Publetariat

A One-Man Operation

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This post by Hugh Howey originally appeared on his site on 2/4/14.

So, my publisher in Taiwan is a badass. Yes, a singular badass. Erik runs Nautilus Publishing all by himself. He designs the cover art, writes the blurbs, translates the books, answers the phone, handles email, and tugs handcarts loaded with books to his booth at the Taiwan International Book Fair Exposition.

And everything he touches turns to gold. I have no idea how any of this is possible. I’m in awe of the man. Gobsmacked and awed. The #1 bestselling work of science fiction in Taiwan was translated and published by him, and he’s only been doing this since 2010. WOOL looks poised to overtake that work. There are 50,000+ copies in print. Fifty thousand! And DUST, which he launched last week, debuted at #1 in all of Taiwan.

Seriously. How? Where’s the sales team? Where’s the marketing team? Where is the person who runs to Staples for office supplies? How does he do it?

I grilled him over dinner, eager to divine the man’s secrets. Two books a year? And they’re always bestsellers? Spill it, man.

 

Click here to read the full post on Hugh Howey’s site.

 

10 Mind-Blowing Theories That Will Change Your Perception of the World

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This post by Anna LeMind originally appeared on The Mind Unleashed on 7/2/14. There’s some excellent fodder here for Science Fiction, Fantasy, Magical Realism and Dystopia authors.

Reality is not as obvious and simple as we like to think. Some of the things that we accept as true at face value are notoriously wrong. Scientists and philosophers have made every effort to change our common perceptions of it. The 10 examples below will show you what I mean.

1. Great glaciation.
Great glaciation is the theory of the final state that our universe is heading toward. The universe has a limited supply of energy. According to this theory, when that energy finally runs out, the universe will devolve into a frozen state. Heat energy produced by the motion of the particles, heat loss, a natural law of the universe, means that eventually this particle motion will slow down and, presumably, one day everything will stop.

 

2. Solipsism

Solipsism is a philosophical theory, which asserts that nothing exists but the individual’s consciousness. At first it seems silly – and who generally got it into his head completely deny the existence of the world around us? Except when you put your mind to it, it really is impossible to verify anything but your own consciousness.

 

Click here to read the full post on The Mind Unleashed.

 

M. Louisa Locke: From Academia to Authorship, A Dream Deferred

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This article by Tim Knox originally appeared on Interviewing Authors.

Tim Knox: Hey friends, welcome in to Interviewing Authors with Tim Knox, another great show for you today. M. Louisa Locke is my guest, my friend Mary Lou Locke. She has quite the history. She’s a retired professor of women’s history, embarked on a second career as a historical writer and her Victorian San Francisco mystery series is based on the research she did to get her doctorate.

The series features Annie Fuller, a boarding house owner and pretend clairvoyant. The series thus far includes Maids of Misfortune, Uneasy Spirits, Bloody Lessons and the new book soon to come out, called Deadly Proof.

Now if you are interested in writing historical fiction this is an interview you don’t want to miss. Mary Lou talks about all of the work that she puts in and the research she does to make sure things are accurate. But then again she also talks about things like bringing humor into the story and the mystery and the romance.

So just a really good interview with M. Louisa Locke on this edition of Interviewing Authors.

Tim Knox: Mary Lou, welcome to the program.

M. Louisa Locke: Well it’s very good to be here, Tim.

Tim Knox: To begin let’s hear a little bit about you. Tell us about your background.

M. Louisa Locke: Okay most of my life, career as an adult I was a college professor. I got a doctorate in history in the late 1970s, early 1980s. I spent most of my career teaching at San Diego Mesa Community College, so teaching freshman U.S. History and U.S. Women’s History. That’s what I did with most of my career but I always wanted to write historical fiction. In fact my high school yearbook when it said ‘what do you want to do with your life?’ I said I wanted to write.

I understood by college that most writers couldn’t make a living and so I decided that I would make history my profession and then the hope was that I might be able to write fiction on the side. In many ways that dream got deferred until I was in my late 50s and I was semi-retired. I thought I would give writing another shot. I’d written a rough draft of the book that became my first book years earlier. I published as a self-published independent author and it sold and I made enough money by the second year to retire completely. So I really now have a second career as a full-time writer. It’s really a dream deferred that I really did not expect to get fulfilled.

 

Click here to read the full article (or listen to the podcast) on Interviewing Authors.

 

The Art Of Using Correct Verb Tenses In Your Writing

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This post by Writer’s Relief Staff originally appeared on The Huffington Post on 4/2/14.

Enforcing consistent verb tense in your writing is crucial. Nothing makes an editor’s brain hurt more than trying to read through distracting or confusing verb tenses. If one sentence has so many varying tenses that readers don’t know if you’re coming or going, you can be sure your work is going to end up in the editor’s reject pile.

But choosing the right verb tense isn’t always easy. Let’s start with the basics:

The Simple form (aka stick-figure art)
Past: I drew.
Present: I draw.
Future: I will draw.

Jake drew a picture of Mary.

So simple and easy, you’re probably thinking: Thanks, Captain Obvious. So let’s take it up a notch. What if you want to imply action that ends in a specific time frame? Then, you would use the Perfect form:

 

Click here to read the full post on The Huffington Post.

 

A 'Wimpy' Plan to Save the Physical Book

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This article by Sona Charaipotra originally appeared on The Atlantic on 6/20/14.

Children’s author Jeff Kinney’s new shop will emphasize reading as a tangible, community experience in a digital, fractured world.

Jeff Kinney, the man behind the astonishingly powerful Diary of a Wimpy Kid series, is leading the revolution.

That’s been the theory behind the bestselling author’s just-announced plans to open up an indie bookstore in tiny Plainville, Massachusetts. It’s been framed as a call-to-arms against Amazon in the wake of its strong-arming tactics in negotiating with the big five publishing houses, starting with (fellow giant) Hachette.

Take back the power, fight the system, and all that, right?

Wrong.

If Kinney’s stoking a counterculture, it’s to harken back to the past. In his Plainville shop, he imagines a cozy, well-worn space with old tomes and tea, frequented by locals and writerly souls. “A physical book has a heft, a permanence that you don’t get digitally,” says Kinney in an interview. “So our hope is that the bookstore will remain a vital, important part of communities across the country and the world.”
 

Click here to read the full article on The Atlantic.

 

How to Treat Geological and Astronomical Terms

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This post by Mark Nichol originally appeared on Daily Writing Tips.

Determining whether to refer to geological and astronomical terms with initial uppercase or lowercase letters can be a challenge, because various publications and publishers differ on capitalization style. The following guidelines, however, appear to predominate:

 

Names of geological time spans are capitalized, but the terms for the magnitude of duration (eons, eras, periods, epochs, and stages, in descending order of length), are not; in scientific and nonscientific prose alike, these terms can be omitted:

“The Mesozoic is also known as the Age of Dinosaurs.”

“Mrs. Wattle has been teaching Freshman Composition since the Mesozoic.”

 

Whether modifying terms such as early, middle, and late are capitalized depends on whether they are themselves modified:

“Tyrannosaurus rex lived during the Late Cretaceous.”

“The Deccan Traps erupted in the very late Cretaceous.”

“Ice age” is considered a generic term because multiple such events have occurred.

 

Click here to read the full post on Daily Writing Tips.

 

Writing: How to Self-Edit Your Novel

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This post by Jessica Bell originally appeared on the ALLi blog on 6/26/14.

Professional editor Jessica Bell, an Australian author and poet living in Athens, Greece, shares her top tips for polishing your fiction writing. Her advice will help you make your book the best it can be, prior to publication. This post complements Derek Murphy’s recent article about employing editors.

Ugh. It’s time to edit your novel. What a drag, right? It doesn’t have to be.

If you take a systematic approach, you can make sure you catch as many mistakes and writing pitfalls as possible without feeling overwhelmed by it all.

I’ve been an editor for more than ten years, and there is the one rule I live by which gets excellent results every time: edit piece by piece.

Sound ambiguous? Let me explain.

 

The Editing Process

When we read a manuscript from beginning to end, we aren’t able to concentrate on every detail at once.

For example, let’s say you’ve read through the first chapter of your manuscript and the only error you notice is the word cafe lacking the accent on the e. Easy. You fix it. And you make a mental note to catch that as you go along.

 

Click here to read the full post on the ALLi blog.

 

Four Important Questions About Your Brand

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This post by Joe Wikert originally appeared on his Joe Wikert’s Digital Content Strategies on 5/20/14.

Publishers tend to take their brands for granted, especially when they feel it’s well defined and doesn’t need attention. Since the core meaning of a brand needs to remain consistent it’s hard to argue with leaving things as is.

Nevertheless, there are times when every organization needs to take a step back and make sure their brand conveys the right message. This is particularly important for an industry like publishing, which has experienced several years of disruption.

Here are four questions leaders and brand managers should ask themselves from time to time:

What’s the first thing that enters a consumer’s mind when they see your brand?

This is the most important question of all. Regardless of what you want your brand to convey, consumers have their own interpretation. I’m not a big fan of focus groups since they sometimes lead to “New Coke”, but this is a customer survey that’s worth the time and effort to conduct.

 

Click here to read the full post on Joe Wikert’s Digital Content Strategies.

 

Think Outside the Bookstore

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This post by Heidi M. Thomas originally appeared on The Blood Red Pencil on 6/23/14.

When my first book, Cowgirl Dreams, was published, I was shocked and surprised to learn that you don’t necessarily sell books in bookstores. That just doesn’t seem logical, does it?

Well, it does, if you think about it.  Bookstores shelve thousands of books.  Customers have their favorite well-known authors and usually they go in specifically to purchase that particular author.  Some may browse and run across your book and be intrigued enough to buy it, but unless your name is John Grisham or Danielle Steele or Nora Roberts, don’t count on it.

Even when I put on a reading and PowerPoint presentation one time at a local independent bookstore, I had an audience of about twenty people, but I sold two only books.

Seems daunting, doesn’t it?  Where do you sell books, if not in bookstores?

Since my novels are based on my grandmother who rode bucking stock in rodeos, I look for any store or event where people might be interested in rodeo, horses, ranch life, and cowgirls. My very first signing was at a local Farmers Co-op store, where they sell feed, farm supplies, and some gift items. It was around Christmastime, they featured a “customer appreciation day,” and Santa was there.  I sold about 20 books in three or four hours.

 

Click here to read the full post on The Blood Red Pencil.

 

What Every Self-Published Author Needs to Know About Taxes

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This post by Helen Sedwick originally appeared on Jane Friedman’s blog on 6/18/14.

Note from Jane: Today’s guest post is by attorney Helen Sedwick (@helensedwick), an attorney licensed to practice in California only. She just released the Self-Publisher’s Legal Handbook, now available in ebook and paperback formats.

This information is general in nature and should not be used as a substitute for the advice of an attorney authorized to practice in your jurisdiction.

Most writers don’t realize that their memoir, short story collection, children’s book, or novel could mean money in their pockets, even if sales are disappointing.

Suppose you spend $5,000 hiring editors, designers, and other freelancers to publish your book. At the end of the year, you’ve made $2,000 in sales, which you offset with $2,000 of expenses. Can you deduct the remaining $3,000 from your “day job” income and reduce your income taxes?

Yes, if you treat your writing as a business and not a hobby.

U.S. tax code encourages new businesses by permitting entrepreneurs to offset losses from one business from other income as long as the owner has a serious intent to operate the business at a profit. The IRS wants you to succeed, so they can tax your income later.

 

Click here to read the full post on Jane Friedman’s blog.

 

Censorship: Who Decides, and How?

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This post by Dani Greer originally appeared on the Little Pickle Press blog on 6/25/14.

Yesterday, I wrote a bit about book banning and censorship, and posed the question: who should be the censor?

When I was growing up, it was my mother, who was German and not particularly well-read. I grew up with books like Struwwelpeter which in my not-so-humble opinion should be banned from the planet. But my mother, who has a quite common German sense of humor (i.e. different from American humor), adores this book and continues to buy it – now for her great-grandchildren. We have argued the point, and she will never understand my view that the book is violent and offensive, even as I can’t understand where she sees any humor in the collection of stories.

Now multiply that scenario by many books, and countless families, within many community schools and libraries and you can see the challenges of finding acceptable middle ground. Because, yes, a compromise must be reached in any arena in which funding is supplied by the general public. When taxpayers are involved, the greatest number of people must be pleased by their joint expenditures. It’s perhaps an impossibility in actuality, but my point is, that should be the goal of government. I know this stance will offend many small groups on the extreme right and left of an issue, but stick with me for a moment and pretend you agree that the best way to handle censorship is by pleasing the bell curve.

 

Click here to read the full post on the Little Pickle Press blog.

 

Creative Ideation: Know When to Say When

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This post by Tom Nixon originally appeared on alchemy on 6/24/14.

Throw out your first idea, and work to improve your last.

When starting a creative project, whether it be a marketing campaign, an advertising concept, a website relaunch or new brand strategy, there is a common pitfall that is very difficult for some to overcome — falling in love with the first idea.

Usually, the first idea that comes to you does so rather easily. Take that as a warning sign, not as a comfort. If it comes naturally and intuitively, it could be that you’re a creative genius. Let’s not bank on that. It’s more likely that your idea has already been done before. So, subliminally, you’ve arrived in a comfort zone because your idea has already been tested and validated in the market, so it feels both safe and creative at the same time.

The problem is, your safe and creative original idea is too often nothing more than a “me-too” regurgitation of someone else’s idea.

 

Click here to read the full post on alchemy.

 

They Might Be Giants

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This post by Philip Jones originally appeared on FUTUReBOOK on 6/24/14.

Are we at the beginnings of a backlash against big tech? Last week the New Yorker published a disruption takedown from Jill Lepore in which she castigated the tech community for its “reckless and ruthless” philosophy of disruption. Over the weekend the Observer criticised tech companies for sometimes thinking “they are above good rules”. A few weeks ago the New Statesman ran a series of articles puncturing the Silicon Valley dream, and warning about the “political and social damage that may be done by the future land-grab being pursued by the big internet companies”.

For publishers the context for this are the ongoing negotiations between Amazon and its suppliers over supremacy in the book business. As The Bookseller exclusively reported yesterday, Amazon’s latest terms indicate a direction of travel that would see the online retailer take a sizeable control over both a publisher’s inventory and its marketing. Can’t deliver fast enough to meet Amazon’s super-efficient distribution machine? Amazon would now POD the book. Not sure how best to market a book, or a list? Amazon could do it for you, albeit for a cut of the turnover.

 

Click here to read the full post on FUTUReBOOK.

 

Writer’s Digest Dumps Author Solutions

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This post by David Gaughran originally appeared on his Let’s Get Visible site on 6/23/14.

I have some huge news: Writer’s Digest has terminated its partnership with Author Solutions.

Abbott Press – the imprint launched by Writer’s Digest, parent company F+W Media, and white-label vanity press provider Author Solutions – is still operational, but all ties to Writer’s Digest have been cut.

It appears that Abbott Press will now be run directly as yet another Author Solutions brand but Writer’s Digest and F+W Media will have no further connection with it. (If you are unfamiliar with Author Solutions and its awful history, this will bring you up to speed.)

Writer’s Digest and F+W Media refuse to comment, despite being given several opportunities, but I’ve had this news confirmed by multiple sources. As Author Solutions only tends to allow early termination of partnership agreements if the partner signs a series of non-disclosure agreements, a formal announcement or comment is unlikely.

 

Click here to read the full post on Let’s Get Visible.

 

Hybrid Model: Agents’ Changing Roles Add Value to #Indie #Authors

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This post by Toby Neal originally appeared on her blog on 4/4/14.

This week was filled with excitement as I signed with Foreword Literary, a dynamic  literary agency with offices in San Francisco, New York and Chicago. I had the joy of meeting and getting to know one of the agency founders, Laurie McLean, at the Big Sur Writer’s Conference in Monterey. Her enthusiasm and dynamic energy were a match for mine as we brainstormed ideas and exchanged backstories over coffee and dinner. After just a few minutes I knew this was an agent who fully understood the challenges ahead for the publishing industry, both from the indie side and from the legacy side.

“I’m from a tech and marketing background, so I think differently about books,” Laurie told me, her animated face shining with enthusiasm. “I see stories in all their forms, whether they are consumed on paper, via ereaders, in videogames, on the big screen, or on YouTube. We’re pioneering here, and I think the ‘hybrid’ model of selecting the best publishing medium for each project, be it self-publishing or traditional, is the way of the future. In fact, Foreword believes so much in this hybrid model, we predict most authors will become hybrid authors over the next five years. We’re here to show them how to make that transition.”

I couldn’t sign up fast enough! So I’d like to introduce Laurie McLean, “foreword” thinking agent extraordinaire, to all of you. She’s agreed to answer some questions about the hybrid model and other topics!

 

Click here to read the full post on Toby Neal’s blog.