author."

I thought, "I can do this!"

And believe it or not, after about one month of hard work, I was ready to publish a 190-page book based upon my website, Teen-Beauty-Tips.com.

How did I do it? I followed eight simple steps!

The Nuts and Bolts of Publishing My First Book

Step #1: To get started, I assembled my first draft based on the best articles from my website. Once I selected the articles, I decided on an outline for my book and formatted the content into chapters.

Step #2: I then decided on a book title, "Mirror Mirror…Am I Beautiful? Looking Deeper to Find Your True Beauty," and began the process of copying and pasting the text of my articles into a Microsoft Word template.

Step #3: Next, I converted my Word document into a PDF file using the free edition of PDF995 (to do this click on properties, then advanced option and select the "statement [5.5 X 8.5] " from the drop-down menu for the paper format).

Step #4: Since I was working on a very low budget, I decided I would use a DIY design approach and used Photoshop to create my book cover.

Step #5: After more research on self publishing, I decided to use CreateSpace (affiliated with Amazon), to publish my book. Why? Well, there are no upfront costs, they list you quickly with Amazon and I can buy books for less than $4 each to sell at events.

Step #6: Finally, I was ready to upload my files and order my proof copy! My 190-page black and white soft cover book cost a mere $3.13 + shipping, with the help of the Createspace Pro Plan.

Although the Pro Plan requires a one-time fee of $39, followed by a $5 annual fee, these small fees are well worth it! With the Pro Plan you gain significantly higher royalties and can also buy copies at a much lower cost to sell at events. Therefore, I highly recommend the Pro Plan for anyone interested in self publishing with Createspace.

Step #7: What a great feeling to self publish my first book! I immediately began selling copies online through my website and at speaking events.

Step #8: My final step was to create other versions of the same book. I chose to offer it digitally as a PDF eBook and give a free copy away to my newsletter subscribers. In a very small niche-Christian teen girls-this has helped to build my list to almost 3500 subscribers in a relatively short period of time.

I also recorded an audio version of my book using the free software, Audacity, and a $30 microphone. Once the audio files were completed, I began selling the MP3 downloads of the book through ClickBank and the CD version of the audio book using Kunaki. With Kunaki, I can buy CD’s for as little as $ 1 (+ shipping).

Finally, I expanded my book’s influence by making a version available for the Kindle. To convert my book into the Kindle format, I removed all of the pictures embedded in the Microsoft Word template and saved it in as a HTML document. I then uploaded my book to Kindle Direct Publishing, text and began offering the Kindle version from my website as well. You can see my sales page here.

Do I Make Money Selling Books?

I’ll be honest. In such a small and specialized niche, I’m not getting rich by selling books from my website. However, I am receiving regular paychecks from both online and offline sales. And as my website traffic increases (now over 1000 visitors per day), my sales also increase.

If you want to "make it big" in publishing, I recommend that you hire a professional to design your interior book template and your book cover design. I also recommend hiring a professional editor. After taking the DIY route initially, I did eventually decide to hire a designer to update my book cover.

And finally, if you want to truly self publish, I recommend that you start your own book publishing company and use Lightning Source. Be aware that it does require more time, money and effort upfront. However, in the end, you can earn more in royalties by self publishing through Lightning Source, especially if you want to sell books to international audiences or in bookstores. If you’re interested in using Lightning Source, I recommend reading a book by Dan Poynter called, "The Self Publishing Manual" to help guide you step by step.

You Can Do It!

Since you’ve already invested so much time and energy into writing your website or blog, why not take a little extra time and get the most from your content by repurposing it into a self published book? Follow my eight simple steps and you, like me, will soon be selling physical products like paperback books, audio CD’s as well as digital products like Kindle books, PDF eBooks and MP3 downloads from your website.

Are You Ready to Get Started?

If so, I recommend that you go and download my free book templates and then sign up for a free Createspace account. It costs you nothing and yet provides you with an easy action step toward achieving your goal of getting published.

And have fun…soon you’ll be a published author.

Shelley Hitz is an entrepreneur, author and speaker. Her website, Self Publishing Coach, provides resources and tutorials that help you publish and market your book. Discover 200+ free book marketing and author tools in Shelley Hitz’s 36-page free report. You can also find Shelley on Facebook, Twitter and YouTube.

Top Posts of 2011 – An Aside to Authors and Publishers: CreateSpace Expands Distribution Through Deal with Ingram

This post originally appeared on Publetariat on 12/3/09 and has received 4574 unique pageviews since then. It’s been one of the most popular posts on Publetariat in 2011.

For many Kindle Nation citizens, this post will be an easy one to skip over. It’s about what we around here call dead-tree books, and at first blush it may seem of primary interest to authors and independent publishers, because, at first blush, it is.

But the bottom line is that the playing field for publishing and bookselling just got a lot closer to being level, from the point of view of authors and independent publishers. And in the long run this could be a good thing for readers and independent bookstores as well.

Here’s what has happened, with thanks to TeleRead’s Paul Biba for the heads up.

CreateSpace.com, a print-on-demand publishing company wholly owned by Amazon, has made a deal with the nation’s largest book distributor, Ingram Content Group, and Ingram’s own print-on-demand subsidiary, which is called Lightning Source. As a result, CreateSpace authors and publishers are now able to distribute their titles to thousands of bookstores, libraries and online retailers. Here’s a link to the CreateSpace press release (full text of the release also provided at the end of this post).

For the past three years, CreateSpace has been far and away the best printing deal available for independent authors and publishers, except for one glaring omission. The CreateSpace platform allowed its clients print-on-demand production, with no up-front capital costs and no inventory or out-of-pocket fulfillment costs, at per-unit production costs that are competitive with short-run production costs for print runs ranging from 1,000 to 3,000 copies. For authors and publishers seeking to sell their books through Amazon or through their own websites and events, this amounted to a very sweet deal. CreateSpace has been my independent publishing company’s production arm for the past three years, and the interior and exterior quality of their printed trade paperback books has been flawless.

But there was a huge disconnect between CreateSpace and the rest of the bookselling world beyond Amazon, because CreateSpace did not offer wholesale distribution to bookstores, online retailers, and libraries. And the alternatives, involving Ingram and its primary competitor Baker & Taylor, were often difficult to navigate and significantly more expensive.

Now all that has changed in a collaborative deal that is so dramatic that it makes both companies’ spokespersons’ rhetoric about their passionate commitment to books seem utterly believable.

There are three new CreateSpace Expanded Distribution Channels, in addition to the previously available choices of the Amazon bookstore, a CreateSpace eStore whose doorways are seldom darkened by paying customers, and a relatively cheap author-copies feature:
 

 

CreateSpace Direct: By enabling this distribution outlet, you can make your books available to certified resellers such as independent bookstores and book resellers. The CreateSpace Direct program allows eligible resellers to buy books at wholesale prices directly from CreateSpace.

Libraries and Academic Institutions: By enabling this distribution outlet, you can make your book available to public libraries, elementary and secondary school libraries, and libraries at other academic institutions.

Bookstores and Online Retailers: By enabling this distribution outlet, you can make your book available to thousands of major online and offline bookstores and retailers, and expand the size of the potential audience for your books.

 

The expanded distribution royalties payable by CreateSpace to authors and indie publishers — about 20% in many cases depending mainly on retail price and page count — will be less than royalties paid on Amazon store sales, but will in most cases be significantly more than the royalties that would be payable either through what we still call "traditional publishing" or through the kind of short-run digital publishing referenced above.

[Publetariat Editor’s note: according to information posted on the Createspace site, the bookseller cut (referred to as "Sales Channel Percentage" on the CS site) is 20% for sales made on the CS site, 40% for sales on Amazon.com, and 60% for sales made through the Expanded Distribution Channel (EDC) program. Also, the site specifies that only books set up with the Pro Plan option are eligible for EDC. Some authors are finding they would have to raise the retail price of their books to earn a royalty on EDC sales due to the 20-40% higher bookseller cut on those sales.] 

Authors and indie publishers who have books in print on the CreateSpace platform can initiate expanded distribution options for their titles immediately. Here’s how:

 

  • Go to your CreateSpace dashboard page.
     
  • Select an "Available" title for which you would like initiate expanded distribution options and click on the pencil/edit icon to its right (image shown to the right of this bullet item —>). 
     
  • Scroll down to the heading called Sales Channel Management and click on the "Edit" hyperlink to the right of the heading.
     
  • Scroll down to the heading called Expanded Distribution Channel Sales and, at the bottom of the page, review the Distribution Royalty Calculation to ensure that you are prepared to accept the royalty offered to you for these channels. You can change your book’s price, but the price will be fixed across all of CreateSpace’s distribution channels.
     
  • If you wish to go forward and enable Expanded Distribution, click on the "Enable" button next to each of the three sub-categories. You will be able to enable the Libraries and Academic Institutions button only if your book’s ISBN was provided directly by CreateSpace.
     
  • After you have clicked on these buttons and see "Enable" in green to the right of the sub-categories, click the "Save" button at the bottom of the page.
     
  • You will be returned to the previous page, where you should scroll down to the Sales Channel Management heading and verify that you see a line that says "Sell via Expanded Distribution – Yes."


That’s it. Good luck.

[Publetariat Editor’s Note: according to the Createspace FAQ on the EDC program, "It may take up to six weeks for your title to begin populating in the distribution outlets you select."]

Here’s the full text of the CreateSpace press release, for your convenience:
 

 

CreateSpace Announces Expanded Distribution Options for Members through Ingram Content Group and Lightning Source

CHARLESTON, S.C. – Dec. 03, 2009 – CreateSpace, part of the Amazon.com, Inc. (NASDAQ: AMZN) group of companies, today announced a new agreement with Lightning Source Inc., the print on-demand unit of Ingram Content Group Inc. The collaboration between the two companies will expand CreateSpace’s distribution options for its members beyond Amazon.com and CreateSpace eStores.

Under the new agreement, CreateSpace’s Books on-Demand platform will allow members to print and then distribute their titles to thousands of bookstores, libraries and online retailers. CreateSpace members will have access to this enhanced print and distribution option as part of the CreateSpace Pro Plan, a program which gives members access to lower print pricing for their own book orders and better royalties for sales on Amazon.com.

"With this expansion, CreateSpace members will not only be able to reach Amazon.com customers, but they can also reach the thousands of bookstores, libraries and online retailers that work with the Ingram Content Group, " said Dana LoPiccolo-Giles, managing director, CreateSpace. "With Lightning Source and Ingram, our members can make their titles available to the larger book marketplace while remaining inventory-free with print on-demand."

"At Ingram, we are passionate about books and the book industry," said Philip Ollila, chief content officer, Ingram Content Group. "Our new relationship with CreateSpace is a continuation of Ingram’s long-term strategy to offer the broadest selection of books to our customers worldwide."

For more information about CreateSpace, please visit www.createspace.com.

About CreateSpace
CreateSpace is a leader in manufacture on-demand services for independent content creators, publishers, film studios and music labels. CreateSpace provides inventory-free, physical distribution of Books, CDs and DVDs On-Demand, music downloads via Amazon MP3 and video downloads via Amazon Video On Demand. CreateSpace is a brand of On-Demand Publishing LLC, a subsidiary of Amazon.com, Inc. (NASDAQ: AMZN).

About Lightning Source
Lightning Source is the leading print-on-demand company in the world, offering the unique combination of quality one-off book manufacturing and access to the most comprehensive distribution solutions in the publishing industry. Lightning Source is an Ingram Content Group company. The Ingram Content Group of companies provide a broad range of physical and digital services to the book industry, and immediate access to the largest selection of books and book-related products in the industry. For more information visit www.lightningsource.com

About Ingram
Ingram Content Group Inc. provides a broad range of physical and digital services to the book industry. Ingram’s operating units are Ingram Book Company, Lightning Source Inc., Ingram Digital, Ingram Periodicals Inc., Ingram International Inc., Ingram Library Services Inc., Spring Arbor Distributors Inc., Ingram Publisher Services Inc., Tennessee Book Company LLC, Coutts Information Services, and Ingram Marketing Group Inc. For more information, visit www.ingramcontent.com

About Amazon.com
Amazon.com, Inc. (NASDAQ: AMZN), a Fortune 500 company based in Seattle, opened on the World Wide Web in July 1995 and today offers Earth’s Biggest Selection. Amazon.com, Inc. seeks to be Earth’s most customer-centric company, where customers can find and discover anything they might want to buy online, and endeavors to offer its customers the lowest possible prices. Amazon.com and other sellers offer millions of unique new, refurbished and used items in categories such as books, movies, music & games, digital downloads, electronics & computers, home & garden, toys, kids & baby, grocery, apparel, shoes & jewelry, health & beauty, sports & outdoors, and tools, auto & industrial.

Amazon Web Services provides Amazon’s developer customers with access to in-the-cloud infrastructure services based on Amazon’s own back-end technology platform, which developers can use to enable virtually any type of business. Examples of the services offered by Amazon Web Services are Amazon Elastic Compute Cloud (Amazon EC2), Amazon Simple Storage Service (Amazon S3), Amazon SimpleDB, Amazon Simple Queue Service (Amazon SQS), Amazon Flexible Payments Service (Amazon FPS), Amazon Mechanical Turk and Amazon CloudFront.

Amazon and its affiliates operate websites, including www.amazon.com, www.amazon.co.uk, www.amazon.de, www.amazon.co.jp, www.amazon.fr, www.amazon.ca and www.amazon.cn.

As used herein, "Amazon.com," "we," "our" and similar terms include Amazon.com, Inc., and its subsidiaries, unless the context indicates otherwise.

Forward-Looking Statements
This announcement contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934. Actual results may differ significantly from management’s expectations. These forward-looking statements involve risks and uncertainties that include, among others, risks related to competition, management of growth, new products, services and technologies, potential fluctuations in operating results, international expansion, outcomes of legal proceedings and claims, fulfillment center optimization, seasonality, commercial agreements, acquisitions and strategic transactions, foreign exchange rates, system interruption, inventory, government regulation and taxation, payments and fraud. More information about factors that potentially could affect Amazon.com’s financial results is included in Amazon.com’s filings with the Securities and Exchange Commission, including its most recent Annual Report on Form 10-K and subsequent filings.


MEDIA CONTACTS:
For CreateSpace

Amanda Wilson
amandasu@createspace.com

For Amazon.com
Amazon Media Hotline
206-266-7180

 

This is a cross-posting from Stephen Windwalker’s Kindle Nation Daily.

Top Posts of 2011: Self-Publishing Resource Roundup

This post originally appeared on Publetariat on 5/12/11 and has received 1773 unique pageviews since then, making it one of the most popular posts on Publetariat in 2011.

Since Publetariat’s launch a bit over three years ago, the site has become a trusted resource and thriving community for indie authors and small imprints. For that, I thank each and every one of you. It’s also become a favorite haunt for writers who are considering going the self-pub route, but don’t feel quite ready to come out of the shadows and stake a claim to a readership independently. To them, I offer this roundup of particularly useful articles and resources for those just starting out.

Choosing A Self-Publishing Service Provider

Mick Rooney’s POD, Self-Publishing and Independent Publishing made its name on its analysis and reviews of various service providers, and continues to post service provider reviews and commentary about them on a regular basis.

Over on their Greene Ink blog, Stephen Wayne Greene and Meredith Greene offer the recent results of a survey they’ve taken among indie authors, asking which service provider the authors preferred and why.

Considering Lightning Source? See this case study over on the Foner Books blog.

Joel Friedlander explains what a subsidy publisher is, and why you shouldn’t work with one, on his The Book  Designer site.

This free, sample lesson I wrote for Publetariat Vault University will help you crunch the numbers when comparing service providers, and I’ve made these worksheets I designed for my book, The Indie Author Guide: Self-Publishing Strategies Anyone Can Use, available online as a free pdf download, too.


Getting Your Book Ready For Print—or Ebook—Publication

Editing – there are LOTS of articles and tips on editing right here on Publetariat. Whether you’re looking for DIY editing tips, guidance on when and how to work with a professional editor, or how to find and hire a freelance editor, you’re sure to find what you’re looking for.

Joel Friedlander offers a kind of crash course in self-publishing on his The Book Designer site, from Getting Ready to Publish, to Planning Your Book, Understanding Fonts & Typography, and Making Print Choices

Joel also offers this post on Ebooks &  Ebook Readers, and I’ve made my Indie Author Guide to Kindle Publishing and my Kindle Publishing Workshop (from the Writer’s Digest Business of Getting Published conference, 2010) available as free pdf downloads on this page of the Indie Author Guide companion website

Author Platform and Book Promotion

You’ll want to visit Dana Lynn Smith’s The Savvy Book Marketer site for lots of great articles on book and author promotion, with a particular focus on using new media and social media.

Also be sure to check out Joanna Penn’s The Creative Penn, where you’ll find excellent how-tos on subjects like podcasting and making your own book trailer, as well as plenty of insight and firsthand accounts from Joanna herself regarding her own experiences as an author and speaker.

Once again, Publetariat has you covered with its own treasure trove of articles on author platform and book promotion.

Indie Audio

So you wanna learn how to turn your manuscript into an audiobook, and maybe release that audiobook in podcast form and make it available online for free? Podiobooks is the place to start. They’ve got a large and helpful community, a mentoring program, and excellent tutorials, all for free.

So you wanna release your indie book on audio and sell it? Audible has just announced its ACX.com service, which will allow you to do just that. Hey, if it’s good enough for authors like Neil Gaiman and MJ Rose, and Random House, it might just work for you, too.

Community, Support, and Motivation

The Association of Independent Authors is there for you, with resources, online discussion forums, and news from around the globe that affects indie authors.

If you just need a good old fashioned kick in the pants to get you motivated and excited about the possibilities of going indie, or need to feel like you’re not all alone out there in the indie wilderness, there’s hardly a better source than Zoe Winter’s Weblog. Whether she’s talking about her own struggles and successes, her writing, publishing and book launch approaches, or commenting on the state of publishing in general, Zoe tells it like it is and pulls no punches.

Mark Barrett’s Ditchwalk is another excellent stop, where you’ll find a mix of commentary and reportage on Mark’s own adventures in the world of indie authorship.

Finally, Publetariat’s got an extensive library of articles on the topics of motivation, writer’s block and the writing life.

Now get out there and do it!

 

April L. Hamilton is an author and the founder and Editor in Chief of Publetariat.

Top Posts of 2011: The Truth About Createspace's Free ISBNs

This post originally appeared on Publetariat on 4/14/09, and has received 6296 unique pageviews since then. It’s been one of the most popular posts on Publetariat in 2011.

If you’ve heard about dire consequences of accepting the free ISBN offered by CreateSpace, or that those free ISBNs aren’t "real" ISBNs, you’re just hearing misinformation perpetuated by people who don’t understand what ISBNs are all about, who’ve never used CS’s services, and/or who have an axe to grind against CS.

 
 
The ISBN: A Mainstream Tracking Tool
 
The ISBN system was developed in 1966 to facilitate the creation of a single, standardized method publishers, booksellers and libraries could all use to track books.
 
Prior to the advent of the ISBN system, each publisher, bookseller and library had its own, internal tracking system, and none of those systems could easily share information with one another. This didn’t pose much of a problem until the mass-market paperback was introduced by PocketBooks in 1939. Prior to that time, only hardcover books were available to buy and they were very expensive; booksellers didn’t tend to move a lot of copies per month, and it wasn’t too difficult to track those sales or report them back to publishers.  
 
Despite the huge popularity of the paperback book, bookstores snobbishly refused to stock them until the 1950’s, seeing them as somehow inferior to the hardcovers on their store shelves. Nevertheless, millions of copies were flying off the racks at bus stations, drug stores and markets, and the need for some kind of standardized tracking system soon became apparent. 
 
From Wikipedia:
The International Standard Book Number, or ISBN , is a unique, numeric commercial book identifier based upon the 9-digit Standard Book Numbering (SBN) code created by Gordon Foster, now Emeritus Professor of Statistics at Trinity College, Dublin, for the booksellers and stationers W.H. Smith and others in 1966.
 
An ISBN is assigned to each edition and variation (except reprintings) of a book. The ISBN is 13 digits long if assigned after January 1, 2007, and 10 digits long if assigned before 2007.
 
Generally, a book publisher is not required to assign an ISBN, nor is it necessary for a book to display its number [except in China]. However, most book stores only handle ISBN-bearing merchandise.
 
How Important Are ISBNs, Really?
 
Over time, the ISBN has come to be associated with legitimacy in book publishing, since all mainstream-published, hard copy books have ISBNs and the ISBN system has been adopted industry-wide. The claim that a book without an ISBN cannot be stocked by any library or retailer is a myth, however. The fact that an ISBN makes it easier for them to keep track of their books makes them reluctant to work with books lacking ISBNs, but this is a matter of choice on the part of the retailer or library, not a rule backed by law or regulation. This is why indie booksellers are able to stock chapbooks and other books lacking ISBNs.
 
ISBNs are only important to the extent publishers, libraries and retailers rely upon them. For example, since the ISBN system hasn’t been uniformly applied nor enforced where ebooks and audiobooks are concerned—probably because publishers have never believed ebooks or audiobooks will ever comprise a significant piece of the publishing pie—, ISBNs are considered entirely optional for books in those formats.  
 
Are CreateSpace’s Free ISBNs "Real"?
 
R.R. Bowker is the official U.S. ISBN Agency; all ISBNs in the U.S. originate from Bowker, though they can be re-sold once purchased from Bowker.
 
The free ISBNs issued by CS are real ISBNs which CS purchases from Bowker in blocks just like any other publisher. However, when you accept the free ISBN from CS, CS remains the registered owner of that ISBN—ISBN ownership is not transferred to you.
 
Registered ISBN Ownership – Why Does It Matter? 
 
All the false claims I hear about CS books (that they can only be sold on Amazon, that they can’t be listed in Bowker’s or other bookseller catalogs, etc.) stem from the fact that CS remains the registered owner of the free ISBNs it provides. This isn’t as big a deal as it’s made out to be for most individual indie authors, and any author or small publisher who prefers to register her ISBNs in her own name can purchase her own ISBN and barcode block direct from Bowker (as of this writing, it costs US$150) rather than accept the free ISBN from CS.  It’s also worth noting, mainstream authors aren’t the registered owners of their ISBNs either: their publishers are. 
 
Registered ownership of an ISBN only becomes a pertinent issue in three cases: 1) when the book changes publishers/printers, 2) when the publisher or author wants the book added to catalog listings, and 3) in litigation over copyright, publication rights or proceeds from sales.
 
1) ISBNs, Once Registered, Are Non-Transferable
 
Since CS is the registered owner of the free ISBNs it provides, if the author chooses to withdraw his book from CS and publish it elsewhere he must acquire a new ISBN—but this is true of mainstream books as well. 
 
It’s not too likely to happen thanks to contractual obligations, but if Neil Gaiman somehow wrests control of his The Graveyard Book away from Harper and gets a different publisher to put it back into print,  the existing ISBN on the book will remain the property of Harper and the new publisher will have to purchase and assign a new ISBN for their printing of the book. And if that should happen, the old ISBN floating around in the system will cause confusion for people trying to purchase the book; a lookup on the title may point to the old ISBN, and the book published under that ISBN will turn up as "out of print".
 
Even if you elect to withdraw your book from CS and publish it elsewhere for some reason—and let’s face it, once the book is in print and listed for sale, this isn’t a great idea—you didn’t pay anything for CS ISBN so you’re not losing anything by letting go of that ISBN. You’re introducing the possibility of ISBN confusion, but that’s your fault, not CS’s.
 
Some people will protest that a new ISBN must also be acquired if you want to release an updated or revised edition of your CS book, but that’s true for any book within the ISBN system: each edition of any book being offered for mass-market, retail sale in the U.S. must be assigned its own, unique ISBN, regardless of who published it or how. 
 
2) Only The Registered Owner of the ISBN Can Create Catalog Listings
 
Only the registered owner of an ISBN can list the associated book with the Library of Congress, Bowker’s Books In Print (catalog for U.S./Canadian libraries and booksellers), Ingram (another U.S. catalog), or the Nielsen’s catalog (for UK/European libraries and booksellers), and CS elects not to create those listings for any of its ISBNs.
 
Most authors have been told these listings are crucial to their books’ success because libraries and book retailers generally rely on catalogs for all their book orders; if your book isn’t in the catalogs they won’t know it exists, and even if you tell them it exists, they won’t usually order it.
 
They could order direct from CS, but they’re not likely to do so since their entire system of ordering and tracking inventory is based on catalog orders.  Also, orders placed directly with CS aren’t returnable in the same way as books ordered in bulk through catalogs. As a rule, CS books are only returnable if the book is defective or was damaged in transit.
 
However, in my opinion this is a non-issue for the great majority of indie books because libraries and mainstream book retailers aren’t likely to stock our books anyway.
 
It’s true that if your book is listed in the catalogs you can tell potential buyers that your book can be ordered through any bookseller, but if the buyer must place an order for the book (as opposed to picking a copy up off a bookseller shelf), why wouldn’t he place that order on Amazon, where he’ll get it at a lower price and may be able to get free shipping as well?
 
I’m also fairly confident the big, chain bookstore is an endangered species (I blogged about it: Big Chain Bookstore Death Watch), so in my opinion there’s little point in spending much time, money or effort on courting them.
 
There’s one important caveat here. When you publish through CS, an Amazon listing is automatically included as part of the publishing process for free, though you can choose to opt out of the listing. Listings on Amazon’s international sites are not included. In order to get your book listed on any of those sites you must register your book with the Nielsen’s catalog (it’s free), and in order to register with Nielsen’s, you must be the registered owner of your book’s ISBN. 
 
3) ISBNs Are Important In Court
 
Being the registered owner of the ISBNs affords you certain legal protections as a publisher, and helps to establish copyright in the U.S. in cases where copyright hasn’t been registered separately. That’s why the one case where even I think it’s definitely worthwhile to buy your own ISBN/bar code blocks direct from Bowker is if you’re running, or forming, your own small imprint. 
 
Does CS Recycle ISBNs?
 
With respect to the hysteria surrounding CS’s recycling of its ISBNs, that’s all it is: hysteria. So long as your book remains with CS, the assigned ISBN remains with your book. It’s true that when an author withdraws his book from CS after the ISBN has been assigned, CS may re-assign the ISBN to a new book. However, this isn’t the nefarious practice so many naysayers make it out to be.
 
5/4/09 Correction: According to Amanda Wilson, CreateSpace’s Public Relations Manager, CreateSpace does not, and never has, re-assigned its ISBNs. If an author accepts the free ISBN and subsequently removes her book from CreateSpace, the ISBN assigned to her book will go out of circulation.
 
ISBN re-use would definitely be a problem for books listed in any of the mainstream catalogs, because anyone looking up a book by ISBN might get the book to which the ISBN was originally assigned, or the book to which the ISBN was re-assigned. In fact, re-use of ISBNs is strictly prohibited in those listings. I also previously discussed the issue of ISBN confusion on out-of-print books.  
 
Even so, this is not an issue for authors who accept the free CS ISBN because only the registered owner of the ISBN can list the associated book with any catalog services, and CS chooses not to do so. Remember, if those listings are important to an author he can purchase his own ISBN and barcode block direct from Bowker
 
Mainstream Concerns Aren’t Always Shared By Indies
 
Most of the worries about CS’s ISBN practices are based on mainstream publishing and book distribution models, which are largely inapplicable to individual indie authors.
 
Since I only publish my own books and wish to remain "out and proud" about my indie status, I elected not to form my own imprint, and I also elected to leave CS listed as the publisher for my books. I have no plans to withdraw my books from CS, and can’t really think of any reason why I might want to do so in the future. I don’t care about getting my books listed in the mainstream catalogs, since I find it’s much easier (and less expensive) to drive buyers to my Amazon listings than it would be to drive them into brick-and-mortar stores.
 
7/27/10 Update: After I published my books with them, Createspace instituted a strict policy whereby Createspace is not to be listed as the publisher anywhere in or on Createspace-produced books; either the author or company/imprint name (if applicable) is to be listed as the publisher of record.
 
True, my books aren’t visible to book buyers outside the U.S., but since I never planned any big international marketing push, nor to release my books in foreign language translations, international listings haven’t been a priority for me to date. Mainstream booksellers will often hold back on international releases of first editions from all but their most popular and bestselling authors as well, so I’m not alone in taking the conservative approach.  I may elect to purchase my own ISBN/bar code blocks when publishing future editions, but on my first editions there was no reason for me to refuse CS’s free ISBNs and I suspect the same is true of most indie authors. 
 
An Opposing Viewpoint
 
In the interests of fair play and full disclosure, I’m providing a link to Walt Shiel’s discussion of ISBNs on his View From The Publishing Trenches blog. Mr. Shiel is adamant in his belief that ISBNs should only be registered to the author or an imprint, and that ISBNs should never be re-used.
 
Note that Mr. Shiel comes from a background in mainstream publishing however. In my estimation, all the arguments he offers are either based on assumptions or realities that are only applicable to the mainstream publishing/bookseller world, or warn against potential problems that are no more likely to crop up for an indie book with the free CS ISBN than for a mainstream-published book with an ISBN registered to the publisher. For example, Mr. Shiel talks about how the author must return to whomever is the registered ISBN owner for subsequent print runs of his book—but the concept of print runs isn’t applicable to POD books, ebooks or digital audiobooks.
 

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April L. Hamilton is an author and the founder of Publetariat. 

 

Top Posts of 2011 – The End Is Near: Four Ways To End A Short Story

This post originally appeared on Publetariat on 4/15/10, and has received 3905 unique pageviews since then. It’s been one of the most popular posts on Publetariat in 2011.

"This is the end. My only friend, the end. Of our elaborate plans, the end"
– from "The End" by The Doors, 1967

In my humble opinion, that song is one of the truly great rock songs. The mixture of pleasure and pain it describes applies to more than just lost love and killers and death. Sometimes when we writers are working on a story, finishing the story can be bittersweet, or even just plain bitter. And sometimes we get near the end and we have no idea how to finish it, especially with a short story. In this post, I’ve outlined four possible ways to effectively end a short story.

 

There are more ways to end a story other than these four of course. And there is often overlap between the different ways. But if you are stuck, a look at these may help unstick you. Even if you aren’t stuck, they may give you some ideas. Anyway, here they are:

The Twist Ending

Add something a bit unexpected right near the end. If you have listened to or read Edward G. Talbot, you’ll know that we like to end stories this way. It works for many genres. The one thing you have to be careful about is not making it too unexpected so the reader feels like you just threw it in there. The reader needs to feel that it’s consistent with everything else in the story

There are so many ways to implement this concept. You see it all the time in suspense movies. Jeffrey Deaver is a master of this with his thrillers. A really good example is in James Patterson’s second Alex Cross thriller, Kiss The Girls. The killer turns out to be the FBI agent who was working the case. It’s just possible enough that the reader buys it and feels a chill at the betrayal.

The twist can also be subtle. My friend and fellow podcaster Scott Roche recently released an e-book short story called Bitter Release about a soldier trapped in a cave with only memories and a case of absinthe. Roche gives us a subtle twist literally in the last line that ties the surreal feel of the story together very effectively. I can’t say more without spoiling the story.

The Resolving Action

In action, mystery, thriller, and suspense genres, this is probably the most common ending. The line between a resolving action and a twist ending can be blurry, but a resolving action to my mind tends to be more expected, more like a traditional climax. This can be a major action like a bombing or a killing, or it can be something simple that punctuates the story.

A good example is in Tom Clancy’s "Debt of Honor", where a plane crashes into a joint session of Congress, making Jack Ryan the President. That’s one serious resolving action. Or in our own audiobook New World Orders we resolve the chase that has at one level been going on for the entire book. I won’t give the details, but it definitely ends with a Resolving Action.

On the other hand, you could have a story where a woman has killed an abusive husband and is struggling with guilt and the story could end with some symbolic gesture regarding letting go of it. That is a bit of a cliche, but it wouldn’t seem like it if done right. You get the idea.

The "Story" ends itself

This is very common in literary stories. Ask yourself, "What is the story I am telling the reader?" Stephen King in his book on writing talks about knowing what the story is as the key to all good writing. What is it on a high level that is interesting enough to make people keep reading? The story itself may have a built-in ending.

Seth Harwood uses this technique to perfection in his short story collection A Long Way From Disney. In story after story he has characters or feelings or some tension (or all three) to tell you about, and they end when he has finished telling you that particular story.

Another example is the movie Titanic. There are basically two stories, one how all the characters react to the sinking/tragedy and the other is how that tragedy impacts Jack and Rose, who have fallen in love. The movie ends with Rose casting the necklace away (a resolving action), but it could have simply ended with Rose finishing her tale and the viewers really understanding how that brief time impacted the whole rest of her life.

So once you understand what the story is you are telling, the ending may simply present itself. In some ways it can be easier in a short story because there are usually not very many threads in the story. The flash story that Jason wrote for our Intercast podcast – "Alive" – ends with the main character jumping out of a building. That is no surprise to readers, as the whole story builds to it. You could call it a resolving action, but in this case it’s more of a simple completion of the only place the story could have gone. James Melzer’s ebook story PTS does something similar. Nothing in that story is a surprise, and it ends with action, but again, it’s the only place the story could have gone.

The Intentionally Ambiguous ending

I like this one, but in my opinion it is the hardest to pull off. The problem is that most of the time the reader wants resolution. In a longer work, it’s possible to leave questions unanswered for a sequel, but that’s not the same thing – that’s not really the ending. It generally only works when the "story" is the tension or some interpaly between characters, and the resolution doesn’t matter.

I tried it in my short story "Transition" in the Intercast Audiobook, where the tension between outgoing and incoming U.S. administrations and several different middle eastern governments led to a climax where one group in the U.S. government was about to launch a nuclear strike and another was trying to stop them. The story is about how close we could get to nuclear holocaust with only one or two overt acts leading to it – whether nuclear holocaust actually occurs or not is irrelevant to the story. I actually got a couple of extremely positive comments about how I did this, but I also got one negative for not telling people exactly what happened. This kind of ending will not please everyone, but I do think it can be done effectively.

There are many other ways to end a story, or variations on the above techniques. Tell me about some of your favorites in the comments.

This is a cross-posting from the Edward G. Talbot site.

Top Posts of 2011: How To Lose Fans And Alienate Visitors

This post originally appeared on Publetariat on 9/6/09. It’s received 2179 unique pageviews since it first appeared, and was one of the most popular posts this year.

Hi, Joe or Jane Author. My name is…well, it doesn’t really matter what my name is, all that matters is I’ve just signed up for your newsletter, or started visiting your site or blog, or registered for membership on your site, or started following you on Twitter, or friended you on Facebook or MySpace or FriendFeed or Goodreads or LibraryThing or something similar. This should be the start of a wonderful relationship, in which you share useful and amusing information with me and I sing your praises to everyone I know, buy your books, register for your webinars and show up to your speaking engagements. So far, so good.

Now here’s how to f**k it up.

 

Bombard me with emails. When I signed up for your newsletter, Helpful Tips or the like, unless you specified otherwise at the time I signed up, I’m expecting to hear from you no more frequently than once a week. And in all honesty, if your messages take longer than about five minutes to read, I won’t. Between my job, my family commitments, my social commitments, my own reading and writing, and the fall TV schedule ramping up again, I don’t have time to wade through your too-frequent or too-lengthy missives.

Bait and switch me. It might surprise you to learn that when I signed up for your newsletter or Helpful Tips I was expecting to receive…wait for it…news or Helpful Tips, NOT advertising messages. It’s fine to have a one- or two-line sales pitch at the end of your email, or to send out the occasional message about your upcoming book or speaking engagement, but the rest of your content better be worth my time and attention. Look at it this way: would you read a magazine that had nothing but full-page ads in it? If your favorite TV show suddenly started consisting of 80% ads and 20% show, would you keep watching it?

Son of bait and switch me. If you’ve promoted your free webinar, ebook, members-only site, newsletter or whatever else you’ve got as Twenty Surefire Strategies to accomplish some goal, and I sign up, I’m expecting to receive…you guessed it: Twenty Surefire Strategies. When you give me a series of sales pitches for twenty fee-based products or services from you and your affiliates instead, I tend to conclude you’re a lying liar.

Return of the son of bait and switch me. Goodreads, LibraryThing, Shelfari and other reader community sites are places where people share their reactions to books they’ve read and engage in discussions about all things book-related, generally from a reader’s perspective. If the only books on your virtual shelf are those you’ve written yourself, or if you’ve got a variety of books on display but reserve your gushiest reviews for your own work, it’s obvious you’re using the site as a marketing outlet. Way to give new authors everywhere a bad name.

Bait and switch me, the revenge. It’s great that you’re branching out into new areas, or already operating in multiple areas, but don’t assume I want to branch out with you. I signed up for your Sci Fi Wonks site because I enjoy science fiction in general, and yours in particular. Imagine my surprise (and annoyance) when I also started receiving emails from your Gory Horrors site. And your Renaissance Romance N’ Ribaldry site. And your [insert religious affiliation here] Inspiration Of The Day site. And your eBay store. Bonus question: how angry do you think I was to find there were no “unsubscribe” links in any of the unwanted emails?

Bait and switch me, the final chapter. I understand I may need to provide my email address when posting a comment on your blog or site, because it protects you from spammers and hackers. And of course, if I’ve used the Contact form to send you a remark or question off-site, you need my email address to respond to me. But neither of these actions gives you the right to add me to your mailing list. Even if you’ve added some verbiage to your site pages to indicate that’s what you’ll do anytime someone enters his or her email address anywhere on your site, since that’s not how upstanding and honest most sites operate, if you want to avoid any appearance of bait-and-switchery you need to have a separate page just for mailing list signups.

Bait and switch me, the remake. Facebook, Twitter, FriendFeed, MySpace and other social networking sites are intended for…seriously, do I have to say it? Social networking. Not marketing or sales pitches. If most (or worse, all!) of your tweets, status updates or blog entries are only there to promote yourself or your work, you’re wasting my time. Just like I said about signing up for your newsletter or Helpful Tips, I wasn’t expecting to get a steady stream of advertising.

Are you beginning to sense a common thread? When I’m getting a lot of quality content from you, I don’t mind getting a modicum of advertising and promotion too. Sometimes I’m truly glad to hear about your new book, service or product, especially if I’m getting a special discount, premium edition or access to material or events not made available to the general public. But the moment the balance between content and advertising tips in the direction of advertising, I’m out. The moment I start thinking you’ve abused my trust, I’m out AND spreading the word. So please, don’t make me tweet angry.

 

April L. Hamilton is the founder and Editor in Chief of Publetariat. This is a cross-posting from her Indie Author blog.

 

Top Posts of 2011: The Next 10 Ebook Trends

This post originally appeared on the Online Colleges site and is reprinted here in its entirety with that site’s permission. It originally appeared on Publetariat on 8/3/11 and has received 3314 unique pageviews since it first appeared. It’s been one of the most popular posts on Publetariat in 2011.

No matter one’s opinion of ebooks and ebook readers, it’s highly doubtful they’re going to just up and disappear anytime soon. Since they’ve already started infiltrating bookstores, libraries and schools, now makes for a great opportunity to start evolving and better meeting various consumer needs. Exactly how this comes about remains to be seen, obviously, but gadget gurus and digital enthusiasts certainly have some interesting ideas about what ebook trends might start cropping up soon.

 

1. Bundles
Whether packaging a print edition along with the ebook, blending digital versions of an author’s entire oeuvre or organizing reads thematically, many ebook enthusiasts think bundles will inspire quite the popularity surge. The added incentives might very well sway individuals and institutions unsure about whether or not they want to embrace the admittedly expensive technology.

2. Social reading sessions
Online book clubs are actually quite common these days, but ebooks have yet to really seize upon their potential. Beyond offering up discussion questions, readers themselves could include ways for members to communicate with one another via audio or video, or promote even better integration with some of the technologies and organizations already available.

3. Greater interactivity
Ebook users don’t have to set up a book club to enjoy a greatly enhanced reading experience! The digital format allows a far higher degree of interactivity than the traditional paperback, and the potential is limited only by an author’s or programmer’s imagination. Books aimed at young children might especially benefit from this trend — think of how the audience might respond to animations of their favorite illustrations!

4. Authors go straight to ebook publishers
Rather than waiting on their publishing houses to transfer their works over to ebook format, more and more authors are bypassing the traditional system altogether and submitting straight to the producers themselves. And for those looking into self-publishing, pursuing such opportunities may very well mean the difference between floundering in obscurity and hitting the ebook bestseller list.

5. Monetized content
Not everyone will necessarily dig embedded ads in their ebooks, even unobtrusive ones, but that doesn’t mean publishers and companies won’t try to cash in on the technology. All the same, though, monetized content doesn’t have to mean staring down "CLICK HERE!" in the middle of Cat’s Cradle. It could be anything from downloadable content — along the lines of many video games — to subscription services.

6. Different formats for different genres
As ebook readers gain popularity and become more sophisticated, it may come to pass that different genres might end up housed in different technologies. The computerized equivalent of hardcovers versus softcovers, in other words. Kindles and Nooks are excellent for converted novels and nonfiction, but prove a bit too small for textbooks. Larger, more specialized devices could easily come about in order to house "heavier" content.

7. More indie epublishers
With plenty of authors heading straight for ebook publishers and bypassing the usual mainstream channels, now’s an incredible time to be (or even launch) an independent "label." So many talented individuals have excellent stories to tell and research to share, tech-savvy entrepreneurs and editors probably won’t have a difficult time finding viable content. Because if this, it makes perfect sense that more and more digital publishing — and even self-publishing — houses will start springing up.

8. A greater decline in traditional bookstores
Even those without a business degree see Borders’ recent bankruptcy and closing as the death knell for traditional bookstores. Although it may be a bit premature to declare such a thing, the format certainly needs to adapt and change if it hopes to survive. So while the familiar setup might not "die" like Borders, over time it’s going to start looking a lot different. Barnes and Noble, for example, released the Nook in order to compete with the evolving market. As ebooks continue climbing, it and other book carries will have to find new ways to pick up the slack.

9. Increased royalties from ebook sales
Since ebooks are becoming more profitable, authors (not to mention their agents!) will probably want to see more royalties coming in from their availability. Understandably so! If publishers wish to retain their talent — not to mention attract some awesome new names — they’ll have to start paying up for more than just the bound books.

10. Free ereaders?!
It probably sounds insane right now, but the declining cost of ebook readers mean more can be handed out for promotional purposes. Book clubs, publishers and other businesses or organizations might charge consumers a membership or subscription fee, providing the device completely gratis. No different than cell providers receiving money in exchange for air time and comping the phone as an added incentive to sign up, really.

 

Top Posts of 2011: Where to Submit Your Book for Review

This post originally appeared on Publetariat on 2/24/09, has received 6547 unique pageviews since it first appeared, and is one of the most popular posts of this year.

Book reviews can be a powerful marketing tool for books of all types. Potential customers learn about books by reading reviews in newspapers, consumer magazines, professional journals, newsletters, ezines, book review websites, and other websites and blogs. In addition to bringing books to their attention, well-crafted reviews also help the reader determine if a book is a good fit for them.

Submitting books for review can be time consuming and the costs can add up quickly, but the selling power of reviews is well worth the effort. You can save time and money by planning in advance and being selective about where you send review copies.

When submitting review copies to publications, make sure your book’s subject matches the audience and the book meets the publication’s review guidelines. Some publications only review certain types of books and some only review prior to or within a certain time after publication. For example, The New York Times only reviews books available in retail bookstores.

Book reviews in newspapers are getting harder to come by, but many special interest magazines and newsletters do book reviews or mention books in articles related to the book’s topic. Publishing expert Dan Poynter sells lists off special interest publications in dozens of subject areas for a modest fee.

Bookstore buyers and librarians base many of their ordering decisions on reviews in the major book review journals. Eligibility and submission instructions vary by publication, so be sure to read the requirements carefully.

Online reviews can also be a great book marketing tool. Having lots of good reviews on Amazon.com can boost sales, especially for nonfiction books where customers are comparing several different books on a particular topic. There are numerous other websites that feature book reviews.

For a list of online book review sites, along with tips on getting reviews on Amazon.com and other websites, read Annette Fix’s article about online book reviews at the WOW! Women on Writing website. Yvonne Perry at Writers in the Sky has also compiled a list of people and organizations that do book reviews.

Use caution when sending review copies to individuals who request them. Some people have good intentions, but simply won’t find the time to write a review, while others offer to write reviews mainly as a way to get free books. If you don’t know much about the reviewer, it might be a good idea to politely inquire what other book reviews they have done and where they were published.

"I sent copies of my book to book bloggers who responded to my email that they indeed wanted to review the book, but who never reviewed it. I later realized that I wasn’t anyone to them, so my book got buried in the avalanche of books they receive," says Phyllis Zimbler Miller of MillerMosaic.com. "I found that bloggers on my virtual book tour and book reviewers whom I connected with through social media were much more committed to actually reviewing my book." For more tips from Phyllis, see this book review article.

Several services, including Kirkus Discoveries and Clarion, offer paid review services. The practice of paying for book reviews is controversial. Some people think that paid reviews are biased since they are done for a fee and that it’s a waste of money. Others maintain that paid reviews are just as fair as other reviews and that reviewers need to be compensated for their time.

Librarians and booksellers know which publications do paid reviews, so reviews from those sources won’t carry much weight with them. Paid reviews could generate good quotes for consumer marketing purposes, but there are so many places to get free book reviews that it’s generally not necessary to pay for reviews.
 
Wherever you choose to send your galleys and review copies, plan ahead and get them out as quickly as possible. And, whenever customers give you good feedback on your book, be sure to ask for permission to add their quote to your testimonial list and ask if they would be willing to post their comments on Amazon.com.

Book marketing coach Dana Lynn Smith is the author of the Savvy Book Marketer Guides, a series of book marketing ebooks that are available at http://www.SavvyBookMarketer.com. For free book marketing tips, visit http://www.BookMarketingMaven.com.