Quick Tips for Contests & Giveaways

When authors think about book marketing, they often begin with a groan. It seems like an endless trudge from one social media site to another, trying to spark interest in readers who have hundreds of offers, ads, and other promotions coming at them every day.

That’s not a pretty picture.

But it doesn’t have to be that way, and authors who find ways to stand out from the crowd get a lot more eyeballs on their books than those who sink without a trace.

One of the easiest ways to generate some interest and enthusiasm is by making your promotion more fun, and more rewarding for people who participate.

That’s where contests, giveaways, and freebies can boost your marketing to a whole new level. Let’s take a look at some ways you can use these reader-engagement and promotion tools to gain more attention for your books.

Contests Engage Readers

Like most of these promotions, contests are mostly used around the time authors are launching a new book and trying to get some attention while it’s new.

But you don’t have to be limited to just running contests during your launch. You can also tie them to holidays, special events, and any other time when there’s some link to the subject matter of your book, or just for fun.

And who doesn’t want to win something? What you give away is up to you, but you might be surprised how many people will enter your contest even if the prize is something modest like a $25 Starbucks gift card.

Contests bring traffic to your site, put names on your email list, and help spread your brand.

Tips for using contests: 

  • Choose a prize or prizes for your contest carefully. Most authors want to give away a copy of their book, but you have to ask yourself whether that’s going to motivate people to enter. Consider giving an e-copy of your book to everyone who enters your contest and you might get a head start on your word of mouth marketing by putting your book into the hands of a lot of people over a short period of time.
     
  • Keep the entry time limited, since our attention spans seem to be shrinking all the time. A contest that goes on for a month will likely lose steam.
     
  • The bigger the prize, the more interest and attention your contest will generate. If your budget is very limited, get some other authors together and run the contest jointly, with everyone contributing to the prize and sharing in the excitement on their own blogs. You can amass a lot of books in the same genre from different authors, for instance, for a more impressive prize, or chip in and give away a more expensive gift than you could manage on your own.
     
  • Clearly state the rules and deadlines for the contest when you ask for entries. Make sure your rules and deadlines are simple to understand.
     
  • Entries can take any form you like. For instance, if you want more comments on your blog, make commenting the way people enter. If you want links back to your blog, make the entry a blog post on the entrant’s own site that links to yours.
     
  • Be careful what you ask for. Don’t make posting a review a condition for entering your contest, as e-retailers have to be careful about authors trying to “game” their ranking system. You don’t want to run a contest and end up getting banned or demoted.
     
  • When the contest is over, get those prizes out right away. Follow up to deliver the goods, and make sure you post an article telling everyone who the lucky winner was.

Freebies and Giveaways

Besides being declared the “winner,” the next best thing is to get something for nothing. Giving stuff away is one of the most common marketing techniques, and it’s easy to see why.

If I offer to give you something of value in exchange for a few minutes of your time, or your email address, or for taking a survey, you’ll balance what the cost is against your own perceived value of the “freebie.”

Most authors want to use their book as what they’re giving away but, again, think about whether your new, and therefore mostly unknown book, is really the best thing to motivate people to take part in your promotion.

More on Contests and Giveaways

There’s a whole science to running contests that focuses on social media sites. If you have a good-sized following on Facebook or Twitter, a contest can be a great way to engage with your readers, spread the word about your books, and make a lot of new fans.

For instance, you might run an entire contest on Twitter and gain a lot of new Twitter followers at the same time.

If you decide to use Twitter for your contest, you’ll want to create a unique “hashtag” so people can follow your contest. This is a way to tag tweets so they can be filtered out of the stream of all tweets, and it will allow people following the contest to stay up to date with developments.

On Facebook, the most common request is to ask readers to “like” your fan page in order to enter. That’s a very low barrier and, depending on what the prizes are in your contest, you may want to raise the bar and ask for a comment, a suggestion for topics for your next book, or for results they’ve achieved using your ideas or your program.

These forms of feedback can be very helpful to your other promotions down the road, since you are soliciting testimonials at the same time that you’re running your contest.

The best guides for authors who want to incorporate contests and giveaways into their book promotion is to see what other authors are doing, and to approach it as if you were going to enter the contest yourself. Is it worthwhile? Will the prize motivate you? Is it fun?

Be creative, and use these proven promotional tools in your book launch. Your readers will thank you.

What results have you seen from contests or giveaways? Were you happy with the result? Got any tips for us?

Originally published by CreateSpace in a slightly different form as Promote Your Book with Contests & Giveaways.

 

This is a reprint from Joel Friedlander‘s The Book Designer.

5 Fanbase-Boosting Facebook Secrets

Do you want to know something that makes me feel old?

Facebook has been around for eight years.

I was a sophomore in college back in 2004 when Mark Zuckerberg first launched the social media site that changed the world. Back then, only college students could have profiles on the site — making it easier for us to stalk meet new friends.

Now everyone (including your grandma) is on Facebook and happy to overshare every detail of his/her life.

But with the launch of the new timeline feature and the addition of in-page apps, Facebook has also become an essential, powerful tool for business owners (including us career-minded indie authors) to connect with fans.

 

Best of all? It’s FREE.

If you’re not harnessing the power of Facebook to promote yourself, find new readers and chat with fans, you’re missing out!

There are a MILLION ways to build your fanbase with Facebook fan pages and, to get you started, I’ve nailed down 30 tips you can start using today (15 here and 15 more I’ll tell you about later).

First, a few pointers!

As much time as I’ve spent on Facebook (read: a lot) there are still a lot of terms and such that I stumble over when making changes to my fan page especially.

Just to be sure we’re all clear on the lingo, here’s a quick look at the main components of your Facebook fan page:

Your Facebook fan page is broken up into a few different key sections — the cover photo, profile photo, apps/tabs and your about area (the ad pictured above is just to give you an idea of how big they are and where they appear on the website).

A couple of quick bonus tips on the Facebook basics:

  • Cover Photos: Update yours often (once a month, at least) but don’t ever include your website address in your cover photo (Facebook doesn’t like that, and can ban you for doing it — yikes!)
     
  • Profile Photo: This should always be a picture of you, so that when your updates appear in someone’s news feed they’ll see your smiling face right beside it! You can update it periodically, but it’s not as crucial to update your profile photo as it is your cover photo.
     
  • Bio Area: Make sure you DO list your website address in your about section.
     
  • Apps/Tabs: This the major area where you can get the most out of your Facebook page. Your photos tab always has to go first, but you have 11 other spots to add tabs with custom images, links, contests, etc. (See below for more!)

If you’re unsure about the difference between Facebook fan pages and personal profiles, shoot me an email and I’ll help you out with that one (took me a while to get it straight, too!).

1. Maximize your reach with Agora Pulse

Sign up for a free Agora Pulse trial to find out when most of your fans are online so you can maximize the views of your post (ours is Thursday morning between 7 a.m. and 12:00 p.m.!).

2. Grow your likes with WooBox

Use an app like WooBox to create a custom page with content hidden behind a “fan-gate.” That means it requires someone to be your fan before they can access the content, which then gives them that extra incentive to like your page! You can also choose a “friend-gate” option where someone has to get a certain number of their friends (you choose between 1 and 100) to like your page before they can see your special content.

3. Promote Facebook in your e-mail signature

Add your Facebook page link to your email signature, encouraging anyone you interact with via email to visit your Facebook page!

4. Host a contest on your Facebook page

Run a fan-only contest like a photo competition, trivia, giveaway, etc. with an app like SweptIn or WildFire(Note: Facebook does NOT like users to have contests using only Facebook’s functionality — you MUST use a third party app to run a contest!)

5. Share a video

Upload video directly to Facebook to share with your fans. You could:

  • Answer some frequently asked questions
  • Share insight into how you developed your latest novel
  • Dish about what you’re working on now
  • Read a sample chapter of your book

Also consider sharing a book trailer or other promotional video for your book release!

6. Create an event on Facebook

Create a Facebook event for an appearance, book signing, Q&A or any other upcoming event and share it on your fan page!

7. Direct traffic to your page with a QR Code

Have you ever used your smartphone to scan a QR code? It’s a fun, easy way for people to go straight to your website on their smartphone, and you can get one for free!

Use your code in your paperback, media kit and any other print materials (like flyers and bookmarks) you use to promote your book. You can send people to your Facebook page or straight to your website!

8. Join a Facebook Group

Back in the day it was all about joining groups like “I *heart* Josh Groban” and “I’m addicted to Sims 2,” but now Facebook actually has groups that can help you network. Check out Authors Helping AuthorsAuthors, Agents and Aspiring Writers, and Authors & Writers Co-Op(Note: Those are all open groups that anyone can join, but there are some closed groups which require an invitation to join.)

9. Announce your fan page to your mailing list

Use the power of your mailing list to drive traffic to your Facebook page by promoting it in your next newsletter or e-mail. Don’t just relegate it to the sidebar either — make an announcement, promote Facebook-only content, or advertise a Facebook contest.

10. Take advantage of a captive audience via SMS

Next time you have the attention of a group of fans at a signing event, appearance or speaking engagement, encourage them to pull out their smart phones and text “fan [yourusername]” or “like [yourusername]” (without the quotes, obviously) to 32665. This will automatically make them like your page – abracadabra!

11. Use your Facebok link to leave blog comments

When you’re commenting on another blog, instead of using your website link in the URL space, why not leave your Facebook fan page URL instead? Other commenters will be able to connect with you immediately via Facebook, instead of going to your website where they might have to search for a way to contact you!

12. Install a “Like” Button for your posts

WordPress has several plug-ins (like this one or Digg Digg, which we use) that will let your readers “like” a specific post directly from your website. Using a feature like this (to cut out the extra step of your fans going to Facebook to share your post) is a win-win!

13. Connect your Facebook fan page to Twitter

Cross-promotion between your social media networks is a must! WooBox has a free app you can use to add your Twitter account to your Facebook page. It brings your Twitter profile and latest tweets right into Facebook, so fans can easily check for updates, follow you and see your newest activity without leaving Facebook.

14. Connect your Facebook fan page to Pinterest

Ditto the above for Pinterest — this is an awesome way to showcase your boards on your Facebook fan page and again, WooBox has a free app to make that happen.

15. Connect your Facebook fan page to GoodReads

Do you see a pattern? This one is little different than Twitter and Pinterest, however. GoodReads has its own app you can add to your personal profile to share your latest activity on that social network, but I wasn’t able to find one specifically for fan pages. BUT, you can use WooBox’s regular HTML page and drop in the link for your GoodReads account. We’ll even help you out with this GoodReads tab image that you can download and use for the custom image!

But wait…there’s more!

We have 15 more tips for using Facebook, but we hid them — guess where?

On our Facebook page, of course!

Do us a favor and go like our Facebook page (if you haven’t already) and you’ll see the full list of 30 Facebook tips for authors!

Have you had success with other Facebook fan page add-ons, tips or tricks?

Share with the class, please!

Facebook is developing so quickly that it’s hard to keep up with everything that goes on there! If you have some ideas or insight into other apps, strategies or tools for getting the most out of your Facebook fan page, share them in the comments.

 

This is a reprint from Duolit.

To Write Horror, You Must Be Horrified

This post, by Matt Moore, originally appeared on Matt Moore Writes.

If you write horror, you know that sometimes it can be fun. The set-up, misdirection, the monsters and mayhem, blood and gore. There is fun in horror writing and readers often share in that fun.

But the question to ask is: Do you want readers to have fun?

 

Think about the over-the-top slapstick gore of Evil Dead II, the self-referential nature of theScream series or the unintentional hilarity of the Friday the 13th films. (And I am going to use films because they are more well-known.) Is that what you’re trying to write? Maybe you just want to tell a story about blood and guts to make the reader feel queasy.

Or are you trying to horrify the reader? Think The Exorcist or American Psycho. Stories that make us squirm. True horror stories are those that leave a lasting impression of something being just plain wrong.

So how do you write horror?

Horror is a Moral Genre

At its heart, a good horror story challenges our morality. (And don’t worry, I’m not going to ride a morality high horse here. Neither does Rev. Jonathan Weyer in his blog post, which I highly recommend.) It’s not the blood and guts that horrify us, it’s that our sense of right and wrong is thrown off balance.

 

What makes Psycho unsettling is not (just) the spooky house, insane mother and mad-slasher elements. It’s matricide, suggestions of incest and the mother being so hung up on her son getting laid she’ll kill to prevent it.

In other words: sex. Considering when Psycho was released, it was shocking material.

But the motivation of the killer in Psycho can be explained. What drives:

  • Hannibal Lecter in Silence of the Lambs (let’s assume the subsequent books/movies never happened)
     
  • The Joker in The Dark Knight


  • The demon in The Exorcist


  • The xenomorphs in Alien and Aliens

 

 

Read the rest of the post on Matt Moore Writes.

Pricing Your Novel

This post, by Robert Kroese, originally appeared on the New Wave Authors blog on 10/3/12.

 

When you self-publish your first novel, I recommend pricing the e-book very low. Currently $0.99 is the lowest price Amazon will allow for a Kindle book, and I think this is a good starting price. Smashwords allows free downloads, but I think most authors are better off not giving away their books (except as a limited time promotion). Even if you get a lot of downloads, it’s hard to know how that’s going to translate into actual sales if you start charging later on. 

Free-book-downloaders are a whole different market segment than book-buyers. People who seek out free books are likely to continue doing that, whereas someone who pays $0.99 for your book and loves it probably won’t blink at the idea of spending $2.99 or even $4.99 or more for your next book.

At $0.99, you’ll make next to nothing per book, but you’ll have a good chance at catching the interest of a lot of potential fans. If you just can’t stomach pricing your baby that low, you can try setting the price a little higher. Currently, $2.99 is the minimum price that qualifies for Amazon’s 70% royalty option (at $0.99, you’ll make only 30%, less delivery costs), so you’ll make significantly more per copy at that price. $2.99 is still low enough that people will be willing to take a chance on an unknown author, but I wouldn’t go any higher than that.

I’ve heard many writers argue that they shouldn’t be expected to work for free; that their book is worth more than $0.99; that if authors keep giving away their work, it will depress prices overall, making it impossible to make a living as a writer; etc. I urge you to drop all these idealistic delusions right now. Besides being misguided, these sorts of notions are NOT helpful when it comes to trying to sell books. You can’t afford to be a snob or an idealist if you expect to make it as a writer. Before you draw a line in the sand, ask yourself whether you’re going to be content with your principles and less than a hundred sales.

Reality check: no matter how good your book is, or how long you worked on it, your book is worth what someone will pay for it. There is no minimum wage for authors or other artists (just ask Van Gogh, who sold exactly one painting while he was alive). Furthermore, it isn’t your job to worry about shaping the future of the publishing industry. The publishing industry is going to roll on, in one form or another, with or without you. It isn’t waiting breathless to find out whether you’re going to price your book at $2.99 or $4.99.

 

 

Read the rest of the post on the New Wave Authors blog.

A Line In The Sand

This post, by Peg Brantley, originally appeared on the Crime Fiction Collective blog and is reprinted here in its entirety with that site’s permission.

 

If you draw a line in the sand—over which you affirm you will not cross—where do you redraw it when a wave washes it away? Or when a jogger comes along and tramples it? Do you draw it in the same place or move it somewhere out of the way?

 

 

Integrity only means something when you stand strong. It’s mist in the wind if you adjust your values because they become inconvenient. Keeping your integrity might mean you have to lose a few quick sales, or build your career a little slower than you’d like.

Here’s what I’ve seen with many authors recently—traditional or indie:

A lot has been made lately about phony or paid reviews. Most of us were righteously indignant, and deservedly so. Some people unfortunately, simply wish they’d thought of it first. But that’s only one piece of the game.

What about biographies? Is your biography dead-on, or have you played with reality a bit? I’ve heard it referred to as "permissive puffery" which to me is just another way of moving that line in the sand. Did you really make your living as a journalist or is the truth that your local hometown paper published two letters you wrote to the editor? Or that you were a star for your school newspaper?

How about calling yourself an award winning author because you came in second place in some obscure writing contest? (I have a framed certificate on my wall. Does that count?) I remember when I won that award, a friend told me I could now refer to myself as an award winning author. I think she meant it tongue-in-cheek, but it did make me wonder.

Then there’s calling yourself a bestselling author because your book hit the top 100 of a free list, narrowed down by three or four categories? Are you serious? The NYT’s Bestseller list has a few ethical issues of its own—don’t compound it by adding yours.

Or review trading—explicit or implied. This was kind of a new one for me. No one actually came out and said "I’ll give you a great review if you give me a great review", but the timing of their review and suddenly receiving their book made it hard not to hear those words. And when I wasn’t crazy about their book? I sort of felt like I should somehow move to have their review taken down. It felt fake and sleazy.

To be perfectly honest, I asked a few readers who had given my first book a positive review to take a look at The Missings early in order to give it a nice bump at its launch. But I also spread that request out to others who may or may not have ever read my first book. One of my first 5-star reviews is from such a reader. Dishonest? Unethical? Lacking in integrity? I don’t think those were any different than publishers sending out ARCs to try and get that same bump.

Writers, what about you? Have you seen things that made you shake your head? Were you ever tempted?

Readers, especially readers… have you begun to see through some of this stuff? Does it make you doubt everything?

Peg Brantley was never a journalist or a screenwriter or a sought after speaker. Although Amazon might say she has some bestselling books, she’s still trying to reach that mark. Yes, she did receive second place in a writing contest once and even an honorable mention in another… but award winning? Net yet. RED TIDE rose as high as number two one time when she happened to look at the list. That was a kick. It didn’t last.

 

 

Should Authors Blog Or Not?

This post, by Misti Wolanski, originally appeared on her Another Author’s 2 Pence blog on 5/3/12.

Should the modern-day author blog or not?

Though that seems like a straightforward question, it really isn’t. Some say authors should be on every social media site possible, pimping their book out for sales—and, to be fair, trade-published authors often do have a limited amount of time to make the majority of their sales. Some say authors should just spend their time writing the next book, not worrying about marketing. 

And some of us just shrug, pick a few social media techniques we enjoy, and work on our next stories. *twiddles thumbs*

That said, I’ve kept an eye on online media and publishing information and all that jazz for… well, at least 7 years. I’ve seen very few folks (other than John Locke in his much-debated How I Sold 1 Million Ebooks in 5 Months) say that blogging nets them a worthwhile number of sales for the time spent.

Even if I speak as a blog reader or commenter, I haven’t actually bought many books by folks whose blogs I’ve read. I could count on my fingers the folks for whom appreciation for their blog (or helpful online presence) led to me buying books I wouldn’t have otherwise. I’d need more than one hand, granted, but we’re talking over 7 years’ time, here.

So, since I know it’s usually ineffective marketing, why do I blog?

Short answer: I enjoy it.

Long answer: I have a big mouth and like having a place where I can share what I know (or think) and folks can listen (or not) as they prefer. I’m the type of person who will be shopping for a cupcake, hear the person behind me cough, and offer them a horehound candy, after checking if they’re allergic to corn, fish, or mint.

(Horehound candies make fantastic cough drops, by the way, and they don’t close your throat up like menthol. And genetically modified corn has a fish gene in it, so corn and corn syrup can trigger some folks’ fish allergies.)

Back on topic…

Should an author blog?

Before I answer this question, I have a definition to share, as well as a small confession.

copy: writing that seeks to trigger a particular action in the target reader

(That’s why ad text is called ad copy.)

Blurbs are copy. Queries are copy. Blog posts meant to trigger a comment or a sale are copy.

And that is the difference between a blog that successfully leads to sales and one that… doesn’t. Its copy.

Some blogs are all information, no copy. Some have little (or downright bad) copy. In fact, my guess is that most blogs neglect to actually encourage their readership to take the action that the blog owner wants them to take.

 

 

Read the rest of the post on Another Author’s 2 Pence.

My Response To "That" Sue Grafton Quote, And Self-Pub Philosophy In General.

This post, by A.J. Pearson-VanderBroek, originally appeared on Apology to John Keats on 8/28/12.

So, I’m a little late on this topic, but I feel it’s time that I sat down and assembled my philosophy of self-publishing in wordage. And the topic/quote is a springboard for just that.

So, bestselling author Sue Grafton made a lot of independent and self-published authors angry when she basically called self-publishers lazy wannabes. I originally saw the quote in this Forbes article by David Vinjamuri, and soon after on writer’s blogs. Grafton has since issued some damage control and explanations about her quote, but the embers still burn.

 

Here is the quote, I found here:

"The hard work is taking the rejection, learning the lessons, and mastering the craft over a period of time. I see way too many writers who complete one novel and start looking for the fame and fortune they’re sure they’re entitled to. To me, it seems disrespectful…that a ‘wannabe’ assumes it’s all so easy s/he can put out a ‘published novel’ without bothering to read, study, or do the research. Learning to construct a narrative and create character, learning to balance pace, description, exposition, and dialogue takes a long time. This is not an quick do-it-yourself home project. Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall."

So, here we go. 

Honestly, getting mad about "wannabe" writers is the third in the Big Three, as I like to call them, of Things Every New Writer Thinks. One is needing to put a © symbol on everything they submit/don’t submit for fear of having their work stolen. Two is honestly believing that their book’s themes are universal themes, so everyone will want to read it. Third, I reiterate, "Omg, I bleed ink better/harder/longer that that guy. I’m mad now." (And I’m speaking from experience as well as observation.)

I ran into the same thing in college. I was a lit major, and I took lit classes. I had peers who never read the books assigned. (That’s all lit classes are. Reading books. And they didn’t. Why. No idea.) Or the scope of their literary criticism/critical thinking was, "Yeah, I didn’t really like that book. That wasn’t a good book." Well, guess what. I loathed "Cry, the Beloved Country" but that thing is underlined and noted on every other page, and I learned a lot from reading it. At the end of the day, it didn’t really matter that they just read Sparknotes and got C’s or B’s, when I stayed up every night reading 300 pages and got A’s. We graduated with the same degree. And since it doesn’t really matter if you can list Dante’s circles of hell when applying for jobs in telecommunications or customer service, I guess everyone wins. (I mentioned writing literary criticism as a hobby at my interview for the grocery store. Express cashier, baby.)

But it’s everywhere. In every job I’ve had, in every hobby I’ve seen, there are people standing around lamenting over the wannabes. Fearing they may be thought of as a wannabe. Pointing the finger at the wannabe, haha, wannabe! But let’s not dwell on the wannabes. Wannabe’s gonna wan..na.

The main point that has ruffled so many feathers is "Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts." Like many of the angered self-pubbers out there, I do not see self-publishing as a shortcut. I have spent hours (Blood! Tears!) teaching myself formatting. I have honed my skills as an editor, because, honestly, good editors are very hard to find. I’ve read graphic design and art books to learn about cover design and have actively been trying to sharpen my skills in photography. Not to mention that I spend hours in between my three jobs reading fiction, non-fiction, blogs and articles. I take notebooks with me everywhere I go. I write on napkins, in texts, on my breaks, late at night. And many self-publishers do that. They work diligently to polish their product and get better at their craft. But it doesn’t matter to anyone else that I’m sitting at my patio feverishly trying to get a page written before I have to go to work. No one’s life is changed by me staying up too late again to write this blog post. We’re all doing our own thing, to cope, to live, to survive, to escape, to whatever. And we get great books out of it all, that we all enjoy and share. We also get bad books. 

 

Read the rest of the post on Apology to John Keats.

Author Tweets

Rant Warning: This is an opinionated rant. You are entitled to your own opinion, of course, and may disagree with what I’ve posted here; but the chances are that if you do, you’re probably part of the problem.

I enjoy the back and forth that comes from collaboration and discussion. I suppose at some very elemental level, it’s this pleasure which provokes me to write; hanging up my ideas for all to react to. It’s an invitation to absolutely guaranteed rejection – at least half the time. OK. Most of the time. My wife worries about the psychic damage that may occur.

I try to reassure her that I see it as an academic thing, not personal. So the discourse goes on. There is one area of discussion that seems to provoke rapid, decisive behavior on my part. Author tweets.

I am always glad to receive that happy little email that I have a new follow from someone. I always like to read the profile linked to the notice, and from the description, figure out what they thought about my online presence and writing might be entertaining or useful. But many times, among their pastimes, or career choices, I see the dreaded words. Editor. Writer or, even worse… Author.

I’m not a self-hating writer. Woody Allen’s theory of club membership comes to mind, but I don’t subscribe. I understand how hard it is in this spin-meister controlled world, for an author to get the word out about their work. It takes a huge commitment of time and energy and the willingness to risk behaving foolishly in newly discovered venues. I’ve done it myself. But, there is one thing that really rankles me in the sphere of writer self-promotion. Author Tweets.

Now, while Mutual Tagging and Review and Freebie parties are annoying enough – the whole perpetual motion machine thing – they are still something that one has to stumble into. No, they aren’t as insidious and aggressive as logging into your Twitter account to find twelve consecutive tweets from a writer, methodically blaring out excerpts from his work, or ethereal questions about its impact upon the Olympian Heights.

Twitter, I believe is a very, very useful tool. I think it can be a really great way to create a dialog between a vendor and their customers and between an author and their readers. The marketing validity has already been proven. But this ceaseless beating of the old, tin drum – is it really necessary? I wish more authors would take a moment to consider the impact of their side-show act upon the midway regulars. If we’re there doing the same ourselves, the chances are we know where you hid the card. It’s not a fresh idea with us. Plus, you’re giving your hand away. You’re tipping it over every time your tweet has anything resembling “my book” in it. I see that too often and I walk away, or more accurately, I UNFOLLOW.

I really believe that it is possible to actually share things that are useful, or that communicate one’s own opinions effectively without a big sloppy “See what I did!” tagged onto the end. Readers are intelligent, resourceful people. They read. They can make judgment calls when it comes to deciding whether they find an author’s words worth paying for, or spending the time to read them. If they find something useful in what is written, they’ll decide to pursue it. Otherwise, no amount of repetition (I know repetition is considered a key element of success, but who made up those rules anyway?) or public flagellation will force their hands.

So, rather than spend our time finding clever ways to game the system more than it already is, why not actually try to tweet out something useful, something heart-felt, something of value? Your book probably (I’m going out on a limb, here…) has some really moving themes, or useful information, or common ground or thoughtful discussion in its pages. It’s the “why” that answers the question: why would anyone read this? If you can keep that in mind, and build up awareness of the useful material or awareness of the questions your work poses, without just hanging out your shingle or a bigger, brighter, shinier shingle, you will have succeeded while all around you others will be flailing around. Beating each other over the head with their newest book covers or scintillating reviews. You’ll keep my follow and I might even read your book!

Added thought: Not to say I don’t want to know when you release a new book, but I only need to hear the news occasionally, or it’s really no longer news, right? 

 

This is a reprint from Richard Sutton’s Saille Tales blog.

31 Ways to Find Inspiration for Your Writing

This post, by Leo Babauta, originally appeared on Write to Done.

“You can’t wait for inspiration. You have to go after it with a club.” – Jack London

No matter how much you love writing, there will always be days when you need inspiration from one muse or another.

In fact, I would argue that inspiration is not just a desirable thing, it’s an integral part of the writing process.

Every writer needs inspiration to produce inspired writing. And sometimes, it can come from the unlikeliest sources.

I’ve compiled a list of some of my favorite ways of finding inspiration — some of them obvious, some of them less so. But it’s always good to have reminders, and if you haven’t used a few of these sources of inspiration in awhile (or ever), give them a go.

  1. Blogs. This is one of my favorites, of course. Aside from this blog, there are dozens of great blogs on writing and every topic under the sun. I like to read about what works for others — it inspires me to action!
     
  2. Books. Maybe my favorite overall. I read writers I love (read about my current loves) and then I steal from them, analyze their writing, get inspired by their greatness. Fiction is my favorite, but I’ll devour anything. If you normally read just a couple of your favorite authors, try branching out into something different. You just might find new inspiration.
     
  3. Overheard dialog. If I’m anywhere public, whether it be at a park or a mall or my workplace, sometimes I’ll eavesdrop on people. Not in a gross way or anything, but I’ll just keep quiet, and listen. I love hearing other people have conversations. Sometimes it doesn’t happen on purpose — you can’t help but overhear people sometimes. If you happen to overhear a snippet of interesting dialog, jot it down in your writing journal as soon as possible. It can serve as a model or inspiration for later writing.
     
  4. Magazines. Good magazines aren’t always filled with great writing, but you can usually find one good piece of either fiction or non-fiction. Good for its writing style, its voice, its rhythm and ability to pull you along to the end. These pieces inspire me. And bad magazines, while perhaps not the best models for writing, can still be inspirations for ideas for good blog posts. These magazines, as they don’t draw readers with great writing, find interesting story angles to attract an audience.
     
  5. Movies. Sometimes, while watching a movie, a character will say something so interesting that I’ll say, “That would make a great blog post!” or “I have to write that in my writing journal!” Sometimes screenwriters can write beautiful dialog. Other times I get inspired by the incredible camera work, the way that a face is framed by the camera, the beauty of the landscape captured on film.
     
  6. Forums. When people write on forums, they rarely do so for style or beauty (there are exceptions, of course, but they’re rare). Forumers are writing to convey information and ideas. Still, those ideas can be beautiful and inspiring in and of themselves. They can inspire more ideas in you. I’m not saying you have to read a wide array of forums every day, but if you’re looking for information, trawling some good forums isn’t a bad idea.
     
  7. Art. For the writer aspiring to greater heights, there is no better inspiration that great art, in my experience. While it doesn’t compare to the experience of seeing the art in person, I like to find inspiring works of art and put it on my computer desktop for contemplation (Michelangelo’s Pieta is there right now). It doesn’t have to be classical works, though — I’ve found inspiration in Japanese anime, in stuff I’ve found on deviantart.com, in local artists in my area.
     
  8. Music. Along the same lines, it can be inspiring to download and play great music, from Mozart to Beethoven to the Beatles to Radiohead. Play it in the background as you write, and allow it to lift you up and move you.
     
  9. Friends. Conversations with my friends, in real life, on the phone or via IM, have inspired some of my best posts. They stir up my ideas, contribute ideas of their own, and they fuse into something even more brilliant than either of us could have created.
     
  10. Writing groups. Whether online or in your community, writing groups are great ways to get energy and motivation for your writing. My best short stories were done in a writing group in my local college (a great place to look for such groups, btw), as we read out our work to the group, critiqued them and made suggestions. The work of the other writers inspired me to do better.

 

 

Read the rest of the post, which includes 21 more sources for inspiration, on Write to Done. 

eBook Marketing: How Do You Target Your Reading Audience?

This post, by James Moushon, originally appeared on The Self-Publishing Review on 9/28/12.

 

One of the first questions a new indie author must ask is what audience will buy my book? The second question is how will I market to this audience? Both questions should be asked way before you get to the publishing stage of your book.

In the old days, there was a very standard set of rules and procedures. If you were fortunate enough to get picked up by a publisher, you got the finished product to the editors and off your book went into the market place.

On the other side, if you had to do the publishing yourself that added a lot of extra action points to get your book to the reader and getting your book into bookstores was a major component in determining whether your book was a success or not.

Well the whole process has turned upside down. Now the marketing targets are all different and the bookstore is no longer the primary focus in marketing your book. It is a turkey shoot, as they say.

Marketing using social media and the Internet are becoming the top choices for marketing for self-publishing authors.

The author must determine their audience, what they read and where to find them all online.

Knowing your audience will be the key in how you approach the marketing of your book.

Multiple Reader Audiences

The first thing you must realize is that there are multiple audiences to address and each will require a different approach. I view audiences in three distinct groups, all separated by experience with online media.

1.      Mature (55+)
Most of this group is new to electronics. Ebook readers and tablets are all new to them. They are accustomed to paper reading. Some have adapted but still fall back to paper. They look for the Deal of the Day or a low priced ebook. Their first selection maybe by genre or an author they like. They have no real online community involvement. Reaching them will take a more direct approach.

2.      Working/Family Group (30-55) 
These are readers that are established adults. They grew up reading traditional books but they are more computer-savvy than the mature group. They have adapted to ebooks because of the time and convenience factor. An online approach could work with this group but they will seek advice from more than online sources.

3.      Mobile, On-the-Move Youth 
They make quicker decisions. They can’t go anywhere and do anything without their cell phone or their iPad or some electronic device at the ready. They would rely almost entirely on online communications to make their buying decision.

They won’t read a book on their iPad but they may use the ebook for an information source. You see this in the resistance to accept e-textbooks. About 60% of this group does all their communication via cell phones exclusively.

In contrast, only 25% of the mature group use cell phones exclusively (No landline phone). (34% overall)

It’s like being in the right place at the right time to be successful. In this case, you need to be in the right genre and target the right audience.

Shooting at the wrong target

 

 

Read the rest of the post on The Self-Publishing Review.

Professional Distance and Protecting the Reader Experience

I think one of the things I’ve tried to express (often unwell) is that blogs, twitter, facebook, goodreads, etc. have started to cause problems for the author/reader relationship. Before the Internet, there was distance. I think probably on both sides (authors and readers) we didn’t realize the value of that distance until we stopped having it.

Ideally I should read a book and have my own private experience with that book. If I want to talk to some friends about it, that’s totally normal. But traditionally the author and the reader have stayed in their separate corners. (Aside from things like fan mail, but you know what I’m saying… I hope.) Books are magic. Nothing kills magic faster than TMI.

Unfortunately… most authors do NOT get special training in this. We do trial and error until we figure it out. Some authors are able to maintain a sort of social closeness with their readers with no problem because they are never controversial or highly opinionated. (Though how that is possible for a writer, I have no idea. We write because we feel COMPELLED to write. There are some pretty strong emotions fueling that IMO.) It’s not natural for me to not have strong opinions. So, in truth, I’d rather keep a professional distance than be inauthentic. It’s also too much energy to be inauthentic but too much drama and cost to be authentic. At least with strangers on the Internet. Friends both IRL and online are a different matter.

For a long time I’ve largely avoided following anybody whose fiction I read mainly because I want to be able to read and enjoy their fiction untainted by their personal views about anything. I come to them for a story. I don’t care about their politics or their religion or their hobbies or any opinion they have about anything really. I know that sounds mean but I don’t mean it that way. (And by the same token, probably no reader of my fiction cares about my thoughts/views on any of that.)

Our culture has a fascination with celebrity and TMI. So we break down all these sane barriers and instead of just wanting a book, we want a book and to know what our favorite author’s favorite color is. Even while holding this opinion I’ve still been the author who overshares. I don’t know why.

Now I feel like it’s my responsibility to protect the reader experience by not ranting and raving about every subject under the sun because I want a reader to be able to read my work untainted by something they may disagree with me on that has nothing to do with my fiction. Or… who may not like my “tone”. Personality clashes are real. Why should it harm someone’s experience of fiction?

I’ve always been better about this on my other pen name. It’s easier to start out with the right habits or break bad habits early on than it is to live in a pattern for several years and then try to break it. Nevertheless I HAVE succeeded for over a year at not running around to other people’s blogs and commenting/getting into debates. I do lurk on a lot of blogs, but I never comment anymore. If I can do that, I can do this. I think it’s important, because at the end of the day it doesn’t matter if you agree or disagree with my opinions on anything. What matters is the fiction. I want you to be able to read it without ambivalence because one time I stepped on a hot button topic of yours.

I feel I owe the reader a good story, but I also owe the reader the space to be able to read that story without extra crap layered on top of the experience. In the past I believed that if I didn’t “go to them” and bother them in their own spaces that that was enough. But we all have natural curiosity, so people are going to come to my blog or my twitter or my facebook. When they do, it’s still my job to not do anything to interfere with their experience of story.

Zoe Winters is a business and a brand. It’s not “me”. Projecting too much of me into it can only be bad for everyone.

This is a reprint from The Weblog of Zoe Winters.

Lessons Learned From 1 Year As A Fulltime Author Entrepreneur

It’s just over a year since I gave up my job as an IT contractor and became a full-time author-entrepreneur. I initially gave myself six months to meet some specific financial targets and after making those, I didn’t return to the day job.

I am seriously happy in my new life, but there have been some real challenges and lessons I’ve learned along the way that I wanted to share, as well as some action points if you’re considering making a similar move.

  

Joanna Penn making videos

Joanna Penn making videos at the British Museum, London – just part of the job!

As ever, I just try to share honestly with you guys so I hope this helps you on your journey. I’d love to hear from you so please leave a comment at the end of the post with your thoughts and ideas.

How do I currently make a living as an author-entrepreneur?

I’m not going to share figures but suffice to say, I earn around the average wage for a UK female. It’s a good start for Year 1 of business, but it is a lot less than I am used to earning, so I have some aggressive goals for Year 2. Here’s the rough percentage split of my income.

 

revenue splt 201250% Ebook sales and 95% of this is fiction, skewed towards the second half of the year when Prophecy came out and I had 2 books at $2.99. Ideally I want to be at 80% book sales for my income, so clearly writing more books is the main goal.

 

25% Speaking. I do full day and half day courses where I teach digital publishing and marketing as well as online entrepreneurial skills. I’ve also done multi-day events as the main speaker and I’ve spoken in Australia, Bali and London – and next month, in Zurich, Switzerland. Yes, I’m available for hire!

 

25% Courses and Consulting. From this site, I sell multi-media courses on writing, publishing and book marketing, and I also offer 1:1 consulting sessions for more targeted help.

So you can see why I describe myself as an author-entrepreneur. I could not have given up the day job based on my fiction sales alone, but with an established platform (3 years blogging, podcasting & social networking) I was able to make the jump. I share a lot more about the challenges of being an entrepreneur in my non-fiction book, How to love your job or find a new one, which is focused on career change.

Lesson 1: It’s much easier to have a day job

I have to say up-front that it was easier to work for a company than it is to work full-time for myself. I was a contractor so I worked for a daily rate but I had a steady employer for years so there was little risk.

meditateThis may be the dirty little secret of being an author and an online entrepreneur!

Because the money was better, the social life was pretty fun and I was well regarded in my field. Back in Jan 2011, I wrote about the mixed blessings of the day job and how it meant I didn’t have to worry about cashflow and I still stand by those words.

However, I have wanted to change my career for over 10 years because of a nagging sense inside that what I did was pointless and didn’t benefit the world, let alone satisfying my creative soul. I am also aware that it takes the average company 3-5 years to make a profit, and I am in this for the long term.

I just wanted to be clear that this is not an easy option and I still have some wobbly days where I look at the contract market and think about what could be. Then I remember the stress headaches, the anger and the frustration and I smile and recommit to this path. On my wall is this quote from Steven Pressfield’s ‘The War of Art

“On the field of the self stands a knight and a dragon. You are the knight. Resistance is the dragon. The battle must be fought anew every day.”

Action Point 1: Understand the why behind what you are doing. Weigh up the pros and cons of leaving the day job and write them down. Do a lot of research about your chosen path and get educated.

Action Point 2: Save at least 6 months income, preferably a year. Do a financial plan for the first 3 years and aim to hit specific targets every month. Both of these were important for convincing my husband that this could be a good idea, and that over time, with more books, my income should grow.

If you want to know more about the money side of being a professional writer, check out Secrets of a Pro Writer with me and NY Times bestselling author CJ Lyons who seriously knows what she’s talking about in terms of making a very successful living at this.

Lesson 2: Defining your own life is a huge adjustment

I was amazed how the change affected me emotionally, and I have renewed appreciation for people who are retiring after a life of work, or women putting their careers on hold for children. When you give up a structured job, the routine you have lived your life around is suddenly broken and you have emotional adjustments as well as the practical aspects that go along with this.

My self-esteem plummeted.

I went from a high status, highly paid  job where I was near the top of my field after 13 years as a financials IT contractor to being the bottom of the ladder in an entirely new career. Yes, I had spent over 3 years building an audience online but that doesn’t mean much to family and friends. It also doesn’t pay the bills.

ipad setup at the London Library

How I write at the London Library

I also found it hard at first to sort out a working routine that produced enough material and focused on writing first, then marketing as well as creating new products. This took me ages to get sorted but I am pretty happy with how I’m working now. I rarely have a full day off though, but that’s normal for new businesses and this is my passion as well as my job!

 Action Point 1: Treat it like a job and set some daily routines. I diarize days when I work on fiction and others that I work on courses, consulting, blogging etc. I set deadlines for producing specific pieces of work. I have a routine around my email, twitter etc. I make sure that I have new income streams coming in at regular intervals, whether it’s a book, a new course or a speaking appearance. The little trickles of income will expand over time but only if there is more product :)

Action Point 2: Find somewhere to work that is not your home. I find that getting out of the house and doing a form of commute into the city really helps me as I can separate from the house, leave the chores and be productive. I also get the benefit of a commute, so I can feel part of the city vibe, I can buy myself a coffee or meet writer friends. I am a paid member of the London Library which is excellent and I try to spend 1-3 days a week there in order to write in a different environment.

Lesson 3: You need support through a physical network

I love my online friends and I could not have made this change without all of you who I have never met in person. But when you have a job that is basically all virtual, you can get quite lonely so you need physical support.

My husband is my primary #1 fan/support along with my Mum but I also have a network of writer and entrepreneur friends that I meet in London for coffee and brainstorming around our challenges. It’s a like a pro-author-entrepreneur-circle.

coffee cupI met most of these people originally online or at networking events and cultivated friendships in the real world as I moved back to London in June 2011 after 11 years in New Zealand and Australia.

I make sure I schedule coffee/lunch at least once a week in order to break up the time spent writing and being virtual. I also go to various networking meetings to expand my circle of friends. This is crucial to my sanity!

Action Point: Make an effort to go to networking events, writing groups and conventions where you can meet people physically and build a network of like-minded supportive people. Actively aim to meet people who are going places in their career.

Lesson 4: It’s absolutely worth it!

I love my new life, now I have settled into it and I can see how things will (hopefully) change in the coming years. I know from past experiences that the beginning time is often the hardest and that every year things will be different but my skills will grow and so will my number of books & products and so will my audience. When I started this site, I had nothing and a lot has changed in the last 4 years so making a start is critical.

hourglassMost of the authors making the big money have been doing this for many years, and most indies making $5000 – $10,000 a month have at least 5 books. Success in any field takes some time to achieve, as does learning the craft and the business of writing. So don’t expect to make it with novel #1, but keep at it.

On the entrepreneurial side, the mega blogs making a lot of money from online products generally started on the internet back when blogging didn’t exist and when geeks were not cool. Nowadays they rule the (online) world :) but it has taken many of them a lot of years to make it. I particular like this video by Chris Brogan, who is an A list blogger, speaker and business author (it’s at the bottom of the post). Overnight success gets up at 5am after getting to bed at midnight. Overnight success doesn’t watch a lot of TV. Overnight success is gained inch by inch when no one is watching.

Action Point 1: Look at the writing careers of people you admire and see how hard it was for them at the start as well. Read Stephen King’s On Writing – he was working nights in a laundry when he finally sold Carrie after trying for many years. It’s not easy to make this change so go easy on yourself at the beginning.

Action Point 2: Keep writing, keep producing, keep learning – and do it for the rest of your life :)

My plans for Author-Entrepreneur Year 2

Often, life doesn’t quite turn out the way we plan it, but it’s certain that nothing happens unless you have some written goals! I also believe in stretch goals and not aiming too low.

So, in Year 2:

  • I want to move into the hybrid model of publishing – with my agent helping me to get a traditional book deal for my thrillers. I will also continue to self-publish but possibly under a different brand and do some work for hire to pay the bills. This will bring in income monthly from Amazon sales but also in spikes from traditional book deals.
  • I want to double my income and move my % split to be 60% fiction, with 20% digital courses and 20% speaking & consulting. My aim is to be at 80% scalable income, which means you create once and sell multiple times. So books are scalable as are online products but speaking and consulting actually take time every time you do them so they are not scalable. But I enjoy them so I do want them as part of the business – I don’t think I ever want to be 100% author only because I love the business/entrepreneurial side of things and I love helping people.

OK, that’s a bit of a mammoth post but this is my life nowadays and I do think sharing the journey with you honestly is important. I always want to save you time, heartache and money so lessons learned are critical!

What do you think? Any questions or lessons you have learned?

Please do leave your comments [section of the original post] as I’m really keen to hear what you think about this.

Images: my own, iStockphoto and Big Stock Coffee Cup 

 

 

This is a reprint from Joanna Penn‘s The Creative Penn.

Twitter – How to Use It Effectively

This post, by Gwen Fitzgerald, originally appeared on Publishing Geek.

I recently published an article for Red Sofa Literary, the agency where I intern. I’m pretty proud of the information, so I’m including it here:

Every author wants to put him/herself out there, and it’s important to build an online base. But it’s hard to get noticed on a website crowded with people doing the same thing. Twitter is a powerful tool that allows one to give updates consistently, meaning that connections are made and maintained.

For an author, this makes it easier to build a platform while writing a book.  In the long run, this effort and attention will help with promotion and networking. Yes, it can be intimidating and confusing to begin building a Twitter “empire.” The end result is a marketable writing presence before finishing one’s book.

 

1. Work Your Profile:

Fill out your bio with interesting information. Make it just a few lines long, but include your genre, your book’s title (or working title,) your passions, and profession. Including this information allows other Twitterers to find and add you.

Link your Facebook and website.  It’s quite normal for people to not use their real names on Twitter, so your Facebook friends might not think to look for you unless this link is established.

Use a relevant photo. Even if you don’t put in a self-portrait, it’s better to put in something that will catch your followers’ eyes. Use your book cover, or find some interesting focus of your writing a la vintage Penguin covers. It can seem tempting to use a photo of your dog in a Santa suit, but when people are browsing their home page, the picture is the main thing drawing their eye. The photo only adds to the recognition.

 

2.  Follow the Right People:

The best way to get followers is to follow people who will follow you back. While they’re interesting to read, celebrities probably won’t return the favor. Instead, imagine you’re at a networking event, and think about who you’d interact with. Try adding local writing clubs and bookstores; then look through their followers and find other writers, readers, agents, editors or publishers to follow (and interact with them).

If you’re writing non-fiction, find people who are experts in your subject, as well as people who share the same interest. You can find them by searching via hashtags and profiles. At that level, most people will follow you back. Twitter is a better use of time when interacting with people who are helpful vs. falling into the trap of playing the numbers game. 

 

Read the rest of the post, which includes two more Twitter tips and a special note, on Publishing Geek.

Angst And Other Things Authorly

This post, by Peg Brantley, originally appeared on the Crime Fiction Collective blog and is reprinted here in its entirety with that site’s permission.

When I slid over to the serious side of writing in 2004 and began learning a little bit about the craft, it became necessary to suck “Id” up and let other people read the words I’d written. The wait was terrible as my critique partners made their way through what was certainly mangled and bruised and very purple-y colored prose.

 

Fast-forward eight years to the beginning of 2012 when my first novel was published. I was torn between wanting everyone to read it and hoping no one would. People who knew me and had certain expectations of my abilities would read my book—and I would no longer be able to fool them. They would shake their heads at how easily they’d been conned. Publishing a book that proved I was not really as talented as I pretended was a very different way to come out of the intellectual closet. Almost as bad was the thought that complete strangers would read my novel and pass judgment on me within minutes. They wouldn’t even give themselves a chance to get to know the phony me. The angst loomed so large that I questioned any positive comments believing they were merely politely phrased pity.

So now, here I am, less than two weeks away from the release date for novel number two, The Missings. (No, I don’t write that fast. This was a manuscript that was written prior to Red Tide. I just needed to go back and apply things I’d learned.) I’m sure I’m going to disappoint some people who have been waiting for a series. (Go figure. I guess they did like the book.) I’m using the same fictional town but different characters. I’m going to disappoint some people who expect another thriller. Number two is a police procedural. And there’s only one dog in it and he’s not exactly in the spotlight. (Red Tide has some hero-dogs.)

The angst began early for this one and it’s building. I’ve sent the book out to beta readers. Their feedback came in and when there were pages and pages without comment I was sure they were bored and had skipped entire scenes. I had lost the pace or the story or whatever and therefore, I lost a reader. Never mind that I asked my enlisted volunteers to watch for that sort of thing in particular. Never mind that they told me they loved those pages. I was convinced I was doomed.

The next item on the agenda was a professional edit from Jodie Renner (who was a joy to work with, by the way). It’s now been formatted for Kindle, has been endorsed and reviewed and soon it will be time for that huge and final, no-going-back step. The step that requires me to jump off a cliff and knit wings on the way down.

The step requires me to trust the process. Trust that my meshing of words will find the audience they were meant to find. Trust that my book will provide as much entertainment as the next authors. Trust that I will live to take another breath and write another book and have the wonderful opportunity to be just as unsure about everything all over again.

Whatever it is you do in your life, if you feel moments where you are vulnerable and scared, then you’re doing something significant. It might be as large as saving thousands of lives, or as small as writing a book that gives people a few hours of escape into someone else’s life.

I’ve come to embrace my angst. Well, sort of. But I’ve pretty much concluded that if the angst leaves entirely, it might be time to move on.

How about you? Are you ever filled with angst? Or a little bit of dread? I’d sure love to have some company.

 

Peg Brantley’s debut thriller, RED TIDE, has found its way into the hands of more than 35,000 readers in the six months since its publication. THE MISSINGS, a police procedural, will be available soon

How I Write Female Characters

This post, by Marie Brennan, originally appeared on Science Fiction & Fantasy Novelists on 4/16/09.

But Marie — aren’t you a woman?

Yes, I am.

Do you really mean to imply that you write female characters in some different, specific way?

No, I don’t. Thank you, Imaginary Questioner, for leading me to the exact point I want to make.

 

Some years ago, a writer-friend asked me what I thought of his female characters. I told him that honestly, I hadn’t given them much specific thought. But now that I did, it seemed to me that he wrote them first as people, second as whatever kind of people they were (a soldier, a noblewoman, etc), and third as women. And that as far as I was concerned, that was the right way to do it.

That’s how I write characters, be they male, female, or (in the case of one story I’m wrestling with) mystical bilateral hermaphrodites. Female characters aren’t “marked” in my head, but neither are male ones; when I sit down to include a male character in a story, I don’t ask myself “okay, what are things guys do? They belch, they fart, they scratch themselves, they drink lots of beer –” A) That way lies stereotyping and B) I know plenty of women who do those things, too. When Deven gets drunk with his buddies and suffers through a hangover early in Midnight Never Come, he doesn’t do that because I was trying to write Guys, he does it because I was trying to write young Elizabethan gentlemen who had gone to war together welcoming a newcomer into their ranks. Their gender was not their foremost defining characteristic.

Of course, if you follow the path I outlined above, you run the risk of a result aptly described in The History Boys (though they’re discussing Michelangelo’s nudes): “These aren’t women, they’re men with tits. And the tits look like they’ve been put on with an ice-cream scoop.” Except I question the “of course”-ness of that danger; I have a hard time thinking of any stories I’ve read or watched where the women seem like men with a female paint job on top. The reason for that may lie in last month’s post; I’m more likely to process those characters as women who happen to exhibit characteristics usually associated with masculinity, rather than as somehow Not Real Women.

 

Read the rest of the post on Science Fiction & Fantasy Novelists.