Publetariat

Writing A Relationship

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This post by Adam Ganz originally appeared on The Last Word on Nothing on 8/20/14.

About a year ago I sat in the Members’ Room at the Royal Society as Professor Judith Howard FRS, once a doctoral student of Dorothy Hodgkin’s, explained how crystallographers worked in the early days. She showed me how Dorothy would begin by calibrating the black circles in an X-ray diffraction pattern by eye, to begin the long process of assembling from the shadows cast by an X-ray beam the complex three-dimensional arrangement of atoms in the molecule. Hanging on the wall outside was a Henry Moore drawing of Dorothy’s arthritic hands, the hands she said she thought with.

What intrigued me [was] seeing the combination of skills she needed, not only mathematics but hand and eye co-ordination and vision to work out how the thousand atoms in say the Vitamin B12 molecule fitted together. It was somewhere between chess and Rubik cube- a giant jigsaw puzzle where she couldn’t see the picture, or even all the pieces.

I met Judith as part of my research for a radio play about Dorothy Hodgkin and Margaret Thatcher, two extraordinary women who reached the pinnacle in their chosen spheres –and were about as different as any two women could be.  From 1943 to 1947 Hodgkin was the then Margaret Roberts’ s chemistry tutor at Somerville College, Oxford from 1943 -1947 when Hodgkin was working at the cutting edge of X ray crystallography. In her fourth year Thatcher worked in Hodgkin’s lab on a molecule called Gramicidin S, which originated in the Soviet Union and had some antibiotic properties.

 

Click here to read the full post on The Last Word on Nothing.

 

Scam Alert: Editors Beware

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This post by Dave Bricker originally appeared on The World’s Greatest Book on 8/11/14.

I was con­tacted by a not-so-articulate per­son who requested my ser­vices as an edi­tor for an arti­cle. I looked at his doc­u­ment and found a ten-page para­graph that needed plenty of help. I wrote a polite response explain­ing that this piece would be time-consuming and expen­sive to edit, but the author seemed intent on hav­ing me rewrite it. He read­ily agreed to my price, explained his 30-day dead­line and told me he’d send a check.

If this doesn’t sound sus­pi­cious to you, it should.

Pay atten­tion and stay safe.

In a relationship-based busi­ness like edit­ing or design, a new client is almost always a referral.

“I saw the work you did for Jim Smith. I was won­der­ing if you ….”

If you pub­lish a web­site or blog, intro­duc­tions invari­ably start with,

“I read the arti­cle you posted about ….”

This client vol­un­teered no point of reference.

 

Click here to read the full article on The World’s Greatest Book.

 

14 Books That Change When You Reread Them Later in Life

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This post by Andrea Romano originally appeared on Mashable on 8/17/14.

As you get older, you start seeing the world a little differently — the same goes for the books you read.

Whether it was a book you were forced to read in sophomore English class or your favorite childhood novel, some literary classics have a strange way of changing when we revisit them as adults. For better or worse, things just can’t stay the same.

You may find yourself rereading these familiar titles a little differently once you’ve started writing your own life chapters. It’s funny what a little life experience can do.

 

1. Catcher in the Rye by J.D. Salinger

When you’re 15, you totally understand Holden Caulfield’s angst and isolation. However, reread this literary classic in your thirties and you start to roll your eyes every time this protagonist calls someone a “phony.”

 

2. The Giving Tree by Shel Silverstein

The heartwarming story of the self-sacrificing tree that gave everything it had to provide for the boy it loved becomes a slightly sad and disturbing story when you gain a more worldly perspective. As the boy takes more and more from the tree in the story, you start to think, “how about some quid pro quo?”

 

Click here to read the full post on Mashable.

 

Ten Things You Should Know About HP Lovecraft

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This post by Sian Cain originally appeared on The Guardian Books Blog on 8/20/14.

Howard Phillips Lovecraft was born on this day in 1890. We celebrate his birthday with 10 titbits about the father of weird and wonderful horror

1. Both his mother and father were separately committed to the same mental institution

Winfield Scott Lovecraft was committed to Butler Hospital after being diagnosed with psychosis when HP Lovecraft was only three years old. He died in 1898, when HP was eight. To this day, rumours persist that Winfield had syphilis, but neither HP nor his mother ever displayed symptoms.

Sarah Susan Phillips Lovecraft was later committed to Butler in 1919. She remained in close correspondence with her son for two years, until she died of complications after surgery.

 

2. He wanted to be a professional astronomer but never finished high school

As a sickly child, Lovecraft only attended school sporadically and was essentially self-educated. He was drawn to astronomy and chemistry, and the writings of gothic authors such as Edgar Allan Poe. Due to what he termed a “nervous breakdown”, Lovecraft never finished high school and instead only dabbled informally in his passions.

 

3. He rarely went out in public during daylight

 

Click here to read the full post on The Guardian Books Blog.

 

What NOT To Do On CreateSpace

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This post by Laurie Boris originally appeared on Indies Unlimited on 5/20/14.

When you’re getting ready to release a new title, it might seem handy to hop onto CreateSpace first to craft your print version and then hit the big magic button allowing them to format your e-book. Automation is more awesome than videos of tap-dancing kittens, right? Um, in this case, not so much. Allowing CreateSpace to make an e-book out of your print version is asking for trouble, and here’s why.

When you format an e-book directly from the word processing document you used to prepare your final manuscript, you have a good measure of control. Or as much control as you can have over a process in which the user can modify the appearance of the product and you’re trying to satisfy the quirks of a multitude of e-reading devices. If you choose to do your own formatting, and follow the guidelines supplied by your online retailer, you can prepare that document for upload to Amazon or a spin through Smashwords’ meatgrinder with tidy results and few if any formatting errors. (The Smashwords style guide is particularly user friendly, or see Melinda Clayton’s tutorial on how to use the “nuclear” option to zap weird coding errors out of your document.)

 

Click here to read the full post on Indies Unlimited.

 

Surviving in the Amazon Jungle – How Authors and Reviewers Can Co-exist in a Hostile Environment (and run to court if they don’t)

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This post by Pete Morin originally appeared on his site on 3/20/14.

Well, the Rice Petition has lost a lot of its steam as author after author continues to sign it with no apparent understanding of exactly what it proposes (based upon their own comments), but in the meantime, there has been a lot of discussion, and agreement, that Amazon’s review guidelines could use a few tweaks and a lot more enforcement.

There has also been a fair amount of criticism that demanding the true identities of ten million customers of Amazon products was too high a price to pay for a few dozen militant female reviewers to be “taught a lesson” by Queen Anne.

In that light, I began to consider the kind of actions the author and reviewer could take to both clarify their expectations in the book review arena and provide meaningful remedies against wrongdoers. There is no reason to send the cockroaches into the woodpile when a few well-coined provisos and wherefores can bring about harmony and understanding.

As a (dreaded) litigation attorney, I am forced to parse the language of contractual covenants, indemnifications, waivers, warranties, representations, certifications, promises and disclaimers. While the reading is excruciating, I take comfort in the fact that, pedantic and dull as they are, these kinds of clauses are usually enforceable according to their terms, no matter what they say. As long as both parties agree to the language and it is otherwise unambiguous and capable of only one meaning, it will be enforced in the event of a breach and consequent suit.

 

Click here to read the full post on Pete Morin’s site.

 

More Thoughts on Wattpad

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This post by Elizabeth Spann Craig originally appeared on her blog on 8/15/14.

I blogged in May that I was giving the publishing platform Wattpad a go.  I was somewhat worried about this decision at the time, wondering if my octogenarian protagonist and I would fit in among the youthful readers on the site.

From May to August, I went from several reads to steadily increasing reads.  Nothing I’d call spectacular.  But each day or couple of days I’d get a notification that I had someone else following (I think of them more as subscribers of) my story.  The number of reads (not readers, reads of each chapter) grew and with them grew more visibility.  That’s how it works at Wattpad.

Now, suddenly, I have over 18,000 reads.  I’ve done absolutely nothing to get these.  I’ve not been actively networking, not been joining groups.  I’ve been pretty darn introverted on the site except for my pleasant exchanges with readers who have commented on each chapter.

 

Click here to read the full post on Elizabeth Spann Craig’s blog.

 

Pursuing the Creative Muse

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This post by J. Cafesin originally appeared on the Cafe 42 blog on 2/18/14.

How do you get good at anything?
Practice.

How do you get great?
Obsession—Practice most all the time.

Pick any famous author, artist, musician, and they’ll all have obsession in common. And while we, the public, enjoy the fruits of their creative labor, those closest to these individuals were/are generally left wanting.

Charles Schulz, creator of the Peanuts comic strip, “was an indifferent and often inattentive father and husband.”

Rod Serling, of Twilight Zone fame, “worked 12 hours a day seven days a week, [and] his wife, Carol, tended to their daughters, Jodi and Anne.”

Adrienne Armstrong, wife of Billy Joe Armstrong of Greenday said of her husband after the release of the album American Idiot, “I think it challenged us to a new level, pushed us pretty far, the farthest I ever want to go.”

The creatives above are all men. All married and all had/have children.

Now let’s explore a few famous women.

 

Click here to read the full post on the Cafe 42 blog.

 

Why Write?

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This post by Cathy Fyock originally appeared on The Working Writer’s Club on 8/14/14.

Getting clear on the purpose for your writing is one of the significant hurdles to getting your book completed. If you don’t know how you’ll use your book in your business, you may miss the mark or fail to leverage the full value of your authorship.
By being clear on how your book will benefit you and your business, you’ll find that you can justify the necessary time to write it. You’ll also find that identifying your purpose will provide fuel for your motivation and drive.

Look at the list below and determine which of these benefits of writing a book will fuel your motivation for getting your book completed. And, be sure to add to this blog by commenting [beneath the original post, here] on the benefits you plan to derive (or are currently receiving) from authorship.

To give to prospects as a “calling card”

To help sell your professional services

To establish your credibility

To gain media exposure

 

Click here to read the full post, which includes MANY more specific reasons for writing and publishing, on The Working Writer’s Club.

 

Konrath's Advice to Publishers

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This post by J.A. Konrath originally appeared on his A Newbie’s Guide to Publishing blog on 8/17/14.

Over four years ago I wrote a blog post about ebooks:

Joe sez in May 2010: I’d always assumed that print publishers would begin to lose market dominance once ebooks took off in a big way, and they’d have to either restructure or die.

But now I’m predicting another death for them.

What is going to happen when authors stop sending their books to publishers?

If I know I can make $100,000 on a self-published ebook in five years of sales, and I have the numbers to back up this claim, why would any informed writer–either pro or newbie–ever settle for less?

The dominance of ebooks is coming. I have no doubt. But I always thought it was the readers who would lead the charge, based on cost and convenience.

Now I’m starting to believe that the ones with the real power are the ones who should have had the power since the beginning of publishing. The ones who create the content in the first place.

The authors.

It’s a wonderful, dynamic, empowering time to be an author. For the first time, we can command our own ships.

We’re the ones who write the books. We can reach readers without any gatekeepers at all. And we can make money doing it.

The print publishing industry’s biggest fear shouldn’t be the eventual dominance of ebooks over print.

 

Click here to read the full post on A Newbie’s Guide to Publishing.

 

Announcing Pre-order for KDP

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An email Amazon sent to KDP authors today:

We’re excited to announce that you can now make your new books available for pre-order in Kindle Stores worldwide. With a few quick and easy steps you can create a pre-order page up to 90 days in advance of your book’s release date–your pre-order product page will be created within 24 hours. When you make your book available for pre-order, customers can order the book anytime leading up to the release date you set. We will deliver it to them on that date.

One advantage of using pre-order is that you can start promoting your Kindle book pre-order page on Author Central, Goodreads, your personal website, and other places ahead of its release to help build excitement for your book. Also, pre-orders will contribute toward sales rank and other Kindle Store merchandising ahead of release, which can help more readers discover your book.

Visit your KDP Bookshelf to set up your new book for pre-order.

Best regards,
The Kindle Direct Publishing Team

Questions? Learn more about pre-order on our Help page.

 

The New Bestseller Lists

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This post by L.J. Sellers originally appeared on The Kill Zone on 8/11/14.

Elements of the publishing industry have never been more hotly debated! The most passionate discussion is the Amazon/Hachette dispute over distribution terms and pricing, but another issue has come up that may have a broader effect on authors. Or at least, a more personal influence.

Amazon’s new Kindle Unlimited program was unveiled recently, and it’s already affecting the measure by which authors all live—the Kindle bestseller lists.  I’ll get to that in a moment, but first the background: Kindle Unlimited (KU) is a subscription service for ebooks. For $9.99 a month, readers can download all the digital books they want. So far, the books included in the service mostly come from the Select program of Kindle Direct Publishing (KDP) and Amazon Publishing (AP) imprints.

[You can enroll in the KDP Select program by clicking on the box when you upload your book. When you click the Select box, you’re agreeing to make that ebook exclusive to Amazon and not sell it in ebook form anywhere else. In exchange, you get various promotional opportunities, plus you’re enrolled in KOLL (the lending library), so you get paid each time someone borrows your book. And now, with the new program, you’re also in Kindle Unlimited, for even more paid sales.]

 

Click here to read the full post on The Kill Zone.

 

The Ideas Have It

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This post by Philip Jones originally appeared on Futurebook on 8/12/14.

When The Bookseller launched the FutureBook Hack earlier this year, I wrote that the “book business has a remarkable record in publishing innovation, and a terrible reputation for digital inertia”. Part of the reason for this is that there are more ideas about this business, and what might be changed about how we go about the business, than there is capacity within it for the ideas to be given the oxygen they need. Just last month I noted a list of ten innovations I thought deserved greater attention, and last week Porter Anderson interviewed Headline’s Ben Willis, the person behind Bookbridgr.com, an idea which I cruelly left off my original list.

At the FutureBook Conference last year we asked a panel of industry experts for their big ideas. Each speaker got 5 minutes to pitch one way in which the industry could improve. The ideas looked at adapting to a shifting digital landscape, cultivating innovation and how to make the most of technological changes.

 

Click here to read the full post on Futurebook.

 

Historical Fiction with Catherine Czerkawska # 1

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This post by Catherine Czerkawska originally appeared on the Edinburgh Ebook Festival 2014 site on 8/11/14.

1 THE CURSE OF PRESENTISM

Thanks to Valerie Laws of Authors Electric for helping me out with the term presentism. I wasn’t aware of it, but it neatly encapsulates a point I want to make – and it seems like as good a beginning as any to this residency. Here’s a useful Wikipedia definition: Presentism is a mode of literary or historical analysis in which present-day ideas and perspectives are anachronistically introduced into depictions or interpretations of the past. A quick scan online will reveal plenty of blog posts and other pieces pontificating (with some justification) about anachronisms in historical fiction as well as in film and television programmes. Sometimes they can be deliberate. The judicious use of anachronism in movies like A Knight’s Tale where the fuss and adoration surrounding participants in these Mediaeval tournaments is beautifully paralleled by that accorded to gladiatorial athletes like Ice Hockey players, manages to be both accurate and illustrative of a genuine truth about the times. We recognise the parallel and extrapolate from it. It’s also enjoyable and entertaining. There are novels as well as movies where these deliberate anachronisms are used to illuminate some kind of parallel between past and present culture and society. In many ways they involve the opposite of presentism, using present day ideas and preoccupations to elucidate the past.

 

Click here to read the full post on the Edinburgh Ebook Festival 2014 site.

 

Reading Instead of Tweeting: Part II

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This post by Kelly originally appeared on the Little Pickle Press blog on 8/7/14.

I don’t just watch trends happen in education when it comes to reading: I live them daily. In my two decades as an educator in various capacities, I have seen my share of trends come and go when it comes to instruction of reading, but there are some constants and hard data that educators and parents use to make decisions about reading. The research is telling us a number of disturbing trends about how fewer parents are reading to their children and that in the previous 30 years we’ve seen reading decline further and further amongst children.

So, when I hear things like “Kids just aren’t reading these days!” I have to stop myself from arguing against it when the research and data tells us that it’s true. Developmentally, reading is a part of what makes our imaginations blossom and our worldview expand, but I also know that there are other things capturing the attention of children.

Naturally, much of this discussion comes with advances in technology and apps that are appealing to younger and younger children. Getting my own teens to continue reading long after I stopped reading to them was a battle but we got lucky in that they found what interested them early on and it they were varied genres. Of course, I didn’t have to compete with smartphones or easily accessible apps to get my own children to read. While they were growing up the media that vied for their attention was the television or video games and even that wasn’t seen as an “addiction” like many believe it to be today.

 

Click here to read the full post on the Little Pickle Press blog.