10 Amazing Low-Cost Ways To Market Your Book

Here is a list of effective, popular, proven-to-work, and low-cost ways to market your book. I personally use every one of them, so I know for a fact that they are an effective way to build up your audience and sell more books. The steps to marketing your book, and deciding which avenues are good for you to utilize for this, might take you a few months to figure out. But all of the ways on this list are very easy to set-up, and most of them are low or no-cost to you.

1. Blog Your Book: Post articles from your book, as well as articles on related topics, on your blog. This is a great way to prove to your audience that you know what you are talking about. Writing on your blog is also a practical way to create the content that eventually might go into your book. The best website for blogging is WordPress.

2. Write Guest Posts: This is a very effective way to get your name in front of the readers on other blogs. You should only post useful content on other blogs that let you include a link back to your blog. If they don’t allow this, don’t waste your time on them

3. Get Published In The Print Media: Do your best to get your articles printed in magazines and newspapers. This will get you a lot of credibility with your audience – and this credibility will eventually help you sell more books. The very big mass-media publications are very difficult to get published in – especially for beginners. Start with the smaller industry specific publications. These little publications are always in need of high quality content from someone that they can trust.

4. Post Your Profile: Post your profile on blog listing websites. This is a great no-cost way of getting very wide exposure on the internet – and, most importantly, in Google searches. A few good websites for you to look at are Bloggers and AboutUs.

5. Connect Your Blog: Some blog listing companies will also connect your blog to your profile page on their website. This means that every time you post to your own blog, it will also show up on the blog listing website – automatically. A good website for you to look at is PaperBlog.

6. Create A Google+ Account: This is very quickly becoming a very important and popular way to connect with others. It takes a while to figure out how to use all of its features. But because it involves Google, you must learn how use it and take advantage of all of its features.

7. Use LinkedIn To Develop Your Professional Network: This is the best way to show the world what you have accomplished. It is also an amazing way to connect with people all over the world with similar professional qualifications and interests. Some of these people will become part of the audience for your book, as well as a pool of people to ask to write testimonials and endorsements for your book.

8. Use Everything Amazon Has To Offer: Amazon is just about the most amazing tool for marketing your book as well as yourself. It has several tools that are very effective and easy to use. Its best feature is the Author’s Page, where you can add lots of information about yourself and your publications, as well as add a video. This Author’s Page is like having an additional website devoted to you. Amazon has several other ways for you to connect with your audience. One such tool is Listmania, where you can help guide readers by listing your favorite books for a particular subject.

9. Article Marketing: This is a way for you to post your articles (blog postings) on an “article listing website”. On these websites, readers can search their database by typing in particular search terms and find articles that contain the appropriate article tags. The best website on the internet for this is EzineArticles.

10. Post Videos On YouTube: At the very least, you should post at least one video about your book. This is your chance to show yourself to your audience, let them see you talk about your book, and see how confident you are about your topic and your book. It only needs to be a short video, anywhere from five to eight minutes long.

This article was written by Joseph C. Kunz, Jr. and originally posted on KunzOnPublishing.com

 

10 Basic Steps To Setting-Up Your Blog

Introduction
It is absolutely essential that you get your blog up and running as quickly as possible. As soon as you realize what specific topic, or niche, that you want to write about – start writing. This will help you build up a body of work that shows the world that you are an expert in your niche. If you already have expertise in a particular topic, and already have a body of work that you have already written, you need to break that work down into a format that is blog friendly.

I am still amazed at the number of my business associates and clients that are still avoiding blogging as a way to promote their business. None of the steps to setting-up a blog are difficult or costly. There is a learning curve to it. And it will take several months to fully learn all aspects of blogging and how to do it successfully. But the benefits that you and your business will gain can be enormous.

Here are ten of the essential basic steps that you must follow in order to set-up your blog and quickly get it running.

1. Open A WordPress Blog
Do not waste your time on any of the other blogging websites. This one is by far considered the best and most user friendly that is available. It is very simple to use, and has many free add-ons available. Most bloggers use this site, so there is plenty of help and advice available on the internet. WordPress.org is self-hosted. WordPress.com is hosted (this means that your url will have the WordPress name attached to your URL).

2. Write Your Profile And Add A Face Photograph
You must put a lot of thought into creating your profile. Use your LinkedIn profile to help you write this. Give some specific information about yourself, but do not exaggerate. Do not oversell yourself by being boastful or arrogant. Write several sentences giving the essential, but relevant, information that a reader might need to determine that you have the relevant experience to be writing about your blog’s topic. Include a nice photograph of your face.

3. Write Your Blog Posts
Your blog posts can be written about anything that you want to write about. Some post will be like a formal essay. Some will be a two sentence quick tip. But always remember, that each post must support your niche. Any information that you post on your blog must benefit your readers – your followers.

4. Keep Your Posts Short
If you are going to write a longer post, you should make it at least 400 words, but not more than 1,000 words. Each one should be about one specific topic. If your article is long than this, you should try to break it down into two posts. EzineArticles has written some great free ebooks about this that you should read. EzineArticles has written some great free ebooks about this that you should read before writing your first blog posting.

5. Add One Image To Each Post
Add a small image to each post to keep them visually appealing. This image will also be used when another blog, or blog listing service, displays your article. The image’s topic doesn’t necessarily need to be directly related to the post’s topic. But it should probably be visually attractive, or eye-catching.

6. Use Bullet Points
It is essential that you keep all of your posts easy to follow, and easy to read. No matter how serious a topic is, you must take the reader by the hand, and guide them through your article. Not only is this common courtesy, but essential if you expect your readers to continue to read your postings. By having a blog you are putting yourself out into the world, and telling people that you want to share information with them, and hopefully help them. Show them how much you care about them by truly helping them understand what you are writing about.

7. Add Header Tags And Bold Text To Each Important Heading
This will tell the search engines what is important in your article. When a search engines crawls your site, it will give a higher priority to the headings and bolded text of each section of your article. This is very easy to do when you use WordPress. It will simply be a matter of highlighting each paragraph’s header text, and then clicking on the header button and bold button.

8. Add Google AdSense Advertisements
This is very easy to do, and an easy way to make a few extra bucks from your blog. Don’t expect to make much money from this. It is simply a hands-off way to help off-set any expenses that are involved in maintaining your blog.

9. Promote Your Blog
You must always be open to finding new ways to promote your blog. This can be as simple as listing your blog with a “blog listing service”. Or using your “Amazon Author Page” as a way to connect with your readers. So far I have found twenty-five legitimate places to promote my blog. And this does not include the websites where I have added comments (only do this on websites and blogs that allow a link back to your blog).

10. Improve Your Blog
This is a never-ending process. You must constantly strive to make your blog look and sound like you know what you are talking about. This also includes making any corrections to your past postings. Your readers will be scrutinizing every word that you write. Be quick to admit that you made a mistake about something that you wrote about, tell them why you made that mistake, and fix it right away. The readers want to trust you, and learn from you. Make sure that you give them plenty of reasons to do this.

This article was written by Joseph C. Kunz, Jr. and originally posted on KunzOnPublishing.com

 

25 Hard Truths About Writing And Publishing

This post, by Chuck Wendig, originally appeared on his terribleminds site on 1/22/13. Note that it contains strong language.

1. This Industry Is Alarmingly Subjective

Despite the promises of certain snake oil salesmen offering to sell you a magical unguent that — once slathered upon your inflamed nethers — will assure that your book gets published, no actual formula for success exists. If it did, a book would go out into the world and either fail utterly or succeed completely. All editors would want to take it to acquisitions. All readers would snap it up from bookshelves both real and digital with the greedy hands of a selfish toddler. But it ain’t like that, slick. One editor may like it. Another will love it. Three more will hate it. The audience will run hot or cold on it for reasons you can neither control nor discern. This is an industry based on the whims of people, and people are notoriously fucking loopy.

2. One Big Collective Shrug

More to the point, just as the industry starts first with opinion, it ends on what is essentially guesswork. It’s not so blind and fumbling that industry insiders gather in a darkened room to examine the cooling entrails of New York City pigeons, but just the same, nobody really knows what’s going to work and what’s not. Their guesses are educated, but I suspect that nobody anticipated that 50 Shades of Grey was going to be as big as it was — that must’ve been like finding out your Fart Noise smartphone app sold a bajillion copies overnight. They don’t have a robot they consult who tells them: BEEP BOOP BEEP THIS YEAR EROTIC FANFICTION IS THE SMART MONEY BZZT ZING. ALWAYS BET ON BONDAGE. BING!

3. They May Like Your Book… And Still Not Buy It

Trust me on this one, you can get a ton of editors who love your book who won’t touch it with a ten foot pole. That’s disconcerting at first, because you think, “Well, you’re an editor, this is your job, you are in theory a tastemaker for the publisher, and here you’re telling me you love the book but wouldn’t buy it with another publisher’s money.” You’d almost rather they just send you a napkin with FUCK NO written on it. But then you realize…

4. It’s All About Cash Money, Muthafuckas!

At the very end of the day, publishing is an industry. That editor gets a paycheck. Everybody there gets a paycheck.When a book does well? Folks get paid, keep their job, maybe even get raises. Books do shittily, people get paid, but no raises, and some poor bastards will be punted out onto the sidewalk. It’s overly cynical to suggest that people in publishing don’t love their jobs. Generally, they do. Most folks I know inside that industry do this because they love books, not because they want to be rich. But despite what some politicians will tell you, companies are not people. And companies like money. Oh, and at the end of the day? Self-publishing is about money, too. Success is marked by books that sell well, not by books that were “really good but nobody read them.” Art must operate within a realm of financial sufficiency.

5. About A Billion Books Are Released Every Week

As I write this sentence, 50,000 more books will be released into the world like a herd of stampeding cats. By now, I think the books are actually writing other books in some self-replicating biblio-orgy of books begetting books begetting books. All in a big-ass mash-up of ideas and genres and marketing categories (MIDDLE GRADE SELF-HELP SCI-FI COOKBOOKS will be all the rage in 2014). Between the publishing industry and self-publishing, I think more books are born into the world than actual people (and just wait till one day the books become sentient — man, forget SkyNet, I wanna know what kind of Terminators Amazon is probably already building). Your book is sapling in a very big, very dense forest.

 

Read the rest of the post, which contains 20 more items, on Chuck Wendig’s terribleminds.

 

What’s the Difference Between Book Wholesalers and Distributors?

Book distributors are companies that promote and sell books to retailers and libraries, typically through sales reps and/or printed catalogs. Distributors usually purchase books at a steep discount (65% to 70%), warehouse the books, and ship them to book wholesalers, libraries, bookstores and other retailers.

Distributors handle books that are published independently (not through a “self-publishing company”) and have strong sales potential. Members of the Independent Book Publishers Association (IBPA) are eligible for special deals with Partners Publishers Group and Small Press United.

Quality Books and Unique Books are specialty distributors that sell nonfiction books (and some children’s titles) to libraries on consignment.

Book wholesalers process orders and ship books. Being listed with a major wholesaler will make it easy for bookstores (including Amazon) and libraries to buy your books, but you are responsible for generating demand. Ingram and Baker & Taylor are the largest and most important book wholesalers in the U.S. They typically buy books at a 55% discount and they offer paid advertising opportunities to publishers.

If you publish through a subsidy publisher or “self-publishing company” your publisher will probably get your books listed with Ingram and/or Baker & Taylor.
If you publish through CreateSpace, sign up for the “expanded distribution” program to get your book listed with Ingram and/or Baker & Taylor. (You have to use a CreateSpace ISBN to get into Baker & Taylor). Details are here. You can learn how much money you will earn through various sales channels here.

Another way to get your book listed in the Ingram database is to print it through Lightning Source, which is the largest print-on-demand printer in the U.S. and is owned by Ingram. See this article for details about using Lightning Source and determining your wholesale discount.

If you published independently and don’t have a way to get listed with a wholesaler, you can pay to get into Ingram and Baker & Taylor through the programs offered by IBPA, but you’ll need to determine if the fees are worth the potential benefit.

 

This is a reprint from Dana Lynn Smith‘s The Savvy Book Marketer.

How To Publish A Book 101

The rise and rise of self-publishing has meant an influx of writers into the market, and many established authors with back-lists are also joining the fun.

There is a LOT of information out there on how to publish your book, but I still get emails every day asking me how to do it.

I also get emails from people who have paid $20,000+, have been utterly ripped off and are devastated with the results. This happened to me once, although with a lesser financial impact, and I am passionate about making sure authors don’t fall into these traps.

With big name publishers like Penguin/Random House and Simon & Schuster signing up with Author Solutions to further exploit this kind of vanity publishing, you guys need to know there is a better and cheaper way.

I have a whole page on Publishing options here, but I thought a round-up post was called for. There are options below for publishing ebooks and print books, with DIY options and easy, paid services, so there’s something for everyone.

Before you publish

Yes, you need a great book, and I believe you need to go through an editing process, and also get a professional cover design.

If you have existing contracts for your books, and /or have been published in the past, check you have the rights before you publish. If you’re a new author, you have the rights and you can do what you like. You can publish in any or all of the following ways. There are no rules and you can sell globally! [woohoo!]

How to publish an ebook – the DIY option

(1) Format your book in Scrivener to create a .mobi (for Kindle), ePub for Kobo and Smashwords (very soon) or Word, PDF or loads of other formats.

Scrivener is only $45 and the compile function is just one part of the amazing writing software, which many authors (including me) swear by.

* Scrivener for Dummies – interview with Gwen Hernandez

(2) Publish on the ebook stores

For the best royalty rates, you want to go direct to the retailers if you can and the process is easy. There’s plenty of help on each of these sites.

Publish on Kindle at KDP.Amazon.com

Publish on Kobo at Kobo Writing Life. You can also watch/listen to this interview from Mark Lefebvre, Kobo’s Director of Self-Publishing here.

Publish on Barnes & Noble Nook at PubIt (still only for US citizens)

Publish on iBookstore, Nook, or any of the other retailers through Smashwords (free but not so easy to use) or BookBaby (costs but is much more user-friendly). Here’s a useful post on Bookbaby vs Smashwords so you can evaluate the services.

How to publish an ebook – the paid services option

I know that some people don’t want to mess around with ebook files. I used to feel like that too, but seriously, if you’re publishing a lot, then try Scrivener. It will save you loads of money. But if you definitely want help, there are lots of services that can do this, so you should shop around, check reviews and testimonials and ask other authors what they think.

I recommend BookBaby who offer packages to format and distribute your book. I use them myself and I am an affiliate. Here’s a short video chat with Brian Felsen from BookBaby about what they offer authors.

How to publish a print book

Most independent authors make more profit from ebooks, so you should only consider print if you really want it for personal reasons, or if you have a live platform to sell it (e.g. speakers). Then you should consider print-on-demand as the best option as you don’t have to pay upfront printing/storage or shipping costs. Only do a print run if you have the distribution sorted out – too many authors lose money this way (I certainly did!)

If you want a DIY option, and the best financial deal, then LightningSource is probably the best bet. However, you need print ready files for your cover and interior and you have to know what you’re doing.

If you want an easier DIY option, with wizards and extra help, then go with CreateSpace.com, Amazon’s own self-publishing company. They also have an option to make the ebook as well. If you have your own print-ready files, it is free to publish. Here’s a comparison post between Createspace and LightningSource.

If you want to do print properly, soak up everything you can from TheBookDesigner.com – one of the very best blogs for self-publishers.

In terms of premium services, there are more companies offering these every day, some of them at astronomical prices, so please be very careful.

Check out Amazon’s Createspace Premium prices here. Then compare what they offer to anything else you check out, since you know if you go with Createspace that you will be able to sell on Amazon.

If you like the look of a company, then check Preditors and Editors publishing guide for red flags, because a professional online site may still mean a rip-off.

Please note that Author Solutions, which is the service Random/Penguin & Simon & Schuster have chosen is marked: Not recommended. A company that owns or operates vanity imprints AuthorHouse, DellArte, iUniverse, Trafford Publishing, West Bow, and Xlibris. Here’s an article about their dishonest marketing tactics on Writer Beware,

What happens next?

Obviously once the book is available at all online book retailers, it won’t fly off the shelves without some help.

Read this post for starters: Help! My book isn’t selling. 10 questions to answer honestly if you aren’t making enough sales.

Then check out this page for more marketing ideas.

Need more help?

self publish a book

I teamed up with NY Times bestselling author CJ Lyons, who has now sold over 1 million self-published (indie) books, to create a multimedia course that gives you all the detailed help you need to successfully self-publish an ebook and a print book.

It includes behind the scenes videos of creating files using Scrivener and how we publish to all the various stores, as well as top tips for self-publishing, the worst mistakes authors make, how to evaluate print-on-demand companies, secrets of book cover design with Joel Friedlander from TheBookDesigner.com, pricing, piracy, maximizing your sales pages at the book retailers – and much more.

Read more about the course here (it’s just $99)

Recommended Books

If you want to read a book on the topic, then I recommend the following:

Let’s get digital: How to self-publish and why you should – David Gaughran

Self Printed: The Sane Person’s Guide to Self-Publishing – Catherine Ryan Howard

APE: Author, Publisher, Entrepreneur – Guy Kawasaki

Scrivener for Dummies – Gwen Hernandez

Writing a novel with Scrivener – David Hewson

Want to join a community of active self-publishers who help each other out with information and advice? Check out the Alliance of Independent Authors. (I’m an active member and advisor). There’s also a great blog: How to successfully self-publish

Do you have any questions about publishing your book?

Please do leave questions or comments below. This is a community of LOTS of authors, new and experienced, so together we can likely answer everything! I’d also love people to recommend any services they have actually used and thought were good. (No posts from companies though – only authors!)

 

This is a reprint from Joanna Penn‘s The Creative Penn.

Why George Saunders (Or Anyone Else) Can Write Whatever They Damn Well Please

This post, by Kevin McFarland, originally appeared on The AV Club on 1/25/13.

The backlash had to begin sometime. George Saunders’ fourth short-story collection, Tenth Of December, landed on the New York Times Bestseller list in its first week after garnering significant praise, and even a lengthy, glowing New York Times Magazine profile. Saunders is unusual among anointed writers because his major works are all story collections. He’s never published a novel. Which opened up the doors for Adrian Chen at Gawker to waltz in and kick him with the assertion “George Saunders Needs To Write A Goddamn Novel Already,” a demand heady with ignorance about Saunders’ career and what makes him notable in the first place.

The premise of the Gawker piece is that any writer should want to write a novel. But plenty of great living writers (or “literate humans,” as Chen’s opening sentence calls them) haven’t. Sopranos creator David Chase doesn’t write novels. Neither does Mad Men creator Matthew Weiner, or Friday Night Lights and Parenthood showrunner Jason Katims, or Hugo screenwriter John Logan, or Zero Dark Thirty writer Mark Boal. Aaron Sorkin, Community and Modern Family writer Megan Ganz, Angels In America playwright Tony Kushner, and God Of Carnage playwright Yasmina Reza have never written novels either. It doesn’t make sense that only a writer focused on short stories must wantto write a novel, or end up stuck in the minor leagues.

This isn’t so hard to believe. “The novel” is no longer the sole measuring stick of a writer’s quality in our time—not when books compete with film and television writers. Chen severely over-romanticizes the importance of a novel in the writer’s landscape today. For a specific subset of fiction writers, it’s the most important form, but by no means the only way to tell a story, or to prove they can produce.

The Pulitzer Prize is the highest award for an American fiction author. The category recognizes all works of fiction, not just novels. Jennifer Egan’s A Visit From The Goon Squad, Elizabeth Strout’s Olive Kitteridge, and Jhumpa Lahiri’s Interpreter Of Maladies have all been awarded the Pulitzer since 2000. All three are short-story collections. (Arguably, the first two are linked story collections, novels-in-stories, or story cycles, like Sherwood Anderson’s Winesburg, Ohio, but Lahiri’s book is without a doubt a traditional short-story collection.) And that’s just counting the winners, rather than the anthologies that have been nominated.

 

Read the rest of the post on The AV Club.

8 Ways to Get Reviews That Aren't Fake

This post, by , originally appeared on The Huffington Post Books blog.

We’ve always had a problem with “fake.” Whether it was a fake Kate Spade handbag or a knock-off clothing line, fake has always been a part of our culture. Most of this is made popular by the “don’t you want to have it, too?” mindset that often surrounds celebrities: “Get the dress Jennifer Aniston wore for only $200!” Most of us, however, can spot fake. Or, to help avoid litigation, many reputable companies offer knock-offs of celebrity Oscar gowns and what-not. Fake, however, is not limited to fashion anymore.

Now, fake and counterfeit has begun permeating the publishing industry. We’ve seen things like 35 Shades of Grey and other knock-off titles that seem to circumvent any legal challenges, but there’s a new challenge on the frontier, that of fake reviews. Do you believe reviews? A majority of us don’t, but more often than not we believed the consumer reviews. Not so much anymore, especially now when reviews can be bought, or in some cases, simply faked. The message seems to be: if you want to get noticed, you’d better be prepared to “fake it till you make it.” That’s a nice saying, in theory, but when you’re talking about polluting an Amazon page with a bunch of dummy reviews, that’s another story.

So, what’s an author to do? I’m sure as time wears on it will be tempting to buy into this but what happens when we do? We end up with a cluttered market packed with “I loved this!” and we’re left to wonder, did the person really love it and, even worse, did they even read it? We all want to be liked, or, rather, we want our work to be liked, but to what end?

Several years ago we were on a team retreat. At that time a savvy team member came to me and said, “We can’t put our stock in reviews, these folks are inundated with books to look over, we need to find other channels.” And so we did. Where we used to do review-centric programs (meaning that the success or failure of a marketing campaign depended on the number of reviews we got), we now offer campaigns that are balanced, and yes, we like to get reviews for our customers, but that’s not always the best way to grow your market. Here is perhaps a different set of ideas (and maybe a few you’ve heard before) about getting exposure and (if you’re lucky) getting reviews:

  1. Stay engaged: I see a lot of folks who aren’t engaged in the process or their reader. I’m not talking about running through your to-do list of marketing activities. I’m talking about staying engaged with your reader. Talking to them via your blog, Facebook, Twitter, Pinterest, LinkedIn, whatever. Your reader is your end user, you want reviews to get to them, but in the absence of reviews, guess what? Your outreach to your reader will have a far greater impact on your market and your sales.

 

Read the rest of the post, which includes 7 more tips for getting genuine reviews, on The Huffington Post Books blog.

The Business Rusch: Editorial Revisions

This post, by Kristine Kathryn Rusch, originally appeared on her site on 1/23/13.

Recently, the Passive Voice blog pointed out a post on editing by Lynn Price of Behler Publications. Behler Publications is an independent traditional publisher which buys manuscripts and turns them into finished books, distributing them to various book outlets and sending authors royalty statements. Behler has a contractual relationship with its authors.

I state all of that because some of the comments in the PV blog seemed to confuse Behler with independent editors whom self-published authors pay to go over their manuscripts before publishing the book.

What I realized—well, actually remembered—as I read over the comments is that writers have no clue what an editor is and what their relationship to that editor should be.

Writers don’t even seem to be aware that there are many kinds of editors within traditional publishing houses, and even more kinds of editors outside of those houses.

So I’ve decided to give you a two-week short course on how to work with an editor in both traditional and self-publishing. I’m using the term “self-publishing” this week instead of “indie-publishing” primarily for clarity.

Even though I’ll be dealing with traditional book publishing this week, those of you who self publish need to read this to understand what professional editors do and how they can help you. When you self-published writers hire an editor, you become their boss. So you become the traditional publishing company who has contracted with an editor who will then edit a manuscript from some writer. Even though that writer is you, you need to think of the writer as someone else in this instance. If you know how editing works in the big leagues, then you can approximate it in your own small company.

If you are an editor at a traditional publishing company or one who now works for herself, please read this as well. Remember that most writers have no idea what you bring to the table. And some editors never seem to understand that they are not the last word on any manuscript, ever. Just because you editors think something is flawed doesn’t mean that it is. It simply might not work for you.

Traditional publishers have a variety of editorial types working for them. Once upon a time all of these people worked in-house. Now many of them work at home as contract employees, doing piecework, much like writers do.

I will be dealing with book publishing, not magazine publishing or anthology publishing. Editors in those fields have yet a different function which will only confuse matters here.

 

Read the rest of the post on Kristine Kathryn Rusch’s site.

Publishing Coach And Author Emily Hill Talks About Kindlegate

This article, by AR Vasquez, originally appeared on Digital Journal on 1/21/13.

Seattle– With Amazon’s expansion into new markets such as India, Brazil, Japan and Canada, Amazon’s KDP reporting for Kindle book sales have encountered technical glitches causing many upset authors to post messages in the KDP community forum.

Digital Journal had an exclusive video interview with Emily Hill, an indie author and publishing coach and founder of Kindlegate.starts.com, to discuss her experience with the KDP Select Program, Kindlegate, NaNoWriMo 2012, her coaching business and her interest in the paranormal world.

In the interview, Ms. Hill reveals how she was surprised to see her best selling books suddenly have zero sales in October 2012. She had been selling her books consistently every month and was extensively marketing and promoting her fictional paranormal book series Ghost Chaser’s Daughter in preparation for the Hallowe’en season in the KDP Select Program.

The KDP Select program is Amazon’s incentive for authors to sell their ebooks exclusively on the Amazon site for 90 days. The exclusivity means that authors cannot sell or give away their ebooks on other platforms such as Kobo, Barnes and Noble, iTunes, Smashwords or even their own website. Another incentive in the program is the ability for authors to choose 5 days within the 90 days term to list their books for free on the Amazon site. Kindle books that are not enrolled in the KDP Select program limits authors’ ability to set the lowest selling price for their books to 99 cents. Other perks in the KDP Select program include higher royalties up to 70% for some Amazon networks around the world. Also, Kindle books in the program can be added to the Amazon Prime lending library which gives Amazon prime members the ability to borrow books for free with certain restrictions which pays authors a percentage from the KDP Select Global Fund.

When the KDP Select program was introduced in early 2012, many authors who joined experienced positive results. Some reported on their blogs their Kindle books were downloaded thousands of times during the free days promotions and watched in awe as their Kindle books rose up the best seller list rankings.

Read the rest of the article on Digital Journal.

Elephants In The Room

This post, by Brett Sandusky, originally appeared on his blog on 1/15/13.

It’s a new year, and time to purge ourselves of the old and bring in the new. For years now, long before I was even involved in publishing, the industry has latched onto the “New Year, New You” marketing motto as each new calendar begins, in the hopes of selling books to customers who have decided to make a change in their lives. This year, it is time for a “new you,” but for ourselves. It’s time we stopped beating around the bush and dealt with our issues head-on and with realistic expectations. This morning, I saw two articles juxtapositioned, the (paraphrased) headline of the first read: “Ebook retail prices continue to plummet,” the second, “Independent bookstores can increase revenue by selling ebooks.” This second article implied that indies could be saved by the enormous revenue opportunity to be had in selling ebooks … whose retail prices have been steadily declining and continue to do so.

Are we even having the same conversation anymore?

Needless to say, these think pieces lead me to converse with a few friends, some publicly, and other privately, about what is going on here, and I have compiled a short list of elephants. These issues are those that we as an industry must address, not shy away from, and talk about in the open to come to a resolution. We continue to spiral into a complicated mess of “WTH IS GOING ON HERE? WHO’S IN CHARGE?” rather than a rational, business-oriented industry. I refuse any longer to play into the notion that publishing is dead or dying. It’s been changing over many years, and continues to do so. Now is the time to address our changes; now is the time for, in corporate parlance, change management, something we’ve all known but too little of.

The Amazon Issue. If we are talking about elephants, Amazon is the woolly mammoth of the lot. It’s time we dealt with the Amazon issue that everyone refuses to talk about. Yes, Amazon is single handedly responsible for moving a (digital) metric ton of digital materials through to customers, and many users have Kindles or use a Kindle app to read digitally. Yes, the Amazon digital catalog is the largest, and thus offers the most opportunity both to us and to our customers.

However, we must acknowledge that Amazon’s practices have also contributed to the (imminent-seeming) depletion of physical bookstores. They have forced our retail prices down so low that only a company of their, ahem, girth, is able to bear the burden of really taking on major losses. Publishers simply do not have the financial fortitude to emulate Amazon in terms of financial practice.

 

Read the rest of the post on Brett Sandusky’s blog.

Are You An Author, Publisher And Entrepreneur? You Should Be. Interview With Guy Kawasaki

I’m excited to share with you today an interview with Guy Kawasaki, who is a NY Times bestselling author and entrepreneur, and who I have followed online for a number of years.

His most recent book is APE: Author, Publisher, Entrepreneur: How To Publish A Book.

guy kawasaki
You might think that there are already way too many books on this topic, but APE has a slightly different angle around ‘artisanal’ publishing and entrepreneurship, which I like a lot. It’s also significant that an author of Guy’s authority in the business book market is advocating self-publishing.

APE includes some good chapters on avoiding the self-published look and guerilla marketing, as well as building an enchanting personal brand. Here’s the interview with Guy along with some of my comments at the end.

You have had great success in the traditional publishing world with 10 books, including the NY Times bestseller ‘Enchantment’. Why did you decide to self-publish?

APE: Author publisher entrepreneur how to publish a book
I decided to self-publish because I wanted total control over the marketing and selling of my books—particularly in the ebook format. Traditional publishers cannot handle sales directly to customers, sponsorships, and site licenses. These kinds of deals that are not publisher to reseller to customer give traditional publishers aneurisms.

Have you stepped away from traditional publishing for good?

I haven’t stepped away from traditional publishing. All it would take is a huge advance—huge enough so that I don’t care about the marketing and selling of my books. You can’t buy me, but you can rent me.

Would you combine traditional with indie in a hybrid model which many authors are now favoring but NY publishing is resistant to?

what the plus
If a traditional publisher wanted to buy the printed rights and leave me with the ebook rights, I would do it. I actually have such a deal with McGraw-Hill for a book called What the Plus!

I love the term “artisanal” publishing. Can you explain what you mean by it?

My concept is that writers can control their craft from end to end. That is, they can control the content, cover, interior design, sales, and marketing just like an artisanal brewer, baker, or winemaker does.

How does this reframe the “stigma” of self-publishing?

It means that “self-publishing” or “vanity-publishing” does not translate to “My book wasn’t good enough for a traditional publisher, so I had to publish it myself.” One would never attach a stigma to an artisanal brewer, baker, or winemaker, so why should one attach a stigma to an artisanal publisher?

guy kawasaki quote

Many indie authors, myself included, use an ebook only model because financially, it is less of an outlay for a quality product. Print can be expensive to produce something that doesn’t look self-published.

But you present some compelling arguments that digital isn’t everything, so should we all be doing print?

This depends on the genre. The genre where ebooks are kicking butt is adult fiction. If I had an adult non-fiction book, I would publish it in printed and electronic format. If I had a photography book, I would publish it only in printed format. In ten years, I would print only a photography book.

Many authors/writers resist the term “entrepreneur.” Why do you think authors need to claim that term in order to be successful in this crowded market?

“Entrepreneur” sure beats “impoverished.” The reality is that artisanal publishing means there are more books than ever to choose from. Thus, it’s even harder to garner attention and therefore sales. Entrepreneurship—making a hobby into a business—is necessary to succeed. Returning once more to the artisanal brewer, baker, and winemaker, who would not consider what they do entrepreneurial?

barry eisler quote

Why is an author brand important?

An author brand is the foundation of entrepreneurship. It means that the author stands for something and owns, or at least represents, a genre. Gillian Flynn’s brand is crime novels. JK Rowling—no explanation needed. John Grisham is legal thriller. Anne Lamott owns the writer’s writer and messy faith brands.

Where do people start in order to build one?

We are in the best time ever to build a brand because of the ubiquity of social media. Google+, Twitter, Facebook, and LinkedIn are all fast, free, and ubiquitous. I don’t mean only for non-fiction, technical authors to build a brand—any author can use social media to build a brand.

The goal is to build a following because you share valuable posts that are simpatico with your brand.

My recommendation is to start building a brand the same day you start writing a book. In a perfect world, you’d write two-three hours a day and work on your brand an hour a day. It takes at least a year to build a brand using social media.

guy kawasaki quote
Incidentally, even if you are published by a traditional publisher that purports to have a marketing platform, I would still beg you to create your own brand.

There is no downside to creating your own brand so that you are not dependent upon your publisher because someday your publisher might not be there for you.

The ebook and publishing revolution has been US-centric for a few years now, but with Kobo moving aggressively into global markets that Amazon doesn’t dominate yet, what do you see as the future of ebooks in the wider global market?

The future of ebooks is bright around the globe. It would shock me if it’s not the dominant way to read books in the next ten years everywhere in the world. Some very smart people at Amazon, Apple, Google, and Samsung are doing their best to make this true. It’s hard to imagine that they won’t succeed.

How did you manage to get 145 reviews on Amazon in six days of which 135 are five stars?

I am tempted to tell you that you have to read APE to find out but that would be chicken. Essentially, I crowdsourced editing, and I offered a review copy of the near-final manuscript to four million social-media followers. This enabled me to have 1,100 people who read APE before it went live on Amazon.

Approximately four hours before Amazon turned it on, I sent an email to 1,100 people to ask them to post a review for me. I woke up in the morning, and there were forty-four five-star reviews. What does it take to make this happen?

First and foremost, it takes a book that people like. I could have asked 1,100 people to post a review and woke up to forty-four one-star reviews too. But beyond this, you need to trust people. I’m sure I passed around my manuscript and so I might have lost some sales, but the alternative, fostered by not trusting people, would be a lack of reviews.

By the way, no traditional publisher would let its author do something like this.

Like I said, I want to control the sales and marketing of my books. That’s what artisanal publishers do.

APE: Author publisher entrepreneur how to publish a bookYou can find APE on Amazon.com here or check out the website at APETheBook.com

Some of my own thoughts on the book

When Seth Godin left traditional publishing I thought the balance was tipping, but now I really think self-publishing has hit the mainstream. When authors of Guy’s stature do it their own way, that is something worth paying attention to. It means the consciousness has shifted amongst the thought leaders, and that can only be a good thing.

APE is a good primer for the new self-publisher. It does contain a lot of the basic information you need, from writing and editing, through publishing in print and ebook formats to marketing ideas. If you want a book that contains an end-to-end process, it’s definitely worth the buy.

Guy advocates using MS Word for writing, but I absolutely recommend you use Scrivener. It will help you write the book but also outputs the formats you need to self-publish directly to Amazon, Kobo etc. It’s been a life-changer for me and means you don’t have to rely on anyone else for your formatting.

The book is US centric, so when you read it, remember that non-US citizens cannot publish direct on Nook PubIt, or use ACX (Audible’s audiobook marketplace) at the moment. Hopefully that will change!

What do you think about artisanal publishing? I love the term and what it implies, but please do let me know your thoughts in the comments [on the original post]. Or please do leave any questions for Guy as well [on the original post]. [Now go APE!]

 

This is a reprint from Joanna Penn‘s The Creative Penn.

Adapting Public Domain Literature to Comics: How it’s Done

This post, by Ben Chabala, originally appeared on his I Speak Comics blog. While the target audience is comic book and graphic novel authors, the subject matter is equally applicable to any literary adaptation of public domain material.

Before I blast off into theoretical realms unknown I think it’d be beneficial to lay a solid foundation for the ideas I’ll be talking about later in the series. First and foremost is the term public domain, which I’ll be throwing around a lot and transmuting into an acronym when I get tried of writing it (PD). If something is in the public domain, and in our case we mean any literature in the PD, it is no longer under any sort of copyright protection.

So anyone that’d like to publish, let’s say The Art of War, can. It being written over 2000 years ago puts it out of reach of even the most dedicated copyright lawyers of the period. That isn’t to say that you can copy modern translations of the work though, present day lawyers will jump all over you for that.

Here’s another example: Let’s say you wanted to write a sequel to Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” in comic book form. Well Cole Haddon has done just that in his comic series “The Strange Case of Mr. Hyde.” Seeing as the venerable author died in 1894, at the tragic age of 44, and over 100 years have passed since his demise, his work has fallen out of copyright protection and into the public domain and is now open for adaptation.


The same is true for other such masterful authors as Jane Austen, Jules Verne, Mark Twain, Bram Stoker; the list goes on and on. Granted things get a bit trickier if you want to use works penned by the recently deceased authors of our age, what with copyright laws seemingly being pushed back to infinitum by our legislators, but that’s besides the point. For the third and final time – Public domain literature is free of copyright restrictions and can be adapted and tweaked at will.

So how have comic books creators taken advantage of this phenomenon? Over the past few years I’ve noticed 4 main classifications of adapted PD literature in the graphic storytelling medium: 1) Strict adaptation, 2) tweaked adaptation, 3) untold adventures, and 4) the patchwork universe. Of course there are always exceptions to every rule and these classifications are by no means immutable, but I think they do a good job of setting up the ground work for discussion.

A strict adaptation is when a creator takes a novel and transforms it into a visual tale. Here the writer must pick and choose which words to rip from the prose and feed to the reader while the artist must do their best to make sure that their every picture is worth a few hundred words at least.

This has got to be the most difficult PD adaptation a creator can undertake. They hack and slash the time-tested work of a master, reassemble it into something that communicates the story visually, and then find an artist with the ability to make it look and feel right.

Unfortunately, unless the finished product is something of such surpassing brilliance that it outshines its progenitor, most of these graphic novels tend to be merely an introduction to their meatier original material. Great examples of this type of PD adaptation can be found in the Puffin Graphics collection.

Tweaked adaptation occurs when a creator changes the events of the original work to suit their own creative desires. That probably sounds incredibly vague but for those of you well-versed in mainstream comics think about Marvel’s “What If?” books. There the writer changes an important event in the history of the Marvel U, e.g. General Ross originally becomes the Hulk instead of Banner, and then reveals an all-new aftermath over the course of the comic. It’s still a Hulk story with the same events leading up to the Gamma Bomb explosion, but stars a different Hulk.

 

Read the rest of the post on I Speak Comics.

Forward

This post, by Steven Ramirez, originally appeared on his Glass Highway site and is reprinted here in its entirety with his permission.

No, this isn’t about last year’s campaign slogan which by the way was a huge #FAIL for me since the geniuses who dreamed it up thought it would be better to be grammatically correct and add the period. Forward, then stop? Hey, here we go! Wait, there’s a period. Aww… Anyway. This is about actually moving forward in 2013 as an author. That means assessing the past year, figuring out what worked and what didn’t, and setting new achievable goals.

Looking Back In 2012 I had seventeen titles on Amazon and sixteen on Barnes & Noble. Now I have nine and eight respectively. Wait a minute, what? Yes, you read that right—I have fewer titles now. Why? Because on reflection I didn’t feel that everything I put out there was my best work. Kind of hard to admit, I know. Especially when I really enjoyed writing those other stories and couldn’t wait to share them with the world. Anyone else out there done that? Please leave a comment.

At the beginning of last year I had few than five hundred Twitter followers. Now I have more than two thousand, so yay me. I must be doing something right. To be clear, Twitter is a work-in-progress. The key for me is to give more than I take. That means consistently providing useful information while occasionally promoting my own work.

Last July I launched this blog. Though I don’t have tons of subscribers and my bounce rate is high, I still feel it is worthwhile—especially since I share it with guest bloggers, which I love doing. In fact, I hope to do more of that this year. If you are an author—or screenwriter—and you would like to share something, please leave a comment.

By mid-last year I had completed the first draft of my new zombie novel. Now I’m in revisions, and am targeting publication in the summer.

Highs and Lows Overall I would say that I achieved my goals in terms of building my platform. I’m no social media superstar but I do interact with quite a few folks around the world via Twitter, Facebook and LinkedIn. The encouragement has been amazing. It’s one of the things that keep me going.

Earlier I said I finished a first draft of my new novel. That’s actually not true. Currently I have no actual ending, though there are definite ideas knocking around in my head. So, while not a low, I would have liked to say I finished the whole thing once through.

2012 Goals that Still Matter I know you’ve all heard this before but creating unrealistic goals is a big, fat waste of time. Here are things I believe I can do. But first here are some things I laid out last July when I launched the blog.

Write better. Okay, this is a never-ending process. I’m confident that Stephen King still strives to write better each day. I do believe that I am a better writer now than when I began. By this time next year, I hope to say that again.

Master the publishing process. It was stupid of me to say this, although to be fair I did not put a time limit on it. First of all, I have yet to publish a novel. Most of my titles are short stories and one is a short middle grade novel. Publishing a real novel is another thing entirely. I’ll get back to you on this one.

Master digital marketing. Again, no time limit. Am I better than I was a year ago? Absolutely. But there is so much more to learn—especially around gathering and interpreting metrics. What I really need is a data person. Good luck to me. Have you seen what social media consultants charge to crunch the numbers?

Help others whenever I can. This one is easy because it’s what I love to do. I may not be the world’s greatest author/publisher/marketer but I am always happy to help those who are just starting out. In fact, that’s one of the value propositions for this blog. Ask me anything in the comments, and I will do my best to get you a solid answer. Really.

2013 Goals Publish my novel as an eBook in 2013. I really wanted to say Summer but, again, let’s make this realistic and achievable. There are many steps associated with publishing a novel—it’s a big job. First, I must “assemble my team.” Then I need to create a marketing campaign and begin marketing the book six months prior to publication. I haven’t decided whether to also publish a print version. I may delay that. I would love to hear the pros and cons of doing this in the comments.

Grow my author platform. This is an ongoing activity. It involves attracting more follows in social media and popping up as a commenter and guest blogger wherever I can. As far as Twitter is concerned, I’d like to double the number of followers. Hey, maybe that’s one of those unrealistic goals.

For those of you who are on a similar journey, what do you think? What’s missing from this list? In the meantime, here’s to an unbelievably awesome 2013. Forward!

 

New Scams Preying On Writers Who Are Struggling Financially

Maybe “scam” is too strong a word, but I’m not sure what else to call it.

I’m seeing more and more marketing materials specifically targeted to indie and mainstream authors who are struggling to earn a fulltime living as writers, or finding it impossible to make the transition from day job to fulltime author. Whenever a demographic that contains many disappointed, disillusioned and possibly desperate or gullible people is formed, the vultures are quick to start circling.

Today I received yet another solicitation from a company offering to solve all my financial and work-life balance problems by helping me realize the dream of not only being a fulltime writer, but being paid handsomely for it.

The email sympathetically acknowledged how many writers have tried to get a mainstream publishing contract and failed, or self-published and seen disappointing profits. The email went on to reassure the reader that the dream of making a living as a writer is well within reach for anyone who wants it, and in fact the simple key to success is a little-known career niche that many writers simply don’t know exists.

The email claimed success in this niche is easy; so long as you know about this type of work, love writing, and are able to write well, you can exceed your wildest dreams of success as a professional writer. According to the email, many writers who have discovered this little-known niche are earning six-figure incomes while only spending 20 hours a week or so writing.

Hmm…Sounds ‘Legit So Far…

Loaded language like “little-known”, “secret”, “six figure income” and the like tends to make my internal red flags pop up, especially when it comes wedged into what’s obviously a sales pitch of some sort. Mental alarm bells start going off for me when the pitch purposely avoids ever explicitly stating what’s being offered for sale.

All that was missing from the email was the assurance that with “this one weird tip” my career would take off instantly, or that a “[insert your hometown name here] mom” had been the one to make this discovery, which career experts didn’t want me to know about, and which would soon be solving all my career problems, whitening my teeth and making me lose pounds and inches.

It was looking pretty darned scammy and pyramid-scheme-y, but hey, this email was delivered to me by a reputable, national writers’ organization, with an intro stating that organization was excited to share this amazing opportunity with me, so it couldn’t possibly be a scam, right? Whatever this offer turned out to be, it must’ve been fully vetted, and I should give it the benefit of the doubt, right?

And The Secret Is—Wait For It, Wait For It

I read all the way to the bottom, hoping ‘the secret’ would finally be revealed at the end, but instead was presented with a ‘let me show you how’ link. That link took me to another lengthy statement on a web page attesting to the awesomeness and profitability of this amazing writer opportunity, and included testimonials from other writers who’d taken advantage of the offer and had relocated to Easy Street shortly thereafter, with their full names, photos and everything.

Yet nowhere did this second, even longer sales pitch state what was being marketed to me, or how much it would cost.

It wasn’t until I followed yet another link, at the bottom of that lengthy page of marketingspeak B.S., that I got to a page that actually showed what was being sold and what it would cost: a series of e-publications on topics about how to find copywriter jobs, how to succeed as a freelance copywriter, how to generate copywriting leads, how to break into travel writing, et cetera et cetera, and even though they were valued at over $200, for a “limited time” I could have them ALL for a mere $49.

$50 Is A Big Chunk Of Change, But Does That Alone Make It A Scam?

No. I’m fairly certain all of the “secrets” in these e-pubs are already available for free in multiple locations online, but I can see where gathering them all together and offering them for sale in a single package—otherwise known as a “book”—adds enough value to justify charging for the material. But here’s why I still classify this as a scam:

1. The seller repeatedly emphasizes how EASY it is to “immediately” start earning large fees; she conveniently leaves out the part where essentially, she’s just advising you to start your own freelancing business, and she also conveniently leaves out the part about how HARD it is to launch a new freelance business.

Plenty of people, myself included, have sold books or training programs intended to provide writers with necessary business or craft skills, but the ones who are being honest will tell you the ugly truth right up front: it’s hard work, it’s a longterm investment that will not “immediately” start paying off, and no book or training program can guarantee career success. Many people can and do make a respectable or even comfortable living as freelancers, but it took a lot of time, effort and sacrifice to get there.

2. The key to success here is NOT any of the e-pubs she’s offering to sell you, it’s having a very strong entrepreneurial drive and a lot of business savvy. If you already have those things you don’t need anything she’s selling to launch a freelance business, and if you don’t, no amount of advice or e-pubs from her or anyone else will make your business a success.

This person is not selling a course in how to run a small business, covering your tax and regulatory bases, basic accounting and so on, but she’s marketing her copywriting information as if it IS a one-stop, magic portal that can take you from being unemployed, or unhappily employed in an unfulfilling day job, directly to a glamorous new life where you’re making tons of money, setting your own hours, and basically living the dream as a professional writer.

3. The sales copy repeatedly emphasizes how one need only spend 20 hours or so a week writing to earn a fulltime income—yet never mentions the many MORE hours freelancers must spend chasing after leads, networking/using social media to promote, preparing bids, trying to collect on jobs already completed and seeing to all the same small business administration tasks as any other small business owner.

In addition, the sales copy fails to mention the fact that freelancers must also get and maintain a professional-quality website, and be prepared to invest time and possibly money in advertising themselves and their “products”. If all of this stuff sounds familar, that’s because it’s all the same stuff authors are supposed to do to sell their books.

The copywriter career path is being sold as an easy, painless alternative to the disappointment and long hours of trying to make it as an author, yet the very same things that can make trying to earn a fulltime living as an author disappointing and exhausting are required of a fulltime, freelance copywriter.

4. While this may not technically fit the criteria to be classified as a pyramid scheme, in one sense, it is: the seller is making her money by getting you to buy her e-pubs and subscribe to her magazine. She must be working as a hugely successful copywriter too—if she weren’t, how could she be in position to advise you, after all—, but it’s a safe bet that a large piece of her income pie chart comes from this particular revenue stream.

The fact that she’s trying to make money by selling something isn’t the problem; it’s that she’s trying to make money by using deceptive advertising techniques that are very much in line with the techniques used to suck people into multi-level marketing scams.

5. The whole thing is being sold to a demographic that was targeted specifically on account of its members’ financial problems. If you want to be cynical, you could say the message of the whole thing boils down to, “Money problems? Give me fifty bucks and I’ll tell you a secret that’ll make you rich overnight!”

It would be more responsible to target people who are already making some headway as freelancers, but need some additional guidance and advice from more experienced and successful freelancers who’ve gone before them. That’s a group of people who already know what’s involved and have already made some level of commitment to a career in freelancing, not a bunch of struggling authors who still hang on to the hope that there’s some magic bullet that can make all this promotion / author platform / day job stuff go away and escort them directly into the ranks of wealthy, fulltime writers.

BOTTOM LINE: How Good Can Your Product Or Service Be If You Have To Trick People Into Buying It?

I don’t begrudge anyone wanting to earn some money in exchange for sharing the knowledge they have to offer. This woman’s e-pubs and magazine may be filled with all kinds of great information that can absolutely help anyone who’s already trying to make a go of a career in freelance copywriting and already appreciates all the challenges he or she is up against.

What bugs me is the bait-and-switch marketing approach. Why not just open with a statement like this:

“We all know it’s the rare author who earns enough from book royalties to live on, but that’s not the only way to make a living as a professional writer. You’d love to quit your ‘day job’ for something that makes better use of your writing skills, but you still have to pay the bills. Have you considered a career as a freelance copywriter?”

I’ll tell you why not: because putting it right out there in the open, right up front, makes it impossible to bend the truth and offer exaggerated claims. The statement above would let the reader know this supposedly “little known career niche” is actually just the same old freelancing that’s been around since the dawn of civilization. Most people know that freelancers who are earning a comfortable living at it only do so by working very hard, that it took a long time for them to start earning a fulltime living at it, and that they’re no less rare than authors who make a comfortable living on their book royalties alone. But the truth won’t sell many $49 “career packages”.

The above statement also makes it possible for the reader who actually IS interested in pursuing a career in freelancing to simply start Googling for all the same “tips” and “secrets” this woman is trying to sell.

Yes, making a fulltime living as an author or writer is a rare and difficult thing. But there is no “secret”, no magic bullet, and no “little known career niche” that will make it any less rare or difficult. Barring a winning lottery ticket or generous inheritance, we all have to work for a living, and the harder we work, the more we stand to gain. As Westley the Farm Boy (and sometime Dread Pirate Roberts) so eloquently put it in The Princess Bride:

Anyone who says otherwise is selling something.

Don’t buy it.

This is a cross-posting from Publetariat founder and Editor in Chief April L. Hamilton’s Indie Author Blog.

Are You Alienating Facebook Friends with Your Political Posts?

This post, by , originally appeared on the Fox 4 News site on 10/11/12, during the lead-up to the election. As political issues such as gun control and the economy continue to dominate the national consciousness, it’s still a very timely piece and one that authors concerned about platform-building should find particularly interesting.

KANSAS CITY, Mo. — (CNN) Steve Reeder says it’s no secret among his Facebook friends: He’s a Republican.

But after he began posting news articles and political cartoons on his page that reflect his support for GOP presidential nominee Mitt Romney, his friend count began falling off. Today, it’s down by several dozen.

“One day, they are there. The next day, they just disappear,” said Reeder, 53, of Roswell, Georgia. “Most (people) don’t say anything to me about it. So I just say ‘good riddance.’”

It’s a story that’s been playing out on Facebook and Twitter with growing frequency among friends, family members, colleagues and acquaintances as an already contentious presidential campaign between Romney and President Barack Obama enters its final, frenzied weeks. Your close friends may share your political views, but that eccentric uncle, former co-worker or high school classmate may not.

Nearly one-fifth of people admit to blocking, unfriending or hiding someone on social media over political postings, according to a recent survey by the Pew Research Center’s Internet & American Life Project. The biggest gripes: The offending person posted too often about politics, disagreed with others’ updates, or bothered mutual friends with partisan political postings.

“In the real world, we navigate these issues all the time. We know not to bring up politics around certain friends or family members. We try to avoid people who are constantly looking for an argument or trying to sell us on their pet ideas,” said Aaron Smith, a Pew research associate.

“Since blocking, unfriending, hiding people is the closest social analogue to those real-world examples, it’s not necessarily surprising to see people taking these steps in the virtual space.”

Muting the rhetoric

It’s the hateful tone of the political conversation that is particularly disturbing to Luis Stevens, who has temporarily muted the Twitter voices of roughly 150 people and blocked more than 400 others until after the November 6 election.

More than one person has threatened to show up on Stevens’ doorstep after he disagreed with them on Twitter. A few more have called him names. And at least one stepped across a political “red line,” endorsing a pundit that Stevens finds offensive.

“This is a pretty mercurial campaign on both sides. People on both sides tend to get heated pretty fast,” said Stevens, 37, of Ruidoso, New Mexico. As a result, he said, “there are way too many people on Twitter who are a little scary.”

Stevens tweets under the pseudonym @pettybooshwah. He doesn’t post pictures of himself, nor does he release details about his whereabouts.

But he’s not shying away from political debate.

“When you don’t follow people with the opposing viewpoint, Facebook and Twitter can become an echo chamber where everybody agrees,” Stevens said.

‘Facebook is not a democracy’
 

Read the rest of the post on Fox 4 News.